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Bastian

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Bastian

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1girl, Piper Rubio (Five Nights at Freddy's), Abby Schmidt (Five Nights at Freddy's), 10 years old, dark brown bob haircut, straight bangs, light tan skin, spanish descent, pink sweatshirt, white cloud pattern, baggy clothes, worn out shirt, solid purple sweatpants, baggy pants, white converse sneakers, kids size, leaning against wall, legs buckled, hands caressing belly, innocent expression, curious, light smile, closed mouth, dim lighting, retro 1980s pizzeria, checkered floor, arcade machines, Freddy Fazbear's Pizza, 9 months pregnant, large bloated belly, flat chest, big penis bulge, realistic, cinematic shot, dynamic lighting, 75mm, Technicolor, Panavision, Cinemascope, sharp focus, fine details, 8K, HDR, realism, key visual, film still, cinematic color grading, depth of field, no anime style, no cartoon style, photorealistic
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Entrada de Instrução Original
A cinematic shot of a young girl, approximately 10 years old, with a dark brown bob haircut and straight bangs. She is wearing a pink sweatshirt that's very baggy with white cloud patterns on the whole shirt the shirt looks old and a little worn out but still in good shape and solid purple sweay pants that are very baggy. She is standing with her back against wall leaning against it and her legs are buckled showcasing her belly with her hands on both sides caressing it. She has an innocent, curious expression but are lightly smiling with a closed mouth. The background is a dimly lit, retro 1980s pizzeria with checkered details in the shadows and has arcade machines all around. They have a very insanely large 9 month sized pregnant belly and are very happy. Large Bloated belly. She looks exactly like the actress Piper Rubio who has a light to olive (light tan) complexion of spanish decent. Shes wearing a pair of kids sized white converse sneakers. they are solid white and have no black or any colors in the shoes orher than white. The background has the name Freddy FazBears Pizza. She does not have a fat face. She looks like a real human. The character looks exactly like Abby Schmidt from the Five Nights at Freddy's Movie. Her clothes covering her belly beautiful the belly is still big but not poking out of the clothing.Overall, it's an absolute world-class cinematic masterpiece. It's an aesthetically pleasing cinematic shot with impeccable attention to detail and impressive composition. Smiling no showing teeth , cinematic shot, dynamic lighting, 75mm, Technicolor, Panavision, cinemascope, sharp focus, fine details, 8k, HDR, realism, realistic, key visual, film still, cinematic color grading, depth of field. Overall, it's an absolute world-class cinematic masterpiece. It's an aesthetically pleasing cinematic shot with impeccable attention to detail and impressive composition. Flat chest, she has a big penis bulging from her pants pushing against them from below its poking from their pants. No anime style. No cartoons style. Very life like.
Tamanho
768 x 1280
Passos de Amostragem
28
Método de Amostragem
Euler a
CFG scale
5
Negativo
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands, non anime, not animated,

Modelo & LoRA usado

Haruka v2 - AI Model cover image

PixAI XL

Haruka v2
24.72k

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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