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Yangyang(ヤンヤン) 🦊✨
No PixAI, os prompts são públicos por padrão, mas os criadores podem ocultá-los em qualquer obra que publicarem. Quem criou esta obra optou por isso, então as palavras usadas para gerar a imagem permanecem privadas e só essa pessoa pode vê-las. Ocultar o prompt não muda mais nada: a obra continua pública e você pode curtir, comentar e compartilhar normalmente.
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masterpiece, ultra detailed, best quality,chibi:1.2,
amamiya kokoro,furen e lustario, 2girls,
lying on stomach, head only, relaxed,
under kotatsu, kotatsu, window, snowing outside,
paka
サブ
character: iori_(blue_archive), iroha_(blue_archive), hina_(blue_archive), makoto_(blue_archive), copyright: blue_archive
4girls, multiple girls, kotatsu, winter, indoors, warm lighting, from above, sitting, lying, sleeping, closed eyes, drinking, eating, reaching out, hand reaching toward another, plate of mandarins, bowl, teacup, steam, long hair, twintails, grey hair, red eyes, pointy ears, tail, dark skin, black gloves, white hair, ahoge, purple eyes, wings, demon horns, black horns, multiple horns, red hair, grey eyes, wavy hair, black hat, peaked cap, red necktie, blue eyes, hair over one eye, white gloves, bare shoulders, light smile, half-closed eyes, blush, ^ ^, open mouth, :d, one eye closed, smug, cozy, warm colors, wood floor, tatami, shoji screens, evening
From a high angle looking down into the room, four girls share one kotatsu in a warm, softly lit Japanese interior. The camera looks down over the kotatsu's quilted top, so the tabletop is the foreground: a ceramic plate of mandarin oranges sits on it, the fruits catching the overhead light, their peels glossy and dimpled, one already peeled into a spiral beside the plate, a paper-wrapped teapot and a steam-wisped teacup nearby. The quilt's edges fold around the seated girls' laps.
On the far side of the kotatsu, a grey-haired girl with long hair falling over one eye and blue eyes sits with a teacup held in both hands near her chest, her head tilted slightly back as she blows softly across the rim before taking a sip; thin steam curls up and fogs briefly across her face, and the heat has flushed her cheeks and loosened the front of her shirt at the collarbone. Her bare shoulders are rounded toward the tabletop, her weight sunk onto her folded knees under the quilt. Beside her, a white-haired girl with a small ahoge and a hairclip sits eating a mandarin, one segment pinched between her fingers halfway to her mouth, the peeled skin resting in her other palm; she glances sideways at the tea-drinker with a light smile, and one folded wing rustles above her shoulder while her tail curls under the quilt edge. Her long black sleeves are pushed back to the wrist, and her dark thighs are tucked under the quilt with only the black skirt edge visible.
On the left side of the kotatsu, a red-haired girl with wavy long hair and a black peaked cap leans forward slightly, one arm extended across the quilt top toward the mandarin plate, her grey eyes fixed on the fruit; her gloved fingers hover just above one orange, not yet touching. Her red necktie hangs down and brushes the quilt, and her armband catches the warm light. Across from her, a dark-skinned girl with grey twintails and a hair ribbon sits reaching lightly toward the same plate, her red eyes narrowing with a teasing smile as her long pointy-eared silhouette angles toward the fruit; her tail sweeps behind her out of the quilt, its tip flicking once. Both girls' reaching hands meet above the plate of mandarins, fingertips almost touching the same fruit, meaning they are about to pick it up at the same time and will surely squabble.
In the very front of the kotatsu, nearest the camera and half-swallowed by the quilt, a girl with long red hair lies on her side inside the kotatsu, both eyes closed, her cheek pillowed on her folded arm; the quilt drapes over her shoulder so only her sleeping face and a strand of hair spill out. Her breathing lifts the quilt's edge in a slow rhythm, and the warm air from under the table makes the steam from the tea drift toward her.
The room is enclosed in warm lamplight from a single source above the table, pooling on the quilt and the mandarin plate; the shadows drop deep around the tatami edges and the shoji screens in the background, where the evening light outside fades to a pale blue. The palette is warm amber and wood-brown against the girls' cool hair colors and the bright orange of the fruit, with the darkness confining the scene to the glow around the kotatsu. Quiet, cozy warmth.
サブ
サブ
character: iori_(blue_archive), iroha_(blue_archive), hina_(blue_archive), makoto_(blue_archive), copyright: blue_archive
4girls, harem, kotatsu, sitting, indoors, winter, cold, Hazama Makoto, long grey hair, hair over one eye, black horns, pointy ears, blue eyes, white gloves, hat, bare shoulders, holding teacup, drinking, steam, hot tea, Sorasaki Hina, long white hair, ahoge, parted bangs, hairclip, purple eyes, demon horns, wings, coat on shoulders, black skirt, black thighhighs, black gloves, sitting in kotatsu, holding mikan, eating mikan, peeled mikan, Natsume Iroha, long wavy red hair, hair between eyes, grey eyes, black peaked cap, red necktie, jacket, armband, lying down, sleeping, closed eyes, half-submerged under kotatsu blanket, Shirosaki Iori, long grey twintails, hair over one eye, pointy ears, dark skin, red eyes, hair ribbon, black gloves, tail, shivering, hugging herself, cold, trying to enter kotatsu, reaching toward kotatsu, looking at kotatsu, looking down, half-closed eyes, blush, open mouth, breath vapor, low angle, wide shot, horizontal composition, warm lamp light, cozy, comedic, tender
The shot is a low wide camera looking slightly up into a small Japanese room in midwinter, the heated quilt of the kotatsu spread across the foreground and mid-ground as a broad warm rectangle, the wooden frame underneath and its low tabletop read only as edges beneath the blanket; the four figures are arranged around it so each is plainly separable. On the left, Makoto sits with her knees drawn under the quilt, both white-gloved hands curled around a pale teacup raised to her lips, her chin tipped down and her eyes half-shut over the steam that curls up across her cheek and fogs the edge of the cup; her long grey hair spills over one shoulder and one black horn catches the warm light. Center, Hina has her hips settled on the floor with her legs under the quilt, her coat hanging off her shoulders, and she is peeling a mikan with careful thumbnail, segments and torn peel cupped in her black-gloved palm, a small pile of peel beside her and one whole mikan resting on the quilt near her knee; her head is tilted down toward her hands, brows faintly knit in concentration, and her white hair and ahoge are still, her wings folded close at her back. Right of center, Iroha lies curled on her side fully under the quilt with only her head and one shoulder above the blanket, her long red wavy hair fanning across the tatami and over the blanket edge, black peaked cap slipped a little sideways on her head, eyes closed, cheek pressed to her folded arm, mouth slack with sleep; the quilt peaks over her curled body, and the shape of her knees and her shoulder rises and falls with a shallow sleeping breath that moves the fabric. At the far right, Iori is caught mid-motion half out of the quilt, crouching forward with her knees bent and her twintails hanging down as she leans toward the warm rectangle, both black-gloved hands reaching out to lift the blanket edge; her arms are drawn in tight to her chest first, shoulders hiked up, her whole body shivering, skin prickling, pointy ears flattened slightly. Her tail is curled up along her hip above the quilt, her dark skin flushed dull with cold at the nose and knuckles, and her red eyes are fixed down on the kotatsu edge with a sharp, impatient, half-closed glare while her breath leaves a faint vapor. A narrow gap of the lifted quilt shows the hot darkness underneath. The only light sources are a tatami-room ceiling lamp with a warm orange shade above and the deep red-orange glow from within the kotatsu, its warmth spilling up onto the near faces and the inside of the blanket edge; everything beyond the two pools of warm light falls to cool blue-grey shadows, and the cold window glass at the left edge of the frame carries a bloom of frost and a faint condensation. The palette is the warm orange and deep red of the kotatsu quilt and the lamp, the tea's steam and the mikan's bright orange peel as two pockets of colour, with the girls' cool greys, whites and blacks and the room's blue shadow holding the rest; the mikan peel's dimpled surface curls one shaving of zest onto the blanket where it sticks. A comic, tender winter-evening warmth.
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