Avatar image of 크레딧1
avatar-frame

크레딧1

0Seguindo2Seguidores63Curtidas Recebidas
TrabalhosColeções
AI artwork
Avatar image of 크레딧1
character: lucid_(maplestory), copyright: maplestory 1girl, solo, short hair, pink hair, hair between eyes, blunt bangs, pointy ears, pink eyes, half-closed eyes, smug, light smile, mini top hat, tilted hat, gothic dress, bare shoulders, detached sleeves, frilled dress, dark ribbon choker, black thighhighs, lace gloves, outstretched hand, glowing butterfly, butterfly on hand, tipping hat, leaning forward, floating, from below, low angle, looking at viewer, clock tower, giant clock, night sky, dreamscape, bioluminescence, floating particles From a low angle looking upward, a slender girl with pale skin and distinct pointed ears hovers weightlessly above an ornate gothic stone balustrade. Her short pastel-pink bob curves neatly around her jawline, with straight-cut bangs parting slightly between her sharp, half-lidded magenta eyes. She wears an amused, asymmetric smirk aimed directly down at the viewer, her left hand delicately pinching the brim of a miniature ornate black top hat angled over her hair. Her right arm extends forward into the lower foreground, palm upward, where a translucent, luminous butterfly made of crystallized light rests on her dark-gloved fingertips. She is dressed in an off-shoulder black and deep-violet tiered dress with layered scalloped frills, leaving her shoulders and collarbones bare above a tight dark choker, paired with billowing detached sleeves cinched at the wrists and dark stockings. The gentle unnatural updraft of the dream realm lifts the layered ruffles of her skirt in suspended ripples, while the glowing butterfly on her outstretched hand casts faint cyan caustics against the matte black fabric of her bodice. Behind her, the midground opens to an endless midnight cityscape dominated by the enormous glowing face of an antique clock tower radiating soft amber backlight through misty silhouettes of spires and drifting spectral motes. The ambient light is cool indigo and violet, cut by the warm golden rim light framing her hair and the neon highlights of her summoned butterfly. Dreamlike grandeur, theatrical malice.
Nov 10, 2026 2:29 AM
AI artwork
Avatar image of 크레딧1
character: tatsumaki, copyright: one-punch_man sharp eyes, tatsumaki, one girl, solo, short curly green hair, green eyes, narrowed eyes, piercing gaze, black dress, long sleeves, floating hair, crossed arms, from below, dutch angle, close-up, looking down at viewer, smug, light smile, half-closed eyes, tilt-shift background, dark teal and emerald palette, Low-angle dutch-angle close-up: the camera sits well beneath her chin and rolls a few degrees off level, so her head fills the upper two thirds of a tight vertical frame and the sky behind her tilts with it. She is small-framed and finely built, shoulders drawn back, one arm crossed firmly over the other at chest height, the lower hand clamped on the opposite elbow, the upper hand gripping her own upper arm just above the sleeve; her weight sits entirely on her back hip, the front knee bent and relaxed, so the whole stance slants against the camera roll. Her chin is tipped down toward the lens but her eyelids are dropped halfway and the eyes themselves are hard -- the inner corners pulled tight, the upper lids cutting a sharp straight line across the green irises, the outer corners lifted, the whites catching a thin bright rim of sky. One brow sits a fraction higher than the other. Her mouth is a small closed lopsided smile with no warmth in it, one corner up, the other pressed flat, and a barely visible tension in the jaw under the cheek. She is looking straight down the angle of the lens, and the look is a challenge rather than an invitation. Her short curly green hair is lifted slightly at the ends by a slow updraft, the curls spiralling out from the temples and nape rather than falling flat, a few strands crossing her brow; the black dress has long sleeves closed at the wrists and the fabric hangs heavy and still against her body while only the hem stirs, so the upward drift of the hair reads as the only moving air in the shot. Light comes from a single broad cold source high and behind her left shoulder: it edges her curls and the top of her sleeve in pale green-white, drops her face into a soft cool half-shadow where the only bright accents are the wet gleam on the eyes and a thin line along the lower lip, and throws a short shadow from her chin down across her collar. Behind and below her, a distant city is reduced to a blurred band of pale grey rooftops and a washed strap of sky, pushed far out of focus so her silhouette cuts clean across it and the buildings' scale makes her look small and unreachable at once. The palette stays inside emerald, black and cold off-white -- green in her hair, her irises and the rim light, black in the dress and the shadow under her chin, off-white in the sky and the blurred distance -- and nothing warm enters the frame. Below the frame edge, faint concentric rings of dust lifted off the rooftop below her are the only evidence of the pressure she is holding in the air. Crisp cel linework with flat shadow shapes and clean highlights, quiet menace.
Nov 10, 2026 2:27 AM
AI artwork
Avatar image of 크레딧1
character: tatsumaki, copyright: one-punch_man sharp eyes, tatsumaki, one girl, solo, short curly green hair, green eyes, narrowed eyes, piercing gaze, black dress, long sleeves, floating hair, crossed arms, from below, dutch angle, close-up, looking down at viewer, smug, light smile, half-closed eyes, tilt-shift background, dark teal and emerald palette, Low-angle dutch-angle close-up: the camera sits well beneath her chin and rolls a few degrees off level, so her head fills the upper two thirds of a tight vertical frame and the sky behind her tilts with it. She is small-framed and finely built, shoulders drawn back, one arm crossed firmly over the other at chest height, the lower hand clamped on the opposite elbow, the upper hand gripping her own upper arm just above the sleeve; her weight sits entirely on her back hip, the front knee bent and relaxed, so the whole stance slants against the camera roll. Her chin is tipped down toward the lens but her eyelids are dropped halfway and the eyes themselves are hard -- the inner corners pulled tight, the upper lids cutting a sharp straight line across the green irises, the outer corners lifted, the whites catching a thin bright rim of sky. One brow sits a fraction higher than the other. Her mouth is a small closed lopsided smile with no warmth in it, one corner up, the other pressed flat, and a barely visible tension in the jaw under the cheek. She is looking straight down the angle of the lens, and the look is a challenge rather than an invitation. Her short curly green hair is lifted slightly at the ends by a slow updraft, the curls spiralling out from the temples and nape rather than falling flat, a few strands crossing her brow; the black dress has long sleeves closed at the wrists and the fabric hangs heavy and still against her body while only the hem stirs, so the upward drift of the hair reads as the only moving air in the shot. Light comes from a single broad cold source high and behind her left shoulder: it edges her curls and the top of her sleeve in pale green-white, drops her face into a soft cool half-shadow where the only bright accents are the wet gleam on the eyes and a thin line along the lower lip, and throws a short shadow from her chin down across her collar. Behind and below her, a distant city is reduced to a blurred band of pale grey rooftops and a washed strap of sky, pushed far out of focus so her silhouette cuts clean across it and the buildings' scale makes her look small and unreachable at once. The palette stays inside emerald, black and cold off-white -- green in her hair, her irises and the rim light, black in the dress and the shadow under her chin, off-white in the sky and the blurred distance -- and nothing warm enters the frame. Below the frame edge, faint concentric rings of dust lifted off the rooftop below her are the only evidence of the pressure she is holding in the air. Crisp cel linework with flat shadow shapes and clean highlights, quiet menace.
Nov 10, 2026 2:27 AM
AI artwork
Avatar image of 크레딧1
character: tatsumaki, copyright: one-punch_man sharp eyes, tatsumaki, one girl, solo, short curly green hair, green eyes, narrowed eyes, piercing gaze, black dress, long sleeves, floating hair, crossed arms, from below, dutch angle, close-up, looking down at viewer, smug, light smile, half-closed eyes, tilt-shift background, dark teal and emerald palette, Low-angle dutch-angle close-up: the camera sits well beneath her chin and rolls a few degrees off level, so her head fills the upper two thirds of a tight vertical frame and the sky behind her tilts with it. She is small-framed and finely built, shoulders drawn back, one arm crossed firmly over the other at chest height, the lower hand clamped on the opposite elbow, the upper hand gripping her own upper arm just above the sleeve; her weight sits entirely on her back hip, the front knee bent and relaxed, so the whole stance slants against the camera roll. Her chin is tipped down toward the lens but her eyelids are dropped halfway and the eyes themselves are hard -- the inner corners pulled tight, the upper lids cutting a sharp straight line across the green irises, the outer corners lifted, the whites catching a thin bright rim of sky. One brow sits a fraction higher than the other. Her mouth is a small closed lopsided smile with no warmth in it, one corner up, the other pressed flat, and a barely visible tension in the jaw under the cheek. She is looking straight down the angle of the lens, and the look is a challenge rather than an invitation. Her short curly green hair is lifted slightly at the ends by a slow updraft, the curls spiralling out from the temples and nape rather than falling flat, a few strands crossing her brow; the black dress has long sleeves closed at the wrists and the fabric hangs heavy and still against her body while only the hem stirs, so the upward drift of the hair reads as the only moving air in the shot. Light comes from a single broad cold source high and behind her left shoulder: it edges her curls and the top of her sleeve in pale green-white, drops her face into a soft cool half-shadow where the only bright accents are the wet gleam on the eyes and a thin line along the lower lip, and throws a short shadow from her chin down across her collar. Behind and below her, a distant city is reduced to a blurred band of pale grey rooftops and a washed strap of sky, pushed far out of focus so her silhouette cuts clean across it and the buildings' scale makes her look small and unreachable at once. The palette stays inside emerald, black and cold off-white -- green in her hair, her irises and the rim light, black in the dress and the shadow under her chin, off-white in the sky and the blurred distance -- and nothing warm enters the frame. Below the frame edge, faint concentric rings of dust lifted off the rooftop below her are the only evidence of the pressure she is holding in the air. Crisp cel linework with flat shadow shapes and clean highlights, quiet menace.
Nov 10, 2026 2:27 AM
AI artwork
Avatar image of 크레딧1
character: tatsumaki, copyright: one-punch_man sharp eyes, tatsumaki, one girl, solo, short curly green hair, green eyes, narrowed eyes, piercing gaze, black dress, long sleeves, floating hair, crossed arms, from below, dutch angle, close-up, looking down at viewer, smug, light smile, half-closed eyes, tilt-shift background, dark teal and emerald palette, Low-angle dutch-angle close-up: the camera sits well beneath her chin and rolls a few degrees off level, so her head fills the upper two thirds of a tight vertical frame and the sky behind her tilts with it. She is small-framed and finely built, shoulders drawn back, one arm crossed firmly over the other at chest height, the lower hand clamped on the opposite elbow, the upper hand gripping her own upper arm just above the sleeve; her weight sits entirely on her back hip, the front knee bent and relaxed, so the whole stance slants against the camera roll. Her chin is tipped down toward the lens but her eyelids are dropped halfway and the eyes themselves are hard -- the inner corners pulled tight, the upper lids cutting a sharp straight line across the green irises, the outer corners lifted, the whites catching a thin bright rim of sky. One brow sits a fraction higher than the other. Her mouth is a small closed lopsided smile with no warmth in it, one corner up, the other pressed flat, and a barely visible tension in the jaw under the cheek. She is looking straight down the angle of the lens, and the look is a challenge rather than an invitation. Her short curly green hair is lifted slightly at the ends by a slow updraft, the curls spiralling out from the temples and nape rather than falling flat, a few strands crossing her brow; the black dress has long sleeves closed at the wrists and the fabric hangs heavy and still against her body while only the hem stirs, so the upward drift of the hair reads as the only moving air in the shot. Light comes from a single broad cold source high and behind her left shoulder: it edges her curls and the top of her sleeve in pale green-white, drops her face into a soft cool half-shadow where the only bright accents are the wet gleam on the eyes and a thin line along the lower lip, and throws a short shadow from her chin down across her collar. Behind and below her, a distant city is reduced to a blurred band of pale grey rooftops and a washed strap of sky, pushed far out of focus so her silhouette cuts clean across it and the buildings' scale makes her look small and unreachable at once. The palette stays inside emerald, black and cold off-white -- green in her hair, her irises and the rim light, black in the dress and the shadow under her chin, off-white in the sky and the blurred distance -- and nothing warm enters the frame. Below the frame edge, faint concentric rings of dust lifted off the rooftop below her are the only evidence of the pressure she is holding in the air. Crisp cel linework with flat shadow shapes and clean highlights, quiet menace.
Nov 10, 2026 2:27 AM
AI artwork
Avatar image of 크레딧1
1girl, solo, headless, head out of frame, cropped at neck, upper body only, profile, from side, side view, small breasts, flat chest, flesh-colored corset, beige corset, satin corset, boning, scalloped top edge, blank white background, plain white backdrop, arms at sides, one arm behind back, shoulder blades, collarbone, bare shoulders, bare arms, looking to the side, soft studio lighting, A pure side view, the figure turned so that the left shoulder faces the camera and the body reads as one clean contour line from shoulder to hip; the frame cuts across the base of the neck, so nothing above the collarbone exists in the image and the empty white simply continues where the head would be. The torso fills the vertical center of a portrait frame, cropped again at the waist so only the chest and midriff are present, the small chest rendered as a shallow, understated curve that the satin lies flat across, its scalloped upper edge following the line of the collarbone with each rounded scallop lying one over the next, and eight narrow boning channels running vertically down the front, the fabric pulling taut between the stitching and creasing softly at the waist where the body turns. The near arm hangs down with a slight forward drift, the elbow just out of frame at the bottom, and the far arm is drawn behind the back so only the rounded suggestion of that shoulder shows past the near one; a faint diagonal line of the strap crosses the bare upper back. Flesh-toned beige satin, warm and close to the skin's own value but a shade cooler and more matte, so the corset separates from the shoulder above it by texture rather than by hue; the only other colors are the white ground and the pale warm shadow inside the fabric's folds. Soft, broad, diffused light from the upper left of frame rakes across the satin, laying a long highlight down each boning ridge, dropping the front contour into a gentle shadow that hugs the body's edge, and casting a faint soft shadow just behind the figure onto the white — the single cue that the ground is a surface and not a void; the light source sits off-frame and nothing else is lit. The skin is smooth with a low waxy sheen at the shoulder cap, satin with fine woven grain at close range, the white seamless and unmarked, and the shadow behind the body is the only thing that breaks it. Quiet, sculptural.
Nov 9, 2026 12:49 AM
AI artwork
Avatar image of 크레딧1
1girl, solo, headless, head out of frame, cropped at neck, upper body only, profile, from side, side view, small breasts, flat chest, flesh-colored corset, beige corset, satin corset, boning, scalloped top edge, blank white background, plain white backdrop, arms at sides, one arm behind back, shoulder blades, collarbone, bare shoulders, bare arms, looking to the side, soft studio lighting, A pure side view, the figure turned so that the left shoulder faces the camera and the body reads as one clean contour line from shoulder to hip; the frame cuts across the base of the neck, so nothing above the collarbone exists in the image and the empty white simply continues where the head would be. The torso fills the vertical center of a portrait frame, cropped again at the waist so only the chest and midriff are present, the small chest rendered as a shallow, understated curve that the satin lies flat across, its scalloped upper edge following the line of the collarbone with each rounded scallop lying one over the next, and eight narrow boning channels running vertically down the front, the fabric pulling taut between the stitching and creasing softly at the waist where the body turns. The near arm hangs down with a slight forward drift, the elbow just out of frame at the bottom, and the far arm is drawn behind the back so only the rounded suggestion of that shoulder shows past the near one; a faint diagonal line of the strap crosses the bare upper back. Flesh-toned beige satin, warm and close to the skin's own value but a shade cooler and more matte, so the corset separates from the shoulder above it by texture rather than by hue; the only other colors are the white ground and the pale warm shadow inside the fabric's folds. Soft, broad, diffused light from the upper left of frame rakes across the satin, laying a long highlight down each boning ridge, dropping the front contour into a gentle shadow that hugs the body's edge, and casting a faint soft shadow just behind the figure onto the white — the single cue that the ground is a surface and not a void; the light source sits off-frame and nothing else is lit. The skin is smooth with a low waxy sheen at the shoulder cap, satin with fine woven grain at close range, the white seamless and unmarked, and the shadow behind the body is the only thing that breaks it. Quiet, sculptural.
Nov 9, 2026 12:49 AM
AI artwork
Avatar image of 크레딧1
1girl, solo, headless, head out of frame, cropped at neck, upper body only, profile, from side, side view, small breasts, flat chest, flesh-colored corset, beige corset, satin corset, boning, scalloped top edge, blank white background, plain white backdrop, arms at sides, one arm behind back, shoulder blades, collarbone, bare shoulders, bare arms, looking to the side, soft studio lighting, A pure side view, the figure turned so that the left shoulder faces the camera and the body reads as one clean contour line from shoulder to hip; the frame cuts across the base of the neck, so nothing above the collarbone exists in the image and the empty white simply continues where the head would be. The torso fills the vertical center of a portrait frame, cropped again at the waist so only the chest and midriff are present, the small chest rendered as a shallow, understated curve that the satin lies flat across, its scalloped upper edge following the line of the collarbone with each rounded scallop lying one over the next, and eight narrow boning channels running vertically down the front, the fabric pulling taut between the stitching and creasing softly at the waist where the body turns. The near arm hangs down with a slight forward drift, the elbow just out of frame at the bottom, and the far arm is drawn behind the back so only the rounded suggestion of that shoulder shows past the near one; a faint diagonal line of the strap crosses the bare upper back. Flesh-toned beige satin, warm and close to the skin's own value but a shade cooler and more matte, so the corset separates from the shoulder above it by texture rather than by hue; the only other colors are the white ground and the pale warm shadow inside the fabric's folds. Soft, broad, diffused light from the upper left of frame rakes across the satin, laying a long highlight down each boning ridge, dropping the front contour into a gentle shadow that hugs the body's edge, and casting a faint soft shadow just behind the figure onto the white — the single cue that the ground is a surface and not a void; the light source sits off-frame and nothing else is lit. The skin is smooth with a low waxy sheen at the shoulder cap, satin with fine woven grain at close range, the white seamless and unmarked, and the shadow behind the body is the only thing that breaks it. Quiet, sculptural.
Nov 8, 2026 4:19 AM
AI artwork
Avatar image of 크레딧1
1girl, solo, headless, head out of frame, cropped at neck, upper body only, profile, from side, side view, small breasts, flat chest, flesh-colored corset, beige corset, satin corset, boning, scalloped top edge, blank white background, plain white backdrop, arms at sides, one arm behind back, shoulder blades, collarbone, bare shoulders, bare arms, looking to the side, soft studio lighting, A pure side view, the figure turned so that the left shoulder faces the camera and the body reads as one clean contour line from shoulder to hip; the frame cuts across the base of the neck, so nothing above the collarbone exists in the image and the empty white simply continues where the head would be. The torso fills the vertical center of a portrait frame, cropped again at the waist so only the chest and midriff are present, the small chest rendered as a shallow, understated curve that the satin lies flat across, its scalloped upper edge following the line of the collarbone with each rounded scallop lying one over the next, and eight narrow boning channels running vertically down the front, the fabric pulling taut between the stitching and creasing softly at the waist where the body turns. The near arm hangs down with a slight forward drift, the elbow just out of frame at the bottom, and the far arm is drawn behind the back so only the rounded suggestion of that shoulder shows past the near one; a faint diagonal line of the strap crosses the bare upper back. Flesh-toned beige satin, warm and close to the skin's own value but a shade cooler and more matte, so the corset separates from the shoulder above it by texture rather than by hue; the only other colors are the white ground and the pale warm shadow inside the fabric's folds. Soft, broad, diffused light from the upper left of frame rakes across the satin, laying a long highlight down each boning ridge, dropping the front contour into a gentle shadow that hugs the body's edge, and casting a faint soft shadow just behind the figure onto the white — the single cue that the ground is a surface and not a void; the light source sits off-frame and nothing else is lit. The skin is smooth with a low waxy sheen at the shoulder cap, satin with fine woven grain at close range, the white seamless and unmarked, and the shadow behind the body is the only thing that breaks it. Quiet, sculptural.
Nov 8, 2026 4:19 AM
AnteriorPróximo
Página InicialModelosGerarReceitaPerfil