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Fukuda Noriko(福田のり子)
Arte de IA "Fukuda Noriko(福田のり子)" de 𝑨𝒛𝒖𝒓𝒆 𝑳𝒖𝒎𝒊𝒆𝒓𝒆 no PixAI. Tags: The Idolmaster, The Idolmaster Million Live!. Criado com Hoshino.
Mostrar Parâmetros
- Tamanho
- 896 x 1152
- Passos de Amostragem
- 7
- Método de Amostragem
- Euler a
- CFG scale
- 1.6
- Negativo
- NSFW, worst quality, bad quality, low quality, lowres, scan artifacts, jpeg artifacts, sketch, (worst quality, bad quality:1.1), lowres, jpeg, artifacts, signature, username, text, logo, bad anatomy, artist name, artist logo, extra limbs, extra digit, extra legs, extra legs and arms, disfigured, missing arms, too many fingers, fused fingers, missing fingers, unclear eyes, blur, film grain, noise,
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Fukuda Noriko(福田のり子)
𝑨𝒛𝒖𝒓𝒆 𝑳𝒖𝒎𝒊𝒆𝒓𝒆
千
ミア・テイラー
千葉常義
character: cha_hae-in, copyright: solo_leveling
1girl, solo, cha hae-in, blonde hair, short hair, purple eyes, casual clothes, private clothes, modern streetwear, oversized cream knit cardigan, white ribbed turtleneck, high-waisted straight-leg black trousers, white leather sneakers, small brown leather crossbody bag, from below, cowboy shot, dutch angle, walking, caught mid-turn, looking back, looking at viewer, head tilt, one hand in pocket, other hand holding paper cup, steam, light smile, one eyebrow raised, blush, hair blowing to the side, city street, dusk, warm shop-window glow, cool blue evening air, depth of field, bokeh, film-like grain, no armor, no gauntlets, no shoulder armor, no bodysuit, no hat, no shorts, no boots, no armored boots,
Low three-quarter camera looking up at her from the pavement, tilted a few degrees off level so the street runs diagonally behind her; she is caught mid-stride turning back over her left shoulder, weight on her right foot with the left heel just peeling off the ground, hips swung so the trousers crease at the right hip. Her blonde hair, cut short around the jaw, lifts on the left side away from her cheek with the turn, one strand catching across her lip. Purple eyes find the viewer over the raised shoulder, chin dipped, one brow arched higher than the other and a faint closed-lip smile that is more challenge than greeting; a light blush sits high on both cheeks under the cold air. Her right hand is shoved into the trouser pocket, thumb hooked on the seam, pulling the cardigan hem askew; her left hand curls around a paper cup held at chest height, and the steam bends away from her face in the evening breeze. The cream knit of the cardigan is oversized, sleeves pushed up to the elbows, cuffs bunched, hanging open over the high white turtleneck that fits close to the throat. The brown leather bag sits on her right hip, strap crossing her chest under the cardigan's open front, the flap buckled and slightly worn at the corner.
The street behind her recedes in dusk: shop windows throwing warm amber light onto the sidewalk slabs, the wet sheen of one puddle near the curb catching the reflection of a sign — the reflection darker and softer than the sign itself — while the rest of the street falls away in cool blue shadow, out-of-focus pedestrians reduced to soft shapes far down the block, distant signage illegible. The warm window light strikes the right side of her face and the front of the cream knit, picking out the ribbing, and leaves the left side of her jaw and the back of her shoulder in cool blue shade; the warm key is the only strong source and everything beyond it desaturates toward the blue of the street.
The palette stays on three notes — cream, deep black, and the brown of the bag — with the amber window light as the only saturated color, and the blue evening holding everything else. Detail budget goes to her face, the knit's texture where the light grazes it, her hand on the cup, and the turn of her shoulder. Quietly warm, effortlessly stylish.
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