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AI artwork featuring #Zenless Zone Zero and #Hoshimi Miyabi
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Hoshimi Miyabi, Zenless Zone Zero

#Zenless Zone Zero#Hoshimi Miyabi
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No PixAI, os prompts sรฃo pรบblicos por padrรฃo, mas os criadores podem ocultรก-los em qualquer obra que publicarem. Quem criou esta obra optou por isso, entรฃo as palavras usadas para gerar a imagem permanecem privadas e sรณ essa pessoa pode vรช-las. Ocultar o prompt nรฃo muda mais nada: a obra continua pรบblica e vocรช pode curtir, comentar e compartilhar normalmente.
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AI artwork
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hoshimi_miyabi, a young female character with long, black hair with blunt bangs and sidelocks, red eyes, and fox ears with animal ear fluff, is lying on her back, wearing a white shirt with a black jacket, a black skirt, and black fingerless gloves, with a necktie and a pair of wings visible. She has medium-sized breasts and her legs without stockings, and she is looking up with a calm, shy, and modest expression. Her arms are at her sides, and her body is positioned in a full-body shot, conveying a sense of tranquility and quiet confidence. The background is blurred, and the lighting is soft and warm, emphasizing the character's serene demeanor.
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AI artwork
n2
character: hoshimi_miyabi 1girl, solo, hoshimi_miyabi, fox girl, fox ears, animal ear fluff, black hair, long hair, half updo, blunt bangs, sidelocks, red eyes, closed mouth, single mechanical arm, mechanical hands, single fingerless glove, fingerless gloves, gloves, aqua jacket, jacket, white shirt, shirt, necktie, high-waist skirt, long skirt, black skirt, skirt, pantyhose, katana, sword, sheath, scabbard, holding sword, holding weapon, holding, from below, cowboy shot, dutch angle, looking down, standing, contrapposto, wind, serious, from below, dutch angle, low-angle cowboy shot, The camera sits low and tilted a few degrees off level, looking up at her from hip height, so the long high-waist skirt fills the bottom of the frame and the sky opens above her shoulder; she stands on a bare windswept stone terrace whose pale slabs run to a blurred nothing, no wall, no railing, no second figure anywhere. Her weight rides on her left leg, right knee soft and turned slightly in, hips countering so the high-waist black skirt hangs in a long unbroken fall to her ankles while the wind presses its front panel flat against both shins and billows the hem back. Tucked into that waist, a crisp white shirt, and over it the aqua jacket, open, its hem and collar snapping toward the same windward side. A narrow dark necktie runs from her collar down the shirt front, its tail lifted and beaten sideways across her chest by the same gust. Her head is tipped a fractional degree down, chin level, red eyes looking down the low camera line at the viewer with a flat, unhurried weight; her mouth stays closed, corners neutral, no smile. Above it, the blunt bangs hang as one clean straight fringe, and the long black hair is gathered in a half updo โ€” a small tied knot at the crown while the rest pours past her shoulders, the two sidelocks framing her jaw, and every strand streaming toward the light. The fox ears stand from the crown, black fur with a deep white fluff tufting their inner rims, that fluff visibly combed and parted by the draught. Her left arm, flesh and cloth, hangs loose with the fingers of the fingerless glove half-curled against her thigh, knuckles and fingertips bare, wrist showing where the aqua cuff rides up. From the right shoulder down it is the single mechanical arm, plated and jointed, and its mechanical hand closes around the katana's scabbard just under the guard โ€” the sheath carried low and angled across her hip, its tip hanging behind her skirt, the long glove's cuff concealed under the plated wrist so only the exposed hand shows. The blade stays seated; she holds the sheathed katana as a carried thing, tip dipping a handsbreadth with the weight, the polished scabbard catching one long hard highlight along its upper edge. Sunlight comes from behind and above her right shoulder, rimming the hair, the ear fluff and the aqua fabric's raised seams in a warm line, leaving her face and the front of the shirt in cool open shade, and her shadow falls straight toward the lens, foreshortened and short on the stone. Her grey eyes narrow a little against the wind; stony, composed.
nkym2311020

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