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top Ping
Arte de IA de top Ping no PixAI. Criado com bespoke.
Mostrar Parรขmetros
- Entrada de Instruรงรฃo Original
- cav3, Scenery, cave, rock, light rays, stone, shadows,tent big camp shop in dungeons, pov on ground, nobody,DUNG30N,dungeon,
- Tamanho
- 768 x 1280
- Passos de Amostragem
- 8
- Mรฉtodo de Amostragem
- DDIM
- CFG scale
- 3
- Negativo
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Modelo & LoRA usado
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ใฝใฑใฑใใพ
masterpiece, best quality, highly detailed, detailed illustration, sharp focus, clean lineart, beautiful composition, sea cave, inside cave, entrance to cave at the back, sea outside the cave, sea inside the cave, no humans, scenery
user-tatiana
ใฐใฅ
masterpiece, best quality, highly detailed, detailed illustration, sharp focus, clean lineart, beautiful composition, sea cave, inside cave, entrance to cave at the back, sea outside the cave, sea inside the cave
ใฐใฅ
no humans, scenery, dark gloomy background, enclosed space, cave interior, black rugged rock wall, rough uneven surface, cracked stone, jagged rock face, deep black, ink-black tones, faint blue glow, soft grey glow, side lighting, raking light, chiaroscuro, heavy shadow, mysterious, dreamlike, decadent, atmospheric depth, wide shot, from side, no text
The camera sits at a slight low angle from the side, looking along a closed rock chamber rather than into open space, so the far wall recedes diagonally and the darkness behind the lit plane reads as depth, not as a flat backdrop. The left edge of the frame is where the light enters: a single narrow shaft from an unseen opening off-frame left, cold and dim, striking the wall at a shallow grazing angle so it rakes across the stone instead of washing it. That raking light is the revealer โ every ridge, chip, bulge and hairline fissure on the rock casts a long thin shadow to the right, and the shadow length itself measures how rough the surface is. The lit strip occupies only a wedge of the wall; from there the light falls off fast, through soft grey mid-tones into ink-black, and the right third of the frame and the upper corners are absolute darkness with no fill. The wall is not one plane: it bulges forward into the near foreground at frame right, out of focus and near-black, pulls back through a lit midground ridge, and closes into a darker receding face beyond, so the chamber reads as enclosing rather than as scenery. Blue glow is not a lamp โ it clings in the deepest crevices and along one wet-looking seam low on the midground wall, cold and faint, while the grey bloom sits on the lit ridges where the light dusts the stone. Deep black and ink-black dominate; the only other colours are that cold blue in the cracks and the soft grey on the exposed edges, nothing warm anywhere. Fine grit and a thin haze hang in the shaft so the beam is visible as a faint diagonal volume, and the haze thickens toward the floor where the darkness pools. No figures, no props, no signage; the surface, the light and the falling-off into black carry the whole image. Quiet dread and decadent hush.
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