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Oopie Goobie
Arte de IA de Oopie Goobie no PixAI. Criado com Haruka v2.
No PixAI, os prompts são públicos por padrão, mas os criadores podem ocultá-los em qualquer obra que publicarem. Quem criou esta obra optou por isso, então as palavras usadas para gerar a imagem permanecem privadas e só essa pessoa pode vê-las. Ocultar o prompt não muda mais nada: a obra continua pública e você pode curtir, comentar e compartilhar normalmente.
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1girl, solo, vampire, medium height, athletic build, slender, large hips, medium breasts, pale skin, long black hair, red eyes, sharp pupils, pointed ears, black skirt, red pattern, skirt above knees, black leather jacket, white jacket inserts, dress straps, white shirt, open shirt, top buttons open, red tie, white gloves, red aiguillette, waist belt, tunic, black sheer stockings, black high heels, light black raincoat, rapier scabbard, sword belt, main hall, castle interior, from below, cowboy shot, dutch angle, looking down at viewer, half-closed eyes, smirk, one eyebrow raised, standing contrapposto, hand on hip, other hand at coat lapel, windblown hair, dramatic lighting, ominous, quietly imperious
A low, tilted camera looks up from a little below her hip height across the flagged stone floor of a castle's main hall, so the hall's tall stained-glass lancets lean and converge above her and the vaulted ribs arch away overhead; she stands in the lower third of the frame, body angled three-quarters to the lens with her weight sunk into the left hip and her right heel cocked up off the stone, her left hand planted flat on that hip at the waist belt cinched over the tunic, her right hand lifting the raincoat's lapel aside so the open jacket and the black leather's white inserts catch the light. Her chin is tipped down toward the lens, red eyes with sharp narrow pupils staring straight down the camera under half-lowered lids, one dark brow arched higher than the other, and a small closed smirk pulling one corner of her mouth; her long black hair spills off the raised shoulder and a strand sweeps across the pale line of her throat, which is bared by the white shirt's open top buttons and the loosened knot of the red tie. The black skirt falls just above her knees in flat panels with red scrollwork patterns running down its front, and the black sheer stockings let the pale skin and the shine of the stone show through, tautened to a thin gleam over the knee before the black high-heeled shoes plant their points on the flagstones. The red aiguillette crosses her chest on its braided cords above the jacket, white gloves capping both hands cleanly at the wrists, pointed ears standing out through the black hair. The rapier scabbard hangs on its belt at her right hip, its tip a hand's width off the floor and its line angled back behind her thigh. Cold bluish daylight rakes down from the tall windows in the upper left, laying a hard column of light across the right side of her face, the white shirt and the gloved hand, and casting a long thin shadow of her legs and scabbard back across the floor to the lower right; out in the hall's depths the arcades and banners fall into even, unreadable dimness. The palette stays cold slate-grey stone and silver-blue window light against her black coat and hair, red in her eyes, tie, aiguillette and skirt patterns, and the pale warm white of her skin — imperious, quietly dangerous.
ТигЕр
т
1girl, solo, vampire, medium height, athletic build, slender, large hips, medium breasts, pale skin, long black hair, red eyes, sharp pupils, pointed ears, black skirt, red pattern, skirt above knees, black leather jacket, white jacket inserts, dress straps, white shirt, open shirt, top buttons open, red tie, white gloves, red aiguillette, waist belt, tunic, black sheer stockings, black high heels, light black raincoat, rapier scabbard, sword belt, main hall, castle interior, from below, cowboy shot, dutch angle, looking down at viewer, half-closed eyes, smirk, one eyebrow raised, standing contrapposto, hand on hip, other hand at coat lapel, windblown hair, dramatic lighting, ominous, quietly imperious
A low, tilted camera looks up from a little below her hip height across the flagged stone floor of a castle's main hall, so the hall's tall stained-glass lancets lean and converge above her and the vaulted ribs arch away overhead; she stands in the lower third of the frame, body angled three-quarters to the lens with her weight sunk into the left hip and her right heel cocked up off the stone, her left hand planted flat on that hip at the waist belt cinched over the tunic, her right hand lifting the raincoat's lapel aside so the open jacket and the black leather's white inserts catch the light. Her chin is tipped down toward the lens, red eyes with sharp narrow pupils staring straight down the camera under half-lowered lids, one dark brow arched higher than the other, and a small closed smirk pulling one corner of her mouth; her long black hair spills off the raised shoulder and a strand sweeps across the pale line of her throat, which is bared by the white shirt's open top buttons and the loosened knot of the red tie. The black skirt falls just above her knees in flat panels with red scrollwork patterns running down its front, and the black sheer stockings let the pale skin and the shine of the stone show through, tautened to a thin gleam over the knee before the black high-heeled shoes plant their points on the flagstones. The red aiguillette crosses her chest on its braided cords above the jacket, white gloves capping both hands cleanly at the wrists, pointed ears standing out through the black hair. The rapier scabbard hangs on its belt at her right hip, its tip a hand's width off the floor and its line angled back behind her thigh. Cold bluish daylight rakes down from the tall windows in the upper left, laying a hard column of light across the right side of her face, the white shirt and the gloved hand, and casting a long thin shadow of her legs and scabbard back across the floor to the lower right; out in the hall's depths the arcades and banners fall into even, unreadable dimness. The palette stays cold slate-grey stone and silver-blue window light against her black coat and hair, red in her eyes, tie, aiguillette and skirt patterns, and the pale warm white of her skin — imperious, quietly dangerous.
ТигЕр
eh
The Ultimate Vampire Queen
Evan Hoefling
n2
artist: ratatatat74
1girl, solo, multicolored hair, two-tone hair, black hair, white hair, streaked hair, red streaks, white streaks, messy asymmetrical bob, long hair, short hair, hair between eyes, black eyes, red pupils, symbol-shaped pupils, x-shaped pupils, vampire, fangs, black gloves, gloves, black hands, colored extremities, jewelry, long sleeves, coat, jacket, shirt, dress, beautiful face, malevolent expression, seductive look, detached look, elegant, standing, from below, dutch angle, cowboy shot, looking down at viewer, half-closed eyes, head tilt, several desiccated male bodies lying on the floor in the background, skyscraper high-rise interior background, floor-to-ceiling windows, white outline, volumetric lighting, ominous lighting, dramatic backlighting, rim lighting, depth of field, sharp cel-shading, high contrast, wide angle lens, vibrant accent colors, moody atmosphere, masterwork, best quality, highres, absurdres, detailed shading,
From a low dutch angle in a cowboy shot, the vampire woman stands in the foreground of a skyscraper high-rise interior, the camera tilted so the glass curtain wall and the city's light-streaked night run diagonal behind her. She is caught mid-step, weight sunk into her right hip with her left leg crossed in front of it, one black-gloved hand resting flat on the cold window glass beside her shoulder and the other hanging loose with the fingers half-curled. Her head is tipped down and to her right, chin lowered; her half-lidded black eyes with glowing red x-shaped pupils look straight down the lens at the viewer, and her mouth reads malevolent, seductive and detached all at once -- a faint asymmetric smirk with one fang just showing, one brow slightly raised, utterly unhurried. Her messy asymmetrical bob is cut shorter on her right and falls longer past her jaw on the left, a two-tone black-and-white mass shot through with red and white streaks, stray locks falling between her eyes; the window's backlight makes a hard white rim run down her left side and through her hair, and the draft off the glass lifts a few loose strands. The white outline holds her whole silhouette crisp against the dark. She is elegant in a long-sleeved shirt buttoned to the throat under an open tailored jacket, a coat hanging from her shoulders, and a dress whose hem breaks the line of the coat; black gloves cover black hands to the wrist, small jewelry catching a pinpoint of light at her ear and throat.
Behind her, out of focus but unmistakable, several desiccated male bodies lie on the floor in the background, collapsed across the polished stone in the middle distance between her and the window wall, their clothes dried and clinging, one arm outstretched toward a fallen chair. The floor is a mirror of dark polished stone in which her legs and the bodies smear into long vertical reflections, brighter at the edges and darker at the core. The only light is the city's glow pressing in through the glass behind her, cold and blue-white and volumetric in the haze inside the room, with the darkness in front of her absolute and rim lighting burning along every silhouette edge. Palette: black, white, cold glass blue-grey, nothing warm except the red of her pupils, streaks and lips. High-contrast cel shading with crisp shadow shapes and a shallow depth of field that keeps her face needle-sharp while the bodies soften into the dark. Ominous, effortlessly elegant.
nyx20
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