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egzekucja AI Art & Prompts

Explore the trending 346 egzekucja artworks

AI artwork
玉川
1girl, slender, date with viewer, looking forward, dynamic angle, masterpiece, full body, prison clothes, striped shirt, buttoned, striped pants, long sleeves, skin tight, dirty clothing, slender, action, in prison, inside the cage, behind bars, iron ball and chain on ankles, handcuffed both wrists, barefoot, 1girl, solo, long hair, looking at viewer, hair ornament, blue hair, full body, gold eyes, braid, collarbone, mature female, aged up, long hair, pink hair, blunt bangs, yellow eyes, rope_around_neck, despair, hopeless, hanging in air, painful, dead eyes, tears, rope,hanging,ryona, arms behind back, , anime style, (anime coloring:2.0), modern anime illustration, high quality, clean and precise lineart, detailed iris, smooth cel shading, vibrant colors, detailed hair, glossy hair, detailed background, rolling eyes, tongue out
玉川
AI artwork
v
4girlz, full bodies, 4 girls, goth girls, prisoners, ancient egyptian leotards, egyptian hieroglyphics on clothes, pantyhose, elbow gloves, ribbon collars, noose around neck, rope around arms and shoulders, bound, arms behind back, golden egyptian ballet pointe shoes, en pointe, emo/scene makeup, stone pale skin, demonic tails, sharp tongues, fangs, glowing red eyes, spiral-only eyes, shrunken pupils, bulging eyes, possessed, scary angry faces, open mouth, tongue out, twitching, thrashing, strangling, choking, asphyxiation, breathplay, hypnosis, cursed egyptian temple at night, gallows, booby-trap, body horror, nightmare fuel, vengeful spirits, undead, crouching, backs curved, chests pushed upward, surrounding urban explorers, sitting on top of urban explorers, from below, wide shot, dutch angle, low angle, horror (theme), pale, no extra people beyond the four girls and the explorers beneath them, The camera crouches low among fallen debris and tilts a few degrees off level, looking up so the four girls tower over the lens in full body; above them the temple's broken ceiling opens onto a narrow band of black night sky and the gallows beam crosses that opening. The temple interior is a drowned green-and-pale-lime murk — pale chartreuse plaster eaten by turquoise verdigris stains running in long vertical streaks down the columns, a few bleached paper-white bands where moonlight cuts through, deep charcoal-green in every recess, one long rusted-crimson sash of old linen hanging from the gallows arm, and warm sand-gold catching the gilt on the shoes and the ropes' fibers. A massively thick wooden gallows frame stands at the center of the hall, its beam cracked and its post carved with hieroglyph bands, ropes dropping from it in four separate nooses. Each of the four girls is a distinct silhouette, all four kneeling-crouched on the shoulders and backs of the explorers pinned flat on the flagstones beneath them — knees and pointe shoes bearing down on the fallen bodies, backs arched hard so their chests push upward, both arms wrenched behind their backs and lashed at the elbows and forearms with coarse sand-gold rope that also binds across shoulders and around each upper arm. Their nooses ride snug at the throat above the ribbon collars — black and blood-crimson ribbons tied in a bow at the front of each neck, the rope of the noose crossing directly over the bow. Their ancient Egyptian leotards are high-cut, deep charcoal-green, paneled down the front and around the hips with bands of pale sand-gold hieroglyph figures, cartouches, eyes and reeds stamped in worn gilt, the glyphs distorted where the fabric stretches over the arched spine; sheer pale hose covers both legs from the leotard's high cut to the ankles, and long elbow gloves of matte charcoal-green climb past the elbow, cinched where the rope bites. Each foot is fully en pointe, balanced on the flat squared tip of a golden Egyptian pointe shoe — gilt uppers with hieroglyph tooling and a painted eye on the toe box, ribbons lacing up the ankle. Their skin is stone pale, chalky and matte, faint hairline cracks at the shoulders and along the forearms. The leftmost girl is caught mid-thrash, head snapped to the side, her long black scene hair with a bleached streak whipped across her cheek, violet-and-black emo makeup smeared in a ring around one eye, one eye squeezed shut and the other bulging wide with a glowing red spiral spinning in it, pupil shrunk to a pinprick; her jaw is wrenched open, a long forked tongue lolling out past her fangs, jagged white twitch marks flicking off her shoulder and hip. Beside her the second girl leans far forward over the explorer beneath her, bent spine deepening, her head tipped down at the viewer with a furious scowl, brows crushed together, fangs bared, her red spirals fixed on the lens; her demonic tail whips out behind her in a black arrow-tipped curve. The third girl is twisting her torso away while her head wrenches back toward the gallows, wet cough-shaped choke in her open mouth, tongue curling, both feet rocking on pointe as she strains against the noose, her tail coiling tight around one of her own bound thighs. The fourth crouches lowest and closest to the lens, arms bound so taut her shoulders cant forward, chest thrust up, her face split in a wide hateful grin with both red spirals boring straight out of the frame and a thin line of drool strung from her chin. The explorers beneath them are four ordinary figures in modern climbing jackets and headlamps, crushed flat on their bellies among the flagstones, only their backs, splayed hands and the sides of their faces visible under the girls' knees; one headlamp still burns, throwing a hard white wedge that rakes across a girl's shin and dies against the wall, and the light catches every grain of the rope fibers, every crack in the pale skin, and the wet shine of each tongue and each bulging eye. The girls' own red spirals are the only other light, glowing and casting nothing, ringed in shadow; a drift of dust and a single disturbed hieroglyph tile knocked loose by a thrashing foot skitters across the floor and settles — the only motion in the frame. Along the temple walls, faint chalk-white hieroglyph bands glow and seem to crawl where the moonlight touches them, and the ropes from the gallows pull visibly taut at each girl's neck as though something above is drawing them up. Sketchy colored-pencil texture over visible paper grain, loose rough linework, layers of hatched shading holding it all together — lurid, dread-soaked
Vince
AI artwork
v
4girls, full body, from below, pov, horror \(theme\), goth, undead, stone pale skin, ancient egyptian leotard, hieroglyphics, pantyhose, elbow gloves, ribbon collar, golden ballet shoes, pointe shoes, en pointe, dancing, arched back, chest pushed out, arms behind back, bound arms, bound shoulders, rope, noose around neck, gallows, twitching, possessed, hypnosis, glowing eyes, red eyes, spiral eyes, bulging eyes, shrunken pupils, scary face, angry, fangs, open mouth, tongue out, sharp tongue, emo makeup, demonic tail, cursed egyptian temple, night, booby trap, body horror, dramatic lighting A low-angle full-body perspective looking upward from the viewpoint of cornered urban explorers trapped against a carved basalt wall inside a cursed Egyptian temple at night. Four undead goth prisoner girls form a menacing semicircle, their bodies frozen mid-dance in uncanny, erratic twitches while balancing completely en pointe on rigid golden Egyptian ballet pointe shoes. Coarse hemp ropes bind their arms and shoulders tightly behind their arched backs, with heavy hangman nooses cinched over black ribbon collars at their throats, ascending toward wooden gallows rigging embedded in the temple lintels. Each girl has stone-pale, ash-grey skin and dramatic emo-scene eyeliner and shadow framing wide, bulging eyes with glowing red spiral irises and shrunken pupils. Their chests thrust upward as their spines curve unnaturally, mouths stretching open in snarling grimaces to display pointed fangs and elongated, sharp tongues protruding in gasping, breathless strain. They wear matching ancient Egyptian leotards embroidered with luminous golden hieroglyphics across the torso, paired with sheer black pantyhose, black elbow-length gloves, and sinuous demonic tails that flick aggressively through the shadows behind them. A dropped, battery-powered exploration flashlight lies on the flagstones below, casting a harsh rake of upward light across their pointed golden shoe tips and dusty stone floor, making fine plumes of pulverized sandstone rise directly under their precarious toe contact points, while cold nocturnal moonlight filters through broken ceiling slabs. An anime illustration with a painterly style, featuring sketchy linework, soft blended shading under dramatic, high contrast lighting; unsettling supernatural dread.
Vince
AI artwork
Avatar image of へそ出しショタ男の娘愛好家
(masterpiece, best quality:1.3), yami_kawaii, pastel_goth, rough_brushwork, painting_texture, experimental_coloring, glitch_coloring, sketchy_lines, high_contrast_highlights, cyan_magenta_accents, expressive eyes, grid background, heart motifs, bubbles, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, clean flat linework, simplified soft features, smooth gradient shading, pastel soft palette, gentle rounded shapes, flowing soft linework, subtle blush shading, flat shadow blocking, minimal facial detail, gestural loose strokes, airbrushed soft blending, boy child, white hair with black-purple tips, green eyes, wolf cut side ponytail, boy, midriff, shirtless upper body, slim body, constricted waist, full body, background inside a prison, large number of black soldiers, defeated, a sword pointed at him, body dirty, covered in injuries, covered in blood, painful expression, tied with ropes, dirty and dark great prison, tears, white eyelashes, cat ears, fox tail, sobbing loudly, hakama, kimono, face of despair, textured illustration
へそ出しショタ男の娘愛好家
AI artwork
Avatar image of へそ出しショタ男の娘愛好家
(masterpiece, best quality:1.3), yami_kawaii, pastel_goth, rough_brushwork, painting_texture, experimental_coloring, glitch_coloring, sketchy_lines, high_contrast_highlights, cyan_magenta_accents, expressive eyes, grid background, heart motifs, bubbles, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, clean flat linework, simplified soft features, smooth gradient shading, pastel soft palette, gentle rounded shapes, flowing soft linework, subtle blush shading, flat shadow blocking, minimal facial detail, gestural loose strokes, airbrushed soft blending, boy, child, white hair with black-purple tips, green eyes, wolf cut side ponytail, boy, midriff, shirtless upper body, slim body, waist, full body, background inside a prison, massive amount of black soldiers, defeated, sword pointed at him, body dirty, covered in injuries, covered in blood, pained expression, tied with rope, great prison, tears, white eyelashes, cat ears, fox tail, sobbing loudly, hakama, kimono, textured illustration
へそ出しショタ男の娘愛好家
AI artwork
哈哈
A female frontline commander from the WWII era, leading troops in an urban battlefield. She must continue commanding her troops amidst artillery fire, smoke, and chaos. Main Visual The image focuses on a close-up half-body shot of the female commander with a realistic battlefield background. She is wearing a dust-covered WWII officer's uniform and a long military greatcoat, with some dust on her face and her military cap slightly tilted. She is standing next to a bombed-out building, holding a military communicator in one hand, giving orders to her troops, while the other hand points forward. Directly behind her is the fighting front line. The background can show: * Soldiers moving quickly * Tanks passing through the streets * Damaged buildings * Heavy smoke * Distant flashes of fire from explosions * Debris scattered on the ground * Military aircraft flying across the sky Composition Use a low-angle and close-up perspective. Let the female commander occupy about 60% of the frame, with the battlefield background extending backwards. Blurry soldiers or debris can appear in the foreground to increase the feeling that the "camera is inside the battlefield." Action Do not let her just stand there. It can be set as: Artillery fire has just landed; she turns around to confirm the position of her troops and then gives an advance order through the communicator. This creates a very clear "moment." Colors Gray-black × Military green × Earthy yellow × Dark red × Orange-yellow firelight The overall tone is dark and gray, with only the distant fire and a small amount of red serving as visual focal points.
哈哈
12

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