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AI artwork
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므느으

Sztuka AI autorstwa 므느으 na PixAI. Utworzono z Tsubaki.3 Flash.

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므느으

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Komentarze

1boy, solo, best quality, masterpiece, from below, close-up, cowboy shot, dutch angle, looking to the side, head tilt, half-closed eyes, raised eyebrow, one hand in pocket, arm support, leaning forward, short hair, tousled hair, chestnut brown hair, brown eyes, white shirt, button-down shirt, rolled-up sleeves, sleeves rolled to elbows, forearms bare, slim-fit pants, navy blue chinos, belt, collared shirt, open collar, no accessories, bare ears, bare wrists, plain background, standing on one hip The camera sits low and close, tilted a few degrees off level, looking up across the young man from hip to shoulder so the height of him rakes away from the lens. His weight rests on his left leg, the left hip pushed out and the right knee loose, right hip dropped; his right shoulder leans a few degrees ahead of the left, so the crisp white cotton button-down pulls taut across the chest and the free placket edge lifts a little off the sternum. Both sleeves are rolled twice into a tight band just below each elbow, and the bare forearms taper into his pockets -- his right hand is shoved deep into the right navy chino pocket, thumb hooked over the seam, the knuckles of that hand pushing a soft bulge into the fabric; his left arm hangs relaxed with the hand loose, fingers half-curled, nothing held. The open collar sits askew, top button undone, one triangular flap of the white cotton turned up against the tendon of his neck. His chin is tilted down toward his right shoulder, eyes half-lidded and turned off to the right edge of the frame, past the camera, reading as unimpressed appraisal rather than engagement; one brow is cocked higher than the other and the corner of his mouth on that side crimps slightly, no teeth. Short chestnut-brown hair is tousled in loose clumps, a few strands falling forward over the temple and one tuft breaking the silhouette against the sky. The environment is an empty, seamless, deep slate-blue field with a faint cool gradient rising from a darker bottom edge, no props, no horizon line; a single hard key light comes from high camera-left and throws a crisp shadow of his jaw and collar across the right side of his neck and the hollow above his collarbone, while the low camera puts a narrow rim of light along the underside of his chin and the rolled cuff of his sleeve. The rest of him drops into cool shadow with only the white cotton catching the warm strike; the palette is white, navy, chestnut-brown and that dark slate blue, nothing else admitted. On the upper surface of his right rolled sleeve the folded cotton has caught a single horizontal crease of light where the fabric turns upward, catching it there and nowhere else. Effortlessly stylish, dryly amused.
Pokaż parametry
Oryginalny prompt
1boy, best quality, masterpiece,
Tryb
flash
Rozmiar
1152 x 1744

Model i LoRA użyte

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.19k

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AI artwork
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1boy, solo, best quality, masterpiece, from below, close-up, cowboy shot, dutch angle, looking to the side, head tilt, half-closed eyes, raised eyebrow, one hand in pocket, arm support, leaning forward, short hair, tousled hair, chestnut brown hair, brown eyes, white shirt, button-down shirt, rolled-up sleeves, sleeves rolled to elbows, forearms bare, slim-fit pants, navy blue chinos, belt, collared shirt, open collar, no accessories, bare ears, bare wrists, plain background, standing on one hip The camera sits low and close, tilted a few degrees off level, looking up across the young man from hip to shoulder so the height of him rakes away from the lens. His weight rests on his left leg, the left hip pushed out and the right knee loose, right hip dropped; his right shoulder leans a few degrees ahead of the left, so the crisp white cotton button-down pulls taut across the chest and the free placket edge lifts a little off the sternum. Both sleeves are rolled twice into a tight band just below each elbow, and the bare forearms taper into his pockets -- his right hand is shoved deep into the right navy chino pocket, thumb hooked over the seam, the knuckles of that hand pushing a soft bulge into the fabric; his left arm hangs relaxed with the hand loose, fingers half-curled, nothing held. The open collar sits askew, top button undone, one triangular flap of the white cotton turned up against the tendon of his neck. His chin is tilted down toward his right shoulder, eyes half-lidded and turned off to the right edge of the frame, past the camera, reading as unimpressed appraisal rather than engagement; one brow is cocked higher than the other and the corner of his mouth on that side crimps slightly, no teeth. Short chestnut-brown hair is tousled in loose clumps, a few strands falling forward over the temple and one tuft breaking the silhouette against the sky. The environment is an empty, seamless, deep slate-blue field with a faint cool gradient rising from a darker bottom edge, no props, no horizon line; a single hard key light comes from high camera-left and throws a crisp shadow of his jaw and collar across the right side of his neck and the hollow above his collarbone, while the low camera puts a narrow rim of light along the underside of his chin and the rolled cuff of his sleeve. The rest of him drops into cool shadow with only the white cotton catching the warm strike; the palette is white, navy, chestnut-brown and that dark slate blue, nothing else admitted. On the upper surface of his right rolled sleeve the folded cotton has caught a single horizontal crease of light where the fabric turns upward, catching it there and nowhere else. Effortlessly stylish, dryly amused.
므느으
AI artwork
므
1boy, solo, best quality, masterpiece, from below, close-up, cowboy shot, dutch angle, looking to the side, head tilt, half-closed eyes, raised eyebrow, one hand in pocket, arm support, leaning forward, short hair, tousled hair, chestnut brown hair, brown eyes, white shirt, button-down shirt, rolled-up sleeves, sleeves rolled to elbows, forearms bare, slim-fit pants, navy blue chinos, belt, collared shirt, open collar, no accessories, bare ears, bare wrists, plain background, standing on one hip The camera sits low and close, tilted a few degrees off level, looking up across the young man from hip to shoulder so the height of him rakes away from the lens. His weight rests on his left leg, the left hip pushed out and the right knee loose, right hip dropped; his right shoulder leans a few degrees ahead of the left, so the crisp white cotton button-down pulls taut across the chest and the free placket edge lifts a little off the sternum. Both sleeves are rolled twice into a tight band just below each elbow, and the bare forearms taper into his pockets -- his right hand is shoved deep into the right navy chino pocket, thumb hooked over the seam, the knuckles of that hand pushing a soft bulge into the fabric; his left arm hangs relaxed with the hand loose, fingers half-curled, nothing held. The open collar sits askew, top button undone, one triangular flap of the white cotton turned up against the tendon of his neck. His chin is tilted down toward his right shoulder, eyes half-lidded and turned off to the right edge of the frame, past the camera, reading as unimpressed appraisal rather than engagement; one brow is cocked higher than the other and the corner of his mouth on that side crimps slightly, no teeth. Short chestnut-brown hair is tousled in loose clumps, a few strands falling forward over the temple and one tuft breaking the silhouette against the sky. The environment is an empty, seamless, deep slate-blue field with a faint cool gradient rising from a darker bottom edge, no props, no horizon line; a single hard key light comes from high camera-left and throws a crisp shadow of his jaw and collar across the right side of his neck and the hollow above his collarbone, while the low camera puts a narrow rim of light along the underside of his chin and the rolled cuff of his sleeve. The rest of him drops into cool shadow with only the white cotton catching the warm strike; the palette is white, navy, chestnut-brown and that dark slate blue, nothing else admitted. On the upper surface of his right rolled sleeve the folded cotton has caught a single horizontal crease of light where the fabric turns upward, catching it there and nowhere else. Effortlessly stylish, dryly amused.
므느으
AI artwork
므
1boy, solo, best quality, masterpiece, from below, close-up, cowboy shot, dutch angle, looking to the side, head tilt, half-closed eyes, raised eyebrow, one hand in pocket, arm support, leaning forward, short hair, tousled hair, chestnut brown hair, brown eyes, white shirt, button-down shirt, rolled-up sleeves, sleeves rolled to elbows, forearms bare, slim-fit pants, navy blue chinos, belt, collared shirt, open collar, no accessories, bare ears, bare wrists, plain background, standing on one hip The camera sits low and close, tilted a few degrees off level, looking up across the young man from hip to shoulder so the height of him rakes away from the lens. His weight rests on his left leg, the left hip pushed out and the right knee loose, right hip dropped; his right shoulder leans a few degrees ahead of the left, so the crisp white cotton button-down pulls taut across the chest and the free placket edge lifts a little off the sternum. Both sleeves are rolled twice into a tight band just below each elbow, and the bare forearms taper into his pockets -- his right hand is shoved deep into the right navy chino pocket, thumb hooked over the seam, the knuckles of that hand pushing a soft bulge into the fabric; his left arm hangs relaxed with the hand loose, fingers half-curled, nothing held. The open collar sits askew, top button undone, one triangular flap of the white cotton turned up against the tendon of his neck. His chin is tilted down toward his right shoulder, eyes half-lidded and turned off to the right edge of the frame, past the camera, reading as unimpressed appraisal rather than engagement; one brow is cocked higher than the other and the corner of his mouth on that side crimps slightly, no teeth. Short chestnut-brown hair is tousled in loose clumps, a few strands falling forward over the temple and one tuft breaking the silhouette against the sky. The environment is an empty, seamless, deep slate-blue field with a faint cool gradient rising from a darker bottom edge, no props, no horizon line; a single hard key light comes from high camera-left and throws a crisp shadow of his jaw and collar across the right side of his neck and the hollow above his collarbone, while the low camera puts a narrow rim of light along the underside of his chin and the rolled cuff of his sleeve. The rest of him drops into cool shadow with only the white cotton catching the warm strike; the palette is white, navy, chestnut-brown and that dark slate blue, nothing else admitted. On the upper surface of his right rolled sleeve the folded cotton has caught a single horizontal crease of light where the fabric turns upward, catching it there and nowhere else. Effortlessly stylish, dryly amused.
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