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AI artwork
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Zhendi Xu

Arte de IA de Zhendi Xu no PixAI. Criado com Haruka v2.

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Comentários

masterpiece, best quality, ultimate best quality, beautiful cute girl, priest_dnf_2008_version, black hair, grey eyes, long hair, holy cross,
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Tamanho
1280 x 800
Passos de Amostragem
25
Método de Amostragem
Euler a
CFG scale
5
Negativo
(bad quality,worst quality,worst detail,bad, low quality, bad anatomy:1.2), (extra fingers, extra digits, extra legs, bad hands, bad fingers, fused fingers, missing finger, split fingers, fused arms, fused hands:1.2), worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands, small breasts, smallest breasts, pettanko,

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character: shadowheart_(baldur's_gate), artist: takeuchi_takashi, copyright: baldur's_gate, baldur's_gate_3 1girl, solo, shadowheart (baldur's gate), ((delicate bishoujo linework, soft cel-shading, lustrous glossy textures)), full body, slightly angled side view, standing, ready stance, holding spear, holding shield, full plate armor, bodysuit, cape, circlet, black hair, long hair, braid, multi-tied hair, green eyes, pointy ears, scar on nose, huge breasts, thick plump thighs, wide hips, glossy lips, tongue out, glossy tongue, glossy skin, seductive gaze, lewd expression, half-closed eyes, smirk, mysterious aura, dark holy spear, glowing black spear, dark shield, sinister ominous palace interior, grand architecture, dramatic backlighting, ethereal glow, atmospheric haze, cinematic depth, masterpiece, illustration, ultra-detailed texture, perfect anatomy Slightly angled side view, the woman in full plate armor stands full-body in three-quarter profile, her left shoulder nearer the lens and her weight riding on her right hip so the left knee bends forward in a slow contrapposto; she grips the long black dark holy spear upright in her right hand, its shaft running from the clenched fist at waist height down past her greave to the floor and up past her shoulder, the spearhead above her head trailing curls of black light; her left forearm is turned inward behind the dark shield held across her left side, the shield's rim resting against her vambrace, its face angled half toward the lens and half into the dark. The heavy plate closes over her whole body: cuirass over a taut bodysuit that sheathes her torso and hips, the plate's gorget sitting at the collarbone, pauldrons capping both shoulders, and the cape falling from her shoulders behind her, its hem drifting out to the right where the heat of the hall lifts it. The circlet rings her forehead over long black hair, which runs heavy and multi-braided down her back and one plait thrown forward across her pauldron, finer strands loose at her temple. Pointy ears show through the fall of hair. The scar cuts a pale line across the bridge of her nose below green eyes that look level and half-lidded, past the camera into the middle distance rather than at the lens, the lids lowered and the pupil catching the glow; her lips are wet and parted, the glossy tip of her tongue resting on the lower lip, a lopsided smirk curling one corner. The plate is polished dark steel; along its curves the spear's black glow reads as a broad soft highlight, and her exposed skin — cheek, throat, the long line of a thigh where the fauld rides high — carries the same wet sheen. Behind her the palace opens into a vast hall of black ribbed columns and pointed arches receding into haze, a single shaft of cold light falling through a high occluded window; the beam strikes the right side of her helm-free face, her pauldron and the spear's edge, while everything behind the shield and under her hair falls into deep shadow, and her cast shadow runs long and sharp across the wet marble floor toward the camera. Violet and black dominate with cold blue-grey in the haze and the black spear's light as the only warm-cool accent, colours saturated and clean. Rich, sleek, dangerously assured.
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