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AI artwork featuring #Fallout and #Fallout: New Vegas
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Fallout, Fallout: New Vegas

#Fallout#Fallout: New Vegas
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1boy, post-apocalyptic, desert ranger, squatting on rocky cliff edge, barren wasteland background, dark combat helmet with radio antenna, heavy-duty gas mask with glowing red eye lenses, long dark duster coat, high collar, layered shoulder armor pauldrons, chest armor with bullet bandolier, olive-drab forearm bracers, dark tactical trousers, olive-drab knee pads, tall black combat boots, holding large anti-materiel sniper rifle with scope and folded bipod, fingerless gloves, accurate weapon grip, Afrobull style, masterpiece, ultra detailed, atmospheric lighting
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Entrada de Instrução Original
a post-apocalyptic ranger squatting on a rocky cliff edge overlooking a barren wasteland. The character is wearing a dark combat helmet with a radio antenna on the right, and a heavy-duty gas mask with glowing red eye lenses. They are dressed in a long, dark duster coat with a high collar, layered shoulder armor pauldrons, chest armor with a bullet bandolier, olive-drab forearm bracers, dark tactical trousers, olive-drab knee pads, and tall black combat boots. The character is holding a large anti-materiel sniper rifle with a scope and folded bipod. Both hands are wearing fingerless gloves and are accurately gripping the weapon, with the right hand correctly holding the trigger grip and the left hand supporting the front handguard,d3sertranger,desertranger,helmet,1boy,Afrobull Style,
Tamanho
768 x 1280
Passos de Amostragem
25
Método de Amostragem
Euler a
CFG scale
6
Negativo
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
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AI artwork
YJ
1boy, solo, male, full body, head to toe, standing, tactical armor, black tactical vest, shoulder armor, pauldrons, groin protection plate, codpiece armor, tactical helmet, quad-tube night vision goggles, GPNVG, four-lens night vision, M53A1 gas mask, round filter canister, holding rifle, gloved hands, white background, seamless white studio sweep, from above, slightly high angle, dutch angle, head tilted up looking through the goggles, three-quarter view, calm stance, weight on right leg, black palette, matte black, gunmetal grey, studio softbox lighting A single male figure fills the frame from a slightly high, tilted dutch angle, so his boots sit near the lower edge of the crop and the four cylinders of the goggles poke toward the lens. He stands on a seamless white studio sweep with no horizon, no floor seam and no cast shadow beyond a faint soft pool directly under his boots — the white wraps him on every side as pure negative space. His body is turned three-quarter to the viewer, left shoulder angled forward, weight carried on the right leg with the right hip pushed out and the left knee unlocked. A black plate carrier sits over a black combat shirt, thick and boxy, with squared pauldron plates strapped over both shoulders; a separate armored plate hangs from the front of the rig and covers the groin completely, its edge squared and rigid against his thigh. A black tactical helmet is buckled low across his brow, and the quad-tube GPNVG bracket projects out ahead of it on a stubbed arm, four fat cylindrical lens housings fanned in a wide arc — two angled left, two angled right — each capped with a dark ring and a faintly reflective glass face that catches the softbox. Below the goggles, the M53A1 gas mask covers his whole face: a broad rounded rubber shell, twin round eye lenses set deep behind thickened rims, and a single heavy cylindrical filter canister screwed to the front-left of the mask, its ridged metal collar visibly threaded. He holds a black rifle diagonally across his torso, the sling taut over his right shoulder; his right hand is gloved and clamped on the pistol grip with the trigger finger laid straight along the receiver, his left hand cupped under the handguard, and the barrel points down and off to the lower left of the frame. His head is lifted, chin raised, the four lenses tilted up toward the light, and the mask's twin round eye lenses aim up and off to the upper right, past the viewer's shoulder. Soft, even softbox light washes down from above the frame, catching the top faces of the shoulder plates, the helmet crown and the upper rims of the goggle tubes while the undersides stay dark — dust and a few fine scratches on the rubber mask and the metal tube housings, the gunmetal of the rifle duller than the flat black fabric, matte black, gunmetal grey and white only, no other colour admitted. Quiet, clinical, heavily equipped.
YJ

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