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Pilot Mon Calamari
Arte de IA "Pilot Mon Calamari" de Talya Gordon no PixAI. Tags: Alienígena, cabine de comando, interior do carro, astronauta. Criado com Moonbeam.
Mostrar Parâmetros
- Entrada de Instrução Original
- 2D, 1boy (mon-calamari:1.2, large black reflective eyes, salmon-pink scaly skin, webbed hands), both wearing white Resistance naval uniforms with gold insignia, sitting in chairs inside the bridge of the MC85 Star Cruiser Raddus, stars visible through the viewport, dim blue lighting. Upper body shot. Cinematic lighting, highly detailed, 8K, semi-realistic style.,mon calamari,in rebel pilot suit, cockpit view
- Tamanho
- 512 x 768
- Passos de Amostragem
- 20
- Método de Amostragem
- DPM++ 2M Karras
- CFG scale
- 6
- Negativo
- worst quality, large head, low quality, extra digits, bad eye, EasyNegativeV2, ng_deepnegative_v1_75t
Modelo & LoRA usado
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character: suletta_mercury, miorine_rembran, copyright: armored_core
2girls, split screen, dual perspective, suletta mercury, miorine rembran, red hair, long hair, low ponytail, ahoge, hair between eyes, black hairband, blue eyes, aqua eyes, austere utilitarian pilot suit, neural connection unit attached to neck, sitting in cockpit, hands on control sticks, miorine rembran, long grey-white hair, ahoge, hair between eyes, grey eyes, seated in helicopter cockpit, holographic displays, headset, issuing instructions, open mouth, speaking, battle, desert wasteland, ruined city, destroyed buildings, several enemy armored cores, explosions, shot down, smoke, fire, sparks, from side, close-up on suletta, over-shoulder on miorine, holographic glow, night-for-day dust haze, cinematic lighting, tense, focused
Split composition: the left two-thirds hold Suletta inside her AC cockpit in profile, the right third is a narrower vertical insert of Miorine in the transport helicopter cockpit. Suletta sits deep in a bare, unadorned cockpit — flat welded steel panels, exposed cable runs, scuffed padding, no ornament — strapped into a bucket seat, shoulders rolled forward, both hands wrapped around the twin control columns, thumbs on the trigger studs, one boot braced against the pedal block. A neural connection unit clamps to the side of her neck, a squat utilitarian plug seated against the skin with a short armored cable looping down to the collar of her suit. Her pilot suit is austere and utilitarian: matte dark fabric, hard seam lines, reinforced knee and shoulder plates, no decoration. Her red hair is pulled into a low ponytail with a black hairband, a few strands between her eyes, an ahoge lifting in the cockpit's circulating air; her aqua-blue eyes are fixed forward on the cockpit display rack, jaw set, lips parted as she answers the transmission — listening, not smiling. Through the cockpit's armored canopy slot the desert battle shows: a wasteland of pale sand drifting against broken concrete shells and collapsed rebar skeletons of a dead city, dust haze swallowing the horizon. Out there several enemy Armored Cores stagger and break apart — one already toppling with its torso split, a second caught mid-explosion with fire and black smoke boiling from its joints, a third tipping backward, debris and sparks scattering across the sand. On the right panel, Miorine sits in the cramped cockpit of the large AC transport helicopter, harness across her chest, a headset over her long grey-white hair, ahoge and loose strands lifting in the rotor vibration; her grey eyes are lowered to a fan of holographic information displays hovering in front of her — translucent tactical maps, target markers, scrolling figures — the blue-white hologram light washing her face and hands from below. One hand rests on the console, the other raised, index finger stabbing at a point on the holographic map as she speaks her instruction toward the pickup. Key light: hard desert sun raking in through Suletta's canopy from the left, cutting a bright bar across her shoulder plate and cheek while the rest of the cockpit sits in deep shadow; the holograms are the only light in Miorine's cockpit, blue-white and exclusive, their glow reflecting off the canopy glass and the edge of her headset. Palette: bleached sand ochre and dust grey outside, cold steel and matte charcoal inside Suletta's cockpit, cyan hologram light in Miorine's — nothing else admitted. Single-variable physics: sand pouring in a thin stream through a cracked canopy seam and settling on the upward-facing rim of the console, never on its vertical face. Mood: tense, locked-in.
屍
A medium shot from a low-angle perspective features a male astronaut in a futuristic, red armored spacesuit floating in the vacuum of outer space. The man is equipped with a high-tech helmet featuring glowing green monoculars and wears a heavy armored vest with military-style unloading pouches over his suit, which is reinforced with thick protective plates and heavy boots with magnetic soles. He maintains a steady gaze forward, gripping a futuristic laser pistol in his right hand and a plasma cutter in his left. A compact mini-computer is strapped to his forearm. Beside him, a large space capsule lies on its side, drifting in the void. The background is dominated by the curved horizon of an Earth-type planet, reflecting brilliant light. The scene is rendered in a high-quality anime illustration style, characterized by sharp metallic reflections on the red armor and a high-contrast color palette of deep space black and vibrant planetary blues.
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