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oc alma(HH)
Arte de IA "oc alma(HH)" de Cerezo 🌸 no PixAI. Criado com Haruka v2.
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- Entrada de Instrução Original
- A beautiful and attractive adult woman, ((Mature features), ((Long wavy hair Midnight red hair)), ((dark navy blue hair)), ((blue eyes)), ((long black eyelashes)), clear skin without imperfections, immortal angelic beauty, tall, slender, tender red lips, matching makeup, blonde, long hair, light violet irises, magenta-colored curled horns, slicked back mullet, white pearl choker around neck, lilith,blonde,long hair,light violet irises,magenta-colored curled horns,slicked back mullet,white pearl choker around neck,lilith,
- Tamanho
- 682 x 1024
- Passos de Amostragem
- 28
- Método de Amostragem
- Euler a
- CFG scale
- 5
- Negativo
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands, (nsfw:1.2), (nude:1.6), (nipple:1.2), naked
Correção de Rosto
Modelo & LoRA usado
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Benjamin Gonzales
klee
1girl, solo, pov, cowboy shot, from below, standing, looking at viewer, hand on door, open door, greeting, calm, composed, neutral expression, half-closed eyes, mature female, tall, slender, hourglass figure, large breasts, narrow waist, pale skin, high cheekbones, narrow chin, arched brows, brown hair, single hair bun, purple eyes, red lips, red lipstick, dark eyeshadow, bare shoulders, black corset dress, long skirt, sheer panels, black lace collar, amethyst necklace, cleavage, upright posture, indoors, mansion, entryway, red walls, doorway, evening, soft lighting, cinematic lighting, dim lighting, warm tones, muted colors, depth of field, detailed eyes, highly detailed
The camera sits low, looking up from the viewer's own eye height at the threshold of the mansion entryway: a cowboy shot cropped at mid-thigh, so the woman's full height is stretched by the upward angle and the doorframe's top rail is lost above the frame. She stands square-on in the open doorway, weight settled on her left leg with her right hip eased slightly out, spine upright and shoulders level, chin level and turned a bare fraction toward her left. Her right hand rests flat on the inner face of the door she has just swung inward, fingers spread across the panel with the thumb hooked around its edge, the door standing open at roughly seventy degrees so its dark inner face slices the left third of the frame and its brass handle catches the light; her left arm hangs free with the hand relaxed beside the long skirt, knuckles grazing the fabric. Her purple eyes are half-lidded, looking down the low camera line straight into the viewer's eyes, lids heavy, brows arched and still, lips closed in a neutral line whose only movement is the faint gloss of red lipstick along the lower lip; dark eyeshadow presses a soft shadow into the sockets. Brown hair is drawn back tight into one single bun seated high at the back of her head, a few short strands escaping at the temple and the nape, and the dress gives no sway because she is not moving.
The black corset dress grips the narrow waist in vertical boning, its top edge a black lace collar of floral scrollwork running straight across the collarbones beneath bare shoulders and the pale plane of the chest, the amethyst pendant hanging at the center of the neckline just above the cleavage; the long skirt falls straight to below the crop, and narrow sheer panels set into its sides let the warm light read the outline of her legs through the gauze. Behind her the entryway recedes: deep red walls with darker wainscot, a runner of muted crimson carpet on the floor, the pale rectangle of a distant doorway softened into blur by shallow depth of field so only she and the door edge stay sharp. Evening light comes in low and warm from somewhere behind and left of the viewer, grazing her right cheek, the front of the lace collar and the ridge of the door panel while leaving the entryway's far corner in shadow; the palette is held to muted browns, wine red, warm amber and the violet of her eyes and the amethyst, nothing brighter admitted. A thin warm reflection of the outside evening lies along the door's polished edge and nowhere else, and the red walls darken toward the ceiling. Elegant, intimate.
Аллан
1girl, solo, adult woman, mature female, light brown hair, very long ponytail, ponytail reaching past her hips, red eyes, sunglasses, dark oversized sunglasses, vampire costume, vampire gown, deep crimson velvet gown, high black lace collar, large breasts, curvy, wide hips, thick thighs, narrow waist, hourglass figure, from below, low angle, three-quarter view, standing on one leg, tiptoes, leaning back, one hand on hip, other hand lifting sunglasses, head tilted down, looking at viewer over sunglasses, smirk, one eyebrow raised, open mouth, fang, long fingernails, windblown hair, ponytail streaming sideways, velvet folds, dutch angle, full body, dim interior, candlelight, warm rim light, deep shadows, gothic atmosphere, dramatic, elegant,
The camera looks up at her from knee height in a low-angle three-quarter view that runs slightly off-axis as a gentle dutch angle, so the long line of her body rises diagonally across the frame from lower left to upper right. She is one adult woman with a full, exaggerated hourglass figure — large breasts, wide hips, thick thighs, a cinched narrow waist — carried with the poise of a grown woman, no youthful softness left in the silhouette. Her dress is a vampire costume gown of deep crimson velvet that pours from a fitted bodice down to a floor-sweeping hem, velvet nap catching the light in long soft vertical folds and darkening to near-black in the creases, closed at the throat by a tall black lace collar whose scalloped edge stands up around her jaw. Her light brown hair is gathered high at the crown into a single ponytail of extreme length, the tie hidden, the tail falling in a heavy loose wave past her hips and curling at the tip, and the wind takes it sideways across the frame so it crosses in front of her right shoulder. Dark oversized sunglasses sit across her face, their lenses wide enough to swallow her brow line.
Her weight is on her right leg, hip pushed out and the velvet bunching over that hip; her left leg is lifted, toe pointed down and hovering just off the floor, so the gown hangs unevenly and the hem swings. Her right hand rests flat on her waist, fingers spread against the velvet. Her left hand has come up to the top bar of her sunglasses and is tilting them down her nose, one long dark-nailed finger hooked over the frame, so the red of her left eye shows beneath the lowered lens in a bright crescent. Her head is tipped down toward the camera and her chin is tucked; she looks straight into the lens over the rim of the sunglasses with a lopsided smirk, one corner of her mouth pulled higher, a single pointed fang showing at the parting of her lips, one eyebrow arched above the frame.
The floor beneath her is dark polished stone; her lifted toe hangs above it and her standing shoe presses into the gloss, and the reflection of the red gown smears downward in the polish, darker and softer than the fabric itself. The background is an unlit gothic hall that falls away into black — the suggestion of a stone arch to the left, nothing more — and the only light is a warm low source off to her right and slightly behind, a candle-warm rim that runs along the raised edge of her ponytail, the lace collar's points, the top curve of her shoulder and the leading fold of the velvet, while the front of her bodice and the underside of her jaw stay in cool shadow. Beyond that rim the darkness is absolute. The palette holds to deep crimson, black, warm candle amber on the highlights and the pale light brown of her hair, nothing else admitted. Quiet, dangerous glamour.
Kylee Violette (Kiy Chan)
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