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AI art "Sexy Ada Wong" featuring #Resident Evil and #Ada Wong
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Sexy Ada Wong

Arte de IA "Sexy Ada Wong" de Matias Mattos no PixAI. Criado com Haruka v2.

#Resident Evil#Ada Wong
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Comentários

ada wong (resident evil), 1girl, short hair, black hair, gray eyes, black leather choker, black leather pencil skirt, shiny skirt, big tits, hair over one eye, formal, cleavage, leather suit, arms crossed, standing, sideways, masterpiece, ultra detailed
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Entrada de Instrução Original
AdaResidentEvilMovie, 1girl, Animation Movie, short hair, Black leather choker, black hair, black leather pencil skirt, shiny skirt, Gray eyes, collar, big tits, hair over one eye, formal, cleavage, leather suit, arms crossed, standing, sideways.
Tamanho
768 x 1280
Passos de Amostragem
28
Método de Amostragem
Euler a
CFG scale
5
Negativo
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
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character: ada_wong, copyright: resident_evil 1girl, solo, ada_wong, adult, mature female, milf, mature face, short black hair, brown eyes, red dress, jewelry, leaning against wall, leaning back, shoulder against wall, arms crossed under chest, suggestive pose, hip thrust, crossed legs, looking at viewer, half-closed eyes, smug, one eye closed, head tilt, from side, cowboy shot, close-up, dim interior, warm low-key lighting, She stands in a half-lidded, from-the-side view, her right shoulder blade and the flat of her upper arm pressed to a bare concrete wall that runs vertically through the left third of the frame. Her body is angled away from that wall, torso twisted three-quarters toward the camera so her chest and hip line read clearly against it, and she leans back into the concrete with her weight riding her right hip and right shoulder — the left leg crossed loosely over the right at the ankle, the left toe resting light on the floor, taking almost no weight. Her arms are folded beneath her chest, forearms stacked, the left hand's fingers curled over the right upper arm, nails catching a thin highlight. Her chin tips down and her face turns to the lens from under lowered lashes, one eye half-closed, the corner of her mouth pulled up on one side in a knowing smirk, a single strand of the short black bob falling across her cheekbone while the rest tucks behind her ear. The red dress clings — a soft sheen along the hip and outer thigh where the fabric stretches over the leaned-back line, a seam running down the side, the hem sitting at mid-thigh. A single warm practical light burns low and off-frame to the right, raking across the front of her body and the wall beside her shoulder; it lights the left side of her face and leaves the right in soft shadow, and her shoulder casts a compressed, hard-edged shadow onto the concrete so the wall reads as solid and close. Beyond the light's reach the corridor falls into deep, near-black shadow, no second source, no visible ceiling. Cool grey concrete and the deep red of the dress carry the whole palette, with warm amber in the lit skin and nothing else admitted. Fine film-like grain in the shadow, matte fabric texture, concrete pitted and slightly stained where the shadow meets the wall. Quiet, dangerous glamour.
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