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AI art "山田さん" featuring #Bocchi the Rock! and #Ryo Yamada
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山田さん

#Bocchi the Rock!#Ryo Yamada
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Comentários

1girl, (((solo))), (Bedroom in a luxury hotel), (masterpiece), (best quality), (highly detailed), ((correct_anatomy)), from below, dutch_angle, Peace sign with one hand, perfect hands, closed mouth, Yamada Ryou \(Bocchi the Rock\), blue hair, eyes visible through hair, mole, mole under eye, short hair, yellow eyes, hairclips, medium breasts, black pantyhose, black ribbon, blue skirt, long sleeves, pantyhose, ribbon
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Entrada de Instrução Original
1girl,(((solo))),(Bedroom in a luxury hotel),(masterpiece),(best quality),(highly detailed),((correct_anatomy)),from below,dutch_angle,Peace sign with one hand, v,perfect hands,closed mouth,Yamada Ryou(Bocchi the Rock),blue hair,eyes visible through hair,mole,mole under eye,short hair,yellow eyes,hairclips,medium breasts,black pantyhose, black ribbon, blue skirt, long sleeves, pantyhose, ribbon, 
Tamanho
768 x 1280
Passos de Amostragem
8
Método de Amostragem
Euler a
CFG scale
1.25
Negativo
lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, signature, watermark,(male testicles,long penis,cross-section view,six fingers:2.0),

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Sa
character: yamada_ryo, copyright: bocchi_the_rock!, gakuen_idolmaster 1girl, solo, yamada_ryo, blue hair, short hair, hairclip, yellow eyes, mole under eye, worried eyebrows, teary eyes, moist eyes, troubled expression, crying, glossy eyes, cute face, small face, large eyes, tall female, long legs, slender legs, thick thighs, plump thighs, large breasts, protruding breasts, side view chest, sensual figure, curvy, femme fatale, white collared shirt, long sleeves, pleated skirt, two arms, five fingers, cowboy shot, from side, three-quarter view, looking at viewer, leaning forward slightly, hands clasped together at chest, blush, parted lips, indoor, sunset light, warm palette, gakuen idolmaster art style, soft shading, delicate lineart The camera holds a three-quarter view from her left side, low enough that the chest reads in profile and the thighs carry the lower frame. She is one tall girl standing in a sunlit room, weight settled onto her left leg while her right knee bends inward, one hip pushed out so the skirt hem lifts a fraction over the thigh. Both arms number two and lift inward, hands meeting at the collarbone — ten fingers visible, each pressing into the opposite palm, knuckles pale with the grip. Her blue, short hair is swept back from a small face and held by a single hairclip at the temple; a mole sits under one yellow eye. Those eyes are wide, glossy and brimming, lower lids swollen with held tears, and her brows pinch upward in the middle — a troubled, teary look aimed past the lens rather than into it, chin drawn down. The white collared shirt pulls taut across a bust that juts forward in profile like a rocket cone, fabric straining at the buttons; the skirt hangs short, and the thighs below it are thick, plump and touching, drawn with priority so every soft compression where they meet is visible above long, slender calves and ankles. Warm late-afternoon light comes through a window at frame left, raking her cheek and the near shoulder, throwing the far side of her body into soft amber shadow and casting a long shadow across the floorboards; dust motes hang in the beam. Flowers sit blurred in a vase on a sill behind her. Palette of cream, sunlit gold and the cool blue of her hair. Tender, aching.
Sa

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