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AI artwork featuring #Jujutsu Kaisen and #Yuji Itadori
Gerar Grรกtis

Yuji Itadori, Jujutsu Kaisen

#Jujutsu Kaisen#Yuji Itadori
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Comentรกrios

1girl, Gachiakuta (original character), pink hair, pink eyes, short hair, brown skin, big breasts, wearing clothing, Geto Suguru (Jujutsu Kaisen), ultra detailed face, handsome, mature man, masculine physique, tall, broad shoulders, abs, ultra detailed, enhanced, masterpiece, high resolution, high definition
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Entrada de Instruรงรฃo Original
Gachiakuta oc female with pink hair pink eyes short hair brown skin big boobs , wearing ,clothing, Geto Suguru, ultra detailed face, handsome, mature man, masculine physique, tall, broad shoulders , abs, Ultra detailed, enhanced, masterpiece, high resolution, high definition,
Tamanho
1280 x 768
Passos de Amostragem
28
Mรฉtodo de Amostragem
Euler a
CFG scale
5
Negativo
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
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character: ryoumen_sukuna_(jujutsu_kaisen), copyright: jujutsu_kaisen 1boy, solo, ryoumen_sukuna, short hair, pink hair, undercut, red eyes, extra eyes, facial tattoo, black tattoo lines across face and body, muscular, muscular male, shirtless, bare torso, topless male, bare chest, flexing, flexing bicep, biceps, one arm raised, raised arm, clenched fist, arm bent, from below, cowboy shot, looking at viewer, smug, smirk, half-closed eyes, raised eyebrow, head tilt, black nail polish, dark background, dramatic lighting, strong shadows The camera sits low and looks up at him: a lone bare-chested man fills a cowboy-shot frame, cut off at mid-thigh, so his height and the slope of his shoulders read from underneath. Short pink hair, shaved to the skin at the temples and sides in a close undercut, sweeps up and back across his crown, the forward tufts catching the light. His face is a narrow, hard-boned mask; a second pair of small eyes sits above the outer corners of his brows, all four red irises angled down at the lens with a half-lidded, unimpressed calm, one brow lifted, one corner of his mouth pulled into a lopsided smirk that shows no teeth. Black tattoo lines are inked into him in the same crisp weight everywhere they appear: a band of curved strokes across his brow and cheekbones, thick sweeping strokes wrapping his neck, and long curling bands running down both pectorals, over the ridged abdominal wall and across the shoulder caps. His torso is heavy with muscle, the chest plates full, the abs cut into flat blocks, the obliques running in tight striations over the hips. His right arm is the whole action: raised, bent at the elbow, upper arm level with his shoulder and the forearm drawn up toward his head, bicep bunched into a hard peak that pulls the tattooed band over it into a taut curve, veins surfacing along the inner arm. The fist is clenched tight, knuckles pale and skin stretched white over the tendons, wrist turned so the black-polished nails face the camera. His left arm hangs slack at his side, hand half-curled at his thigh, shoulder dropped to make the raised arm sit higher. Weight is settled on his back foot, the front leg loose and slightly ahead, one hip canted lower so the ribcage stretches on the flexing side; the body turns about three-quarters toward the lens while the head angles down toward it. Only one light exists: a hard, cold source high to the upper left, just outside the frame. It rakes down the tensed bicep and the near shoulder, splits the chest into a bright plane and a deep one, and carves hard-edged dark wedges under each pectoral, along the ribs and beneath the clenched jaw. The tattoo ink stays flat matte black against the lit skin, and a short, sharp shadow of the raised arm falls back across his shoulder and neck. His own bulk throws the lower torso and the trailing arm into near-black. The background is a seamless dark field, its temperature cooled toward blue-grey, empty behind him so the small second eyes on his face stay the sharpest points in the frame. Effortlessly dominant, dangerous.
jackson bool
AI artwork
hs
copyright: jujutsu_kaisen 2girls, female sukuna, female gojou satoru, genderbend, tall female, short female, contrasting heights, white hair, long white hair, spiky white hair swept back, blue eyes, pale skin, black markings, facial markings, tattooed face, markings under eyes, horizontal forehead mark, pink hair, short pink hair, black hair, dark hair with pink undertones, red eyes, sharp teeth, smug, grin, :d, one eye closed, wink, looking at another, head tilt, arms crossed, from below, dutch angle, cowboy shot, dynamic angle, outdoors, night, city street, neon signs, lit signage, rooftop water tank, wet asphalt, standing close, shoulder to shoulder, height difference, playful rivalry, mocking smile, hands in pockets A low, tilted dutch-angle cowboy shot from just below eye level on a night city street corner, two girls standing close enough that their shoulders nearly touch, the taller girl on the left filling more of the frame. The taller girl โ€” white-haired, hair long and pushed back from her brow with a swept, spiky fall at the nape, blue eyes, pale skin โ€” is Gojo drawn as a girl: lean and tall, a dark high-collared jacket belted at the waist and open over a black tee, both hands shoved loose in her pockets, one hip cocked with the weight on it while the other leg is straight; she drops her head down toward the smaller girl at an angle, one eye shut in a wink and the other fixed on her companion, mouth stretched in a wide open-mouthed grin with the tongue barely visible at the corner. Her left elbow nudges the other girl's shoulder โ€” the only point of contact between them. The smaller girl on the right โ€” pink hair cropped short around the jaw, a dark underlayer braided at the nape, eyes red, skin pale, sharp canines showing โ€” is the one with the markings: black banded tattoos across the bridge of her nose, a horizontal line across her forehead, dark lines under both eyes, and black ringed patterns winding along her forearms where the cropped sleeves stop. Her jacket hangs open over a dark straight-cut dress, a dark wrap across one shoulder, arms folded tight across her chest, chin tipped up and turned toward the taller girl; her raised brow and lopsided smirk answer the wink, one corner of her mouth hooked higher than the other. Behind them a narrow city street runs away to a point, its vanishing lines carrying the eye past their shoulders; a steel water tank and a tangle of pipes occupy the midground roof edge on the left. Wet asphalt at their feet throws the street lights back as long smeared reflections, darker and softer than the neon tubes themselves, with the two figures' silhouettes buried in each reflection. Signage at the far end and over the shop awning is small, blurred and illegible. The light comes only from the street: two hard neon tubes, one cool and one warm, striking the girls from the right and above, washing the taller girl's hair almost white at the crown, throwing the shorter girl's markings into hard flat relief, and leaving the left side of both faces and the wall behind them in deep shadow. Palette is dominated by black, cold violet neon and one hot accent from the pink hair and the shop sign. Quiet, deliberate cool.
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ใƒชใ‚ช