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Andrew Buivol
Arte de IA de Andrew Buivol no PixAI. Criado com Pony V6 — Balanced Universal Negative.
Mostrar Parâmetros
- Tag de Qualidade
- score_9, score_8_up, score_7_up, score_6_up, score_5_up, score_4_up, ﹝Instruções﹞
- Tamanho
- 768 x 1280
- Passos de Amostragem
- 28
- Método de Amostragem
- Euler a
- CFG scale
- 5
- Negativo
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Correção de Rosto
Modelo & LoRA usado
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Mostrar mais無貌の狙撃手
バゴラ
1 man, solo, bright yellow eyes, black hood, hood up, black poncho, bandages on mouth, bandages on face, bandaged head, bald, reddish skin, black pants, black boots, hands completely wrapped in bandages, bandages on forehead, bandages on ears, sitting, sitting on pile of black bags, hand reaching toward viewer, outstretched arm, foreshortening, blood on hands, blood on bandages, blood on clothes, saturated yellows, blood on bags, bones on floor, claw marks on wall, blood on wall, bloody hand marks on wall, blood on face, blood splatter, dark anime style art, from below, close-up, dutch angle, looking at viewer, horror (theme), dynamic angle
The camera sits low and slightly off-axis, tilted a few degrees — a view from below and in front, so the man on the mound of black bags towers over the lens and the heap fills the lower third of the frame. He sits with one knee raised, the other leg folded under it, boots planted in the black vinyl folds; the pile compresses and creases under him where his weight bears down, plastic sagging into a sagging dent below his hip. His right arm is thrust straight at the camera, the elbow locked, the fully bandaged hand thus reduced to a big, faintly blurry open palm near the lens while the rest of him recedes into sharper, darker depth — the fingers of that hand splayed, the wrappings tight at the knuckles and darkening to wet brown-black where blood has soaked through and dried into the weave.
His head is hooded, the black cloth pushed up and back into a peaked cavity of shadow, and beneath it the bald scalp is bare except for a bandage winding across the forehead and another taped flat over each ear; a bandage mask of overlapping strips covers the lower half of his face from cheekbones to chin, sealing the mouth entirely, and a fresh wet streak of blood runs from the upper edge of the mask down a crimson-skinned cheek to the corner of the jaw. Above the mask, both eyes are wide and fixed straight into the lens, irises a flat saturated yellow that catches the only real highlight in the picture. More blood, smeared and spattered, streaks the poncho's black weave, spotted across the shoulders and dragged in a long smudge down the front panel.
The wall behind him is the second source of information: deep grey, close behind his shoulders, clawed by four parallel gouges that tear right to left through a wide arc of fresh blood spray and a flaring burst of spatter, and out of that red field, several slapped handprints of blood slide down the plaster in the same direction — his palm prints, fingers trailing out of the mark in long drips. On the floor at the base of the bag heap lie scattered bones, a femur shaft, ribs and a cracked lower jaw, picked out in a cold rim of light and holding none of the blood above them. The palette holds to black, deep red, cold grey and the single saturated yellow accent of his eyes and a dull bounce of that yellow on the underside of the reaching hand; everything else stays in shadow and the dark. Oppressive, feverish.
crisleo2019
yc
The Mysterious Masked Mercenary
Yusuf Can
1boy, solo, bald, reddish skin, bright yellow eyes, forehead bandage, ear bandages, bandaged face, bandaged mouth, completely bandaged hands, blood on hands, blood on bandages, blood on clothes, black hood, black poncho, black pants, black boots, sitting, pile of black bags, reaching towards viewer, outstretched arm, foreshortening, hand focus, from below, dutch angle, dark anime style, horror, intense
A low, tilted camera looks up at a single man sitting on a heap of black bags, so the pile swells beneath him and his reaching arm towers across the frame. He is bald, his reddish skin tight over a heavy brow, and bandages wrap the whole of his head — a strip across the forehead, both ears muffled in gauze, the lower face masked from nose to chin — while a black hood is pushed back around the crown and a black poncho hangs over his shoulders and down his torso in a stiff, blanket-like fall. His legs are drawn up in black pants; black boots are planted on the bags under him, the soles crushing the fabric so the top bag sags and the ones beneath spread at the seams. The bags are crumpled, faintly glossy, stacked unevenly, catching a rim of light along each fold.
His right arm comes straight at the viewer, foreshortened so the bandaged hand looms huge in the near foreground while the shoulder stays small far behind; the fingers are loosely spread, the wrist wrapped to the glove line, and the bandages across the knuckles are soaked dark where the blood has bled through, a single drop hanging fat at the edge of one wrap and another already runneled down the back of the hand. Smaller bloodstains sit at his collar and across the poncho's front. His left hand rests flat on the bag beside his hip, gripping a fold of it.
His bright yellow eyes shine out of the shadow of the hood, the only strong light in the picture, fixed on the viewer down the line of the outstretched arm with a half-lidded, patient stare. The light source is low and in front of him: it strikes the underside of his reaching hand and the edges of the bandages and leaves his face in deep shadow except the two glowing eyes, with his cast shadow thrown across the bags behind. Palette held to black, rust-red and the yellow of the eyes, nothing else admitted. Quiet menace.
crisleo2019
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