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płytki integracyjne AI Art & Prompts

Explore the trending 383 płytki integracyjne artworks

AI artwork
Avatar image of Empress Force
character: hatsune_miku 1girl, long hair, very long hair, aqua hair, twintails, aqua eyes, sleeveless shirt, detached sleeves, pleated skirt, necktie, holding bag, vegetable, eggplant, standing, looking at viewer, from side, medium shot, night, station platform, timetable, indoor, artificial lighting, `from side`, `medium shot` A medium shot from a side-angle perspective on the Keisei Ueno station platform at 2:30 AM. A girl with incredibly long aqua twintails and a sleeveless shirt with detached sleeves stands on the platform, having just stepped off a train; the train's metallic side is visible immediately behind her, partially occluding the background. She holds a translucent plastic grocery bag in her right hand, the purple skin of several eggplants visible through the plastic, the bag weighing down her arm. Her weight is shifted onto her left leg, her body angled slightly toward the camera while she looks back at the viewer with a soft, tired expression and half-closed eyes. In the midground, a backlit electronic station timetable board is mounted to the ceiling; the glowing screen displays the text "次の列車 特急 京成成田 2:40" on the top line and "その次の列車 特急 京成津田沼 2:50" directly below it in a clean, sans-serif digital font. The scene is illuminated by the harsh, cool white fluorescent lights of the station ceiling, casting sharp, clinical shadows on the grey concrete platform and creating a high-contrast glint on the train's polished surface. The palette is dominated by sterile greys and deep blacks of the midnight hour, punctuated by the vibrant aqua of her hair and the deep purple of the eggplants. A thin layer of city haze lingers in the distant darkness beyond the platform edge. Quiet, nocturnal stillness.
Empress Force
AI artwork
Avatar image of sachi5.#0
character: megurine_luka, kagamine_len 2people, full body, wide shot, dynamic angle, low angle, perspective, indoors, train station, subway concourse, hallway, tiled floor, overhead signs, pillars, fluorescent lighting, 1girl, tall female, floating, levitation, very long hair, pink hair, blue eyes, magical girl, magical girl outfit, frilled dress, ribbons, mechanical tail, needle, syringe, bulbous reservoir, glowing liquid, injection, piercing, stinging, 1boy, short hair, blonde hair, blue eyes, upside-down, handstand, palms on floor, shorts, sailor shirt, buttocks, butt, needle in buttocks, screaming, open mouth, wide-eyed, teary eyes, panic, pain, slapstick A dynamic low-angle wide shot looking along the polished, fluorescent-lit concourse of Shinjuku Station, tracking down the expansive underground pedestrian passage. Levitating several feet above the tiled floor, a young woman with very long pink hair and bright blue eyes drifts smoothly forward through mid-air, her ornate magical girl costume flaring with multi-layered ruffled skirts and trailing silk ribbons. From her lower back extends a sleek, flexible tail that tapers into a long metallic hypodermic needle at the very tip; directly at the base of the needle sits a rounded, bulbous glass ampoule reservoir filled with luminous teal liquid, glowing under the station lights. With a calm, mischievous sideward glance, she guides her tail with exact precision. Directly beneath her, a young boy with spiky blonde hair and wide blue eyes is completely inverted in a handstand, his palms pressed flat against the glossy station floor as his legs flail upward. The needle at the tip of the woman's tail pierces cleanly through the fabric of his dark shorts into his buttocks, visibly plunging deep as the fluid inside the bulbous chamber rapidly drains. The boy's upside-down face twists into an exaggerated expression of frantic shock and pain, his mouth stretched wide in a yell with tiny stress tears at the corners of his clenched eyes. In the background, cylindrical structural pillars and yellow tactile paving tiles line the receding corridor, beneath suspended illuminated transit signs displaying Japanese and English navigational arrows. Overhead fluorescent strips cast cool, crisp reflections across the polished floor tiles, while inside the tail's glass reservoir, tiny rising air bubbles make visible the sudden loss of pressurized liquid as it enters his muscle. Absurd slapstick energy.
sachi5.#0
AI artwork
あ
1girl, solo, brown hair, medium hair, bob cut with soft inward-curling ends, brown eyes, beautiful girl, fair skin, halloween costume, witch costume, black velvet mini dress, purple lace trim at hem and cuffs, fitted bodice, flared skirt, black pointed witch hat, purple ribbon band on hat, black stockings, black buckle shoes, holding wooden broom, from below, low angle, cowboy shot, dutch angle, looking up, open mouth, excited grin, night, midnight, crowded street, shibuya crossing, scramble crossing, crowd, halloween, neon signage, rain-wet asphalt, reflections, bokeh, depth of field From a low angle tilted slightly off-level, the girl stands at the near corner of a huge Tokyo scramble crossing at midnight, seen in cowboy shot from mid-thigh up so the crowd behind her towers and recedes. She is the only figure in focus at the front; behind her, dozens of blurred pedestrians in Halloween costumes — a devil, a cat, a masked figure, capes and horns — pack the white zebra stripes in every direction, some crossing toward the far corner, some waiting at the curb, their faces softly out of focus. The camera sits below her chin, so the crossing's far buildings rise past her shoulders and the black witch hat's pointed tip reaches into the upper third of the frame, the purple ribbon band catching the streetlight. She is caught mid-motion, her weight on her left leg with the right foot pushed back and the hip cocked, the flared velvet skirt swinging out to one side from the turn she just made. Her right hand grips the wooden broom handle vertically, the bristles resting on the wet pavement beside her buckle shoe; her left hand lifts the brim of the hat a little, fingers curled under the black felt, elbow out. Her chin is tipped up and her face turns three-quarters toward the lens, eyes looking up into it, one brow arched, mouth open in a bright, caught-off-guard grin; a strand of brown hair falls loose across her cheek and the inward-curled ends bounce against her jaw from the motion. The light comes from the crossing itself: cool white overhead streetlamps and the hard colored glow of nearby signs — pink, cyan, a smear of orange — laying rim light on the top of the black hat, the purple lace hem, and the sheen of the stockings, while her face takes a warm soft key from the shopfront side. The asphalt is rain-wet and mirror-black, carrying long vertical streaks of neon and the smeared reflection of the crowd's legs, brighter directly under each lamp; the wet surface darkens everything it reflects. Tiny droplets bead on the broom bristles and on the velvet nap of her skirt, and her breath fogs faintly in the cold night air. Palette of black velvet, deep purple, wet-street charcoal, and hot pink-cyan neon, with the warm brown of her hair as the single soft note. Electric, festive, a little breathless.
あいあーる

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