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background test 4
Arte de IA "background test 4" de That_guy no PixAI. Tags: tapete, porta, armário. Criado com 🍋 Citrus XL🍋.
Added the tv back, but it's now at a side angle and too much detailed, need to adjust the settings.
Mostrar Parâmetros
- Tamanho
- 768 x 1280
- Passos de Amostragem
- 30
- Método de Amostragem
- Euler a
- CFG scale
- 4
- Negativo
- low quality, worst quality, normal quality, text, signature, jpeg artifacts, bad anatomy, old, early, copyright name, watermark, artist name, username, bad hands, monochrome, grayscale
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꼬
독특한 각도의 실내 배경
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no humans, abstract, room, masterpiece, ultra detailed, indoors, empty room, geometric patterns, surreal atmosphere
Rorr
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mori
mt
no humans, scenery, indoors, traditional living room, sofa, couch, centered composition, empty couch, coffee table, low wooden table in front of couch, large window, window along the left wall, hallway, hallway in the back, doorway in the background, framed painting, paintings on wall, picture frame, decorations, potted plant, vase, cushion, throw pillow, folded blanket, wooden floor, rug, golden hour, evening light, sunset, warm lighting, sunbeam, light rays, long shadows, cel shading, flat color, hard shadow, anime coloring, wide shot, no text
A wide, low, slightly right-of-axis view down into a traditional living room at golden hour, with the sofa as the undisputed anchor of the frame. The couch sits dead center, a low-slung traditional wooden-framed sofa with a carved apron and tapered legs, its long seat cushioned in a deep muted teal fabric worn pale along the front edge; three square cushions lean into the frame corners, and a plain folded throw rests across the right armrest, its fringe hanging straight down and still. The couch's front legs sit square on a woven rug, its edge running parallel to the frame bottom and lifting slightly at one corner where the floorboards run beneath. Directly in front of the couch, the coffee table -- low, dark lacquered wood, rectangular, its short legs standing within the rug's border -- carries a small ceramic dish and a single low vase, both set off-center to the left so the couch's central mass stays legible. Along the entire left wall runs one big window: a tall, many-paned traditional window whose sill sits just above the couch's backrest line, the top of its frame cropped by the top edge of the composition. At the back, a hallway opens in the center-left, a dark corridor with a visible doorway frame and deeper darkness receding inside, no figure in it, the floorboards running away and converging into that dark. On the right wall, two framed paintings hang at different heights, one landscape-shaped above the other, both catching the light so that a bright patch bounces off the upper painting's surface; below them a low sideboard holds a lidded jar and a small potted plant whose leaves are individually drawn. Decoration stays inside this budget: the vase, the dish, the jar, the plant, the paintings, the cushions, the throw -- nothing else.
The light comes entirely from that left window, low and raking: golden hour sun pouring in horizontally from the left, warm amber, striking the sofa's seat and left arm and throwing long, hard-edged window-mullion bars across the cushions, the coffee table and the wood floor in the foreground, stretching rightward and flattening toward the right wall. The right side of the room and the hallway's interior hold cool dim shadow; the hallway's dark is absolute beyond its threshold. A tellable single-variable detail: the sunlit floor patch is bright along the boards but the same mullion shadow bends where it climbs the coffee table leg, and the left arm of the couch is visibly bleached paler than the rest of its fabric.
Cel-shaded rendering throughout: clean hard outlines, flat fills, two-tone shadow shapes with crisp edges and no gradients, and warm golden light given as one broad flat band of amber over a cooler flat-shadow base. Palette is restrained -- amber and honey light, teal couch, warm brown wood, cream ceiling and wall, deep brown shadow -- nothing saturated beyond those. The camera is wide enough that the couch's full width and the coffee table's front edge both sit inside the frame, toes of perspective only, no figures anywhere. Warm, still, golden.
MasterThief64
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