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ใใฅใผใกใใ
Arte de IA "ใใฅใผใกใใ" de ใปใชใปใชใผ no PixAI. Tags: Mobile Suit Gundam GQuuuuuuX. Criado com Hoshino v2.
No PixAI, os prompts sรฃo pรบblicos por padrรฃo, mas os criadores podem ocultรก-los em qualquer obra que publicarem. Quem criou esta obra optou por isso, entรฃo as palavras usadas para gerar a imagem permanecem privadas e sรณ essa pessoa pode vรช-las. Ocultar o prompt nรฃo muda mais nada: a obra continua pรบblica e vocรช pode curtir, comentar e compartilhar normalmente.
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user--01
user--01
ๅ
1girl, solo, female high school student, tall female, very tall, 195cm, long limbs, long torso, long slender legs, healthy legs, statuesque figure, great figure, gray hair, side ponytail, asymmetric hair, hair covering one eye, hair over one eye, mekakure, long hair, sharp eyes, narrow eyes, deep blue eyes, blue eyes, single rose hair ornament, one red rose hair ornament, school uniform, sailor school uniform, pleated skirt, black socks, sitting on sofa, sitting, legs bent, knees bent, hips twisted, twisted torso, side thigh visible, calf visible, sofa, from side, dutch angle, cowboy shot, full body, sharp gaze, stern expression, serious, looking at viewer, indoors, club room, dark green upholstery, late afternoon light, anime style, cel shading, crisp lineart
The camera stands low, off to her left and slightly below the couch's seat line, tilted a few degrees so the sofa's horizontal back rail runs diagonally up across the frame -- a three-quarter view from the side, full body, head near the top edge, both feet inside the bottom edge. She sits long across a deep club-room sofa of dark green upholstery, and because her body is 195 cm of length the couch barely contains it: her long torso leans back against the seat cushion while her hips twist toward the camera, one hip bone pressing the upholstery into a round divot. One leg folds at the knee, that thigh laid along the cushion toward the lens, the black-socked calf dropping over the sofa's front edge so the fold of the knee catches the light and the calf's long healthy curve shows in full, the sock pulled snug over the ankle bone; the other leg slants the opposite way, S-curved, its calf tucked back along the seat, so the space between the two long limbs opens toward the viewer like a hinge. One arm stretches along the sofa back, hand draped loosely over the top rail, fingers hanging; the other hand rests on the near knee, knuckles overlapping the black sock's cuff, thumb hooked at the hem. Her shoulders are turned perhaps forty degrees off camera and her chin is tilted slightly down while her sharp deep blue eyes look straight down the line of the shot at the viewer, lids low and steady, one brow level, mouth a flat line, no smile -- the sternness carried in the still brow, the lowered lid and the unyielding gaze. Gray hair is gathered into a side ponytail that falls over one shoulder, and the loose falling locks, parted so they hang across one side of her face and hide one eye, swing slightly forward where her hip twist throws the head; a single red rose hair ornament sits pinned at the base of that side ponytail, petals catching the light, and there is nothing else in her hair. She wears a school uniform: a white short-sleeve blouse with the collar open and the knit vest beneath, a pleated skirt spread over the cushion under her twisted hips, the skirt's folds fanning where the seat compresses. The source of light is a tall window at frame left, low late-afternoon sun: it strikes the window-side of her gray hair into a silver edge, runs along the near thigh and the top of the black-socked calf, and drops the far side of her body and the sofa's far arm into deep green shadow; her cast shadow falls away from the window across the cushion, shortened and thrown sideways by the low sun, and dust hangs visible in the bar of light. Palette restricted to cool gray hair, deep blue eyes, the uniform's white and navy and the deep green of the sofa, with the rose's red the only warm accent in the frame. Wall behind the sofa plain and slightly out of focus, a blackboard's edge and a stack of chairs far right getting only enough detail to read as a room, no other person anywhere. Quiet, cool composure.
ๅ็ฐๆดๆจน
ๅ
1girl, solo, female high school student, tall female, very tall, 195cm, long limbs, long torso, long slender legs, healthy legs, statuesque figure, great figure, gray hair, side ponytail, asymmetric hair, hair covering one eye, hair over one eye, mekakure, long hair, sharp eyes, narrow eyes, deep blue eyes, blue eyes, single rose hair ornament, one red rose hair ornament, school uniform, sailor school uniform, pleated skirt, black socks, sitting on sofa, sitting, legs bent, knees bent, hips twisted, twisted torso, side thigh visible, calf visible, sofa, from side, dutch angle, cowboy shot, full body, sharp gaze, stern expression, serious, looking at viewer, indoors, club room, dark green upholstery, late afternoon light, anime style, cel shading, crisp lineart
The camera stands low, off to her left and slightly below the couch's seat line, tilted a few degrees so the sofa's horizontal back rail runs diagonally up across the frame -- a three-quarter view from the side, full body, head near the top edge, both feet inside the bottom edge. She sits long across a deep club-room sofa of dark green upholstery, and because her body is 195 cm of length the couch barely contains it: her long torso leans back against the seat cushion while her hips twist toward the camera, one hip bone pressing the upholstery into a round divot. One leg folds at the knee, that thigh laid along the cushion toward the lens, the black-socked calf dropping over the sofa's front edge so the fold of the knee catches the light and the calf's long healthy curve shows in full, the sock pulled snug over the ankle bone; the other leg slants the opposite way, S-curved, its calf tucked back along the seat, so the space between the two long limbs opens toward the viewer like a hinge. One arm stretches along the sofa back, hand draped loosely over the top rail, fingers hanging; the other hand rests on the near knee, knuckles overlapping the black sock's cuff, thumb hooked at the hem. Her shoulders are turned perhaps forty degrees off camera and her chin is tilted slightly down while her sharp deep blue eyes look straight down the line of the shot at the viewer, lids low and steady, one brow level, mouth a flat line, no smile -- the sternness carried in the still brow, the lowered lid and the unyielding gaze. Gray hair is gathered into a side ponytail that falls over one shoulder, and the loose falling locks, parted so they hang across one side of her face and hide one eye, swing slightly forward where her hip twist throws the head; a single red rose hair ornament sits pinned at the base of that side ponytail, petals catching the light, and there is nothing else in her hair. She wears a school uniform: a white short-sleeve blouse with the collar open and the knit vest beneath, a pleated skirt spread over the cushion under her twisted hips, the skirt's folds fanning where the seat compresses. The source of light is a tall window at frame left, low late-afternoon sun: it strikes the window-side of her gray hair into a silver edge, runs along the near thigh and the top of the black-socked calf, and drops the far side of her body and the sofa's far arm into deep green shadow; her cast shadow falls away from the window across the cushion, shortened and thrown sideways by the low sun, and dust hangs visible in the bar of light. Palette restricted to cool gray hair, deep blue eyes, the uniform's white and navy and the deep green of the sofa, with the rose's red the only warm accent in the frame. Wall behind the sofa plain and slightly out of focus, a blackboard's edge and a stack of chairs far right getting only enough detail to read as a room, no other person anywhere. Quiet, cool composure.
ๅ็ฐๆดๆจน
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