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AI art "和栗薫子 デート前のファッションショー" featuring #Saia, #Chapéu, #roupas casuais, #Boina, #Cabelo preto, #Sorriso, #cabelo bagunçado, #Reflexo, #saia longa and #1 garota
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和栗薫子 デート前のファッションショー

Arte de IA "和栗薫子 デート前のファッションショー" de fastred no PixAI. Tags: Saia, Chapéu, roupas casuais, Boina, Cabelo preto, Sorriso. Criado com Tsubaki.2.

薫る花は凛と咲く The fragrant flowers bloom dignifiedly

#Saia#Chapéu#roupas casuais#Boina#Cabelo preto#Sorriso#cabelo bagunçado#Reflexo#saia longa#1 garota
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Standing in front of the mirror in a modern room checking her date outfit. White beret hat. Top is pastel-colored ruffle sleeve cut-and-sew. Bottom is beige midi-length simple flare skirt made of linen material. Slim metal bracelet. Perspective from 45 degrees diagonally., Kaoruko Waguri, Fragrant Flower Blooms with Dignity, petite young woman, medium breasts, very long black wavy hair, blue eyes, ((perfect_hands:1.5)) anime illustration. great quality, best quality
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モダンな部屋の鏡の前で立ってデート用の服装のチェックをしている。白のベレー帽。トップスはパステルカラーのラッフルスリーブのカットソー。ボトムはリネン素材のベージュのミモレ丈のシンプルなフレアスカート。細身の金属の腕輪。斜め45度からの視点。,Kaoruko Waguri, Fragrant Flower Blooms with Dignity, petite young woman, medium breasts, very long black wavy hair, blue eyes,((perfect_hands:1.5))
Modo
ultra
Tamanho
1184 x 1536
Negativo
worst quality, photorealistic, bad anatomy, blur, low resolution

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Avatar image of Ren Tsukiyomi
character: springfield_(girls'_frontline), hoshino_ai, copyright: girls'_frontline, oshi_no_ko 1girl, solo, springfield \(girls' frontline\) cosplaying hoshino ai, mirror, mirror image, reflection, posing, smile, living room, indoors, standing, one hand on hip, other hand raised to cheek, head tilt, looking at reflection, long purple hair, sidelocks, hair between eyes, rabbit hair ornament, star hair ornament, star-shaped pupils, purple eyes, pink dress, frills, idol clothes, pink gloves, floor-length mirror, wooden floor, sofa, warm lamp light, from side, cowboy shot, dutch angle, soft shading, warm palette, cozy. The camera sits low and to the side, a dutch angle that tilts the room a few degrees, framing the girl from the knees up as she stands before a tall arched floor-length mirror leaning against the living-room wall. She is turned three-quarters away from the lens toward the glass, weight settled on her back foot, front knee bent, hip pushed out — a posed, self-conscious line. Her long purple hair with its sidelocks and strand between her eyes falls over one shoulder; the rabbit-shaped and star-shaped hair ornaments sit at the crown, catching the lamp. One pink-gloved hand rests on her hip, the other is lifted to the corner of her mouth in a mock-shy pose, fingers curled. Her star-pupiled purple eyes look into the mirror, not at the viewer, and her reflection meets that gaze with a small closed-lip smile — the smile is on both faces, the real one softer, the mirrored one a beat brighter. The pink frilled idol dress and its gloves are the only saturated notes in a warm brown room: honey-toned wooden floorboards, a low sofa with a knitted throw behind her, patterned wallpaper in ochre and cream. A single table lamp off-frame left is the only light; it lays a warm pool across her cheek, the dress's frills, and the mirror's lower edge, while the far corner of the room and the sofa's back fall into deep shadow, and her shadow stretches long and soft across the boards to the right. Physics to notice: the reflection is darker and slightly softer than the girl herself, its edges blunted by the glass, and the lamp's highlight repeats faintly inside the mirror a half-step off from where it falls on her real shoulder. A sheet music stand and a houseplant sit at the mirror's edge as quiet midground, nothing else in the room to break the intimacy. Tender, quietly pleased with itself.
Ren Tsukiyomi

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