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Yakuza3 chikawa
Switch2でやります\(^o^)/
No PixAI, os prompts são públicos por padrão, mas os criadores podem ocultá-los em qualquer obra que publicarem. Quem criou esta obra optou por isso, então as palavras usadas para gerar a imagem permanecem privadas e só essa pessoa pode vê-las. Ocultar o prompt não muda mais nada: a obra continua pública e você pode curtir, comentar e compartilhar normalmente.
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character: nishizumi_shiho, shimada_chiyo
two women, one man, three people, street harassment, nishizumi_shiho, shimada_chiyo, older woman, black hair with pink streaks, long hair, hair flower, hair bow, blue eyes, elbow gloves, white gloves, dress, shimada_chiyo, brown hair, low-tied long hair, hair ribbon, brown eyes, black gloves, long sleeves, dark suit, ikebukuro street, bleached blonde spiked hair, male thug, oversized open black bomber jacket, leopard print shirt, baggy trousers, gold chain necklace, smug grin, leaning in, close proximity, leering, uncomfortable, stiff posture, recoiling, from below, dutch angle, cowboy shot, night street, neon signage, wet asphalt
The camera sits low on a wet Ikebukuro backstreet and tilts a few degrees off level, so the two women tower into the frame and the man between them crowds their space from a foreshortened angle. The three are packed into the lit mouth of an alley just off a busy street: the two women stand shoulder to shoulder on the near side, the man plants himself half a step in front of them, body angled across their path, the brim of his shoulder blocking the woman on the right from the waist up. He leans his weight onto his forward foot and pushes his chest into their space, one hand braced flat against the alley wall beside the black-haired woman's shoulder, the other hand held up palm-open at chest height in a lazy gesture that hovers too close to the two women's faces; his chin lifts and his grin pulls up on one side as he speaks at them. The black-haired woman stands with her weight locked on her back heel, chin drawn down, her white-gloved hands gathered and pressed together at her waist to keep them from his reach; her eyes cut sideways and up at him, narrowed and cold, and the long pink-streaked hair sweeps back from the sudden tilt of her head. The brown-haired woman half-turns away from him, low-tied hair swinging across her shoulder, her black-gloved hand raised flat at her collarbone as a barrier, her eyes angled down and away toward the pavement, mouth drawn tight, jaw set. Neon spills from the shopfronts behind them in hot magenta and cold cyan, the signs blurred and unreadable on the far street, and the wet asphalt throws doubled color upward, coloring the undersides of their chins and the man's gold chain with reflected light; the alley behind the three falls into a darkness broken only by that street spill. Rain has stopped recently enough that a thin film of water still sheets the pavement, so the women's shoes and the man's heavy boots sit inside mirrored streaks of that color, and every lit edge wears a wet highlight while the shadows stay deep and soft. Cool-magenta, cyan and asphalt-grey palette with the man's leopard print the only warm blot in the frame. Tense, ugly pressure.
邦儒
mk
1988 Tokyo, neon lights, mixed-use buildings, downtown, bustling streets, crowd, retro atmosphere, film grain, faded colors, grainy texture, birdskin_vintageink, birdskin_vintageink, detailed ink linework, vintage print texture, muted retro colors
mk
メ
夕暮れの街道と個性豊かな仲間たち
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