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Sloth (FMA TV-1)
Mostrar Parâmetros
- Entrada de Instrução Original
- Trisha_Elric, long hair, black hair, long black hair, nice, purple eyes, beautiful, fma_style, anime_style, fullmetal_alchemist_style, fullmetal_alchemist_brotherhood_style, black dress, very long dress, spaghetti strap dress, loose hair, purple eyes, black long gloves, red lips, make up, anime_art_style, sparkle, dynamic,water magic,water wave,blue water,water splash,water in hand,
- Tamanho
- 768 x 1280
- Passos de Amostragem
- 28
- Método de Amostragem
- Euler a
- CFG scale
- 4
- Negativo
- loli, underage, light particles, jpeg artifacts, blurry, SmoothNoob_Negative, SmoothNegative_Hands,
Modelo & LoRA usado
Imagens Similares
Mostrar maisA digital illustration of the character from image1, a young woman with short dark hair and bright blue eyes, looking over her shoulder with a subtle smile. She wears a glossy, form-fitting black dress with thin straps and a prominent laced-up side cutout exposing her waist and thigh. She is surrounded by the same swirling, psychedelic liquid waves of vivid colors—orange, pink, blue, and green—as seen in image1. The pose and composition are identical to image1. The style is changed to an ultra-vibrant, premium animated movie quality featuring fine cel-shading, pronounced 3D depth, cinematic lighting with intense glow effects, rich chromatic contrast, deep pure blacks, and highly detailed glossy material textures.
loupmalicieux
1girl, solo, silver hair, very long hair, wavy hair, high ponytail, flowing ponytail, red eyes, vertical slit pupils, slit pupils, beautiful makeup, eyeshadow, long eyelashes, glossy lips, mature female, curvy, large breasts, wide hips, narrow waist, hourglass figure, one-shoulder gown, midnight-blue satin gown, bare right shoulder, bare right arm, sleeveless, looking at hand, outstretched arm, palm up, hand dissolving, disintegrating hand, stardust, glowing particles, sparkles, floating particles, particles rising, from side, profile, cowboy shot, dark background, dramatic lighting, rim lighting, particle effects, ethereal, melancholic
A three-quarter-turned view from her right side, camera at chest height and slightly below, so she is seen nearly in profile with her right shoulder forward and her face turned down toward her own raised hand. Her silver hair is the longest in the frame, a wavy mass gathered high at the back of her head and bound into a single ponytail that sweeps down past her hips with a slow S-curve, its loose waves catching a hard white rim light along their outer edge while the inner strands fall into cool shadow; a few short wisps escape at her temple and float free of the tie. Her weight rests on her left leg, the right knee bent and the hip pushed out, which throws the satin of the gown into a long diagonal fold across the thigh and stacks a soft ripple of fabric above the floor. The midnight-blue satin is cut on one shoulder: the left shoulder and left arm are covered by a broad satin strap, while the right shoulder and right arm emerge bare from the diagonal neckline, and the fabric pulls taut over her large breasts and narrows at the waist before flaring across her wide hips — the sheen of the satin runs brightest where the chest and hip curve toward the light and goes deep navy-black in the folds. Her makeup is fully realised: silver-lavender eyeshadow blended out to the brow, a fine dark liner flicked at the outer corner, long separated lashes, a sculpted blush along the cheekbone, and glossy deep-rose lips parted a fraction as she breathes.
Her right arm is extended forward and slightly across her body at chest height, elbow softly bent, the wrist turned so her palm faces upward and her fingers are spread — she is looking at that hand, chin dipped, eyes angled down along her own arm so the red of her irises catches a thin line of light and the vertical slit pupils narrow against it. From the centre of that palm the hand is coming apart: the fingertips and the outer edge of the hand have already lost their solid edge and break into a drifting constellation of tiny luminous points, gold and pale silver, which rise in a slow column above her palm, tumbling and thinning as they climb and guttering out one by one before they reach her face. The dust is brightest at the exact place where skin stops and spark begins, and it lights the underside of her jaw, the bare slope of her right shoulder and the front of her collarbone from below with a faint warm glow that contradicts the cool rim light from behind — two lights, two temperatures, both accounted for. Her left hand hangs relaxed at her side, fingers loosely curled against the satin at her hip. Her expression is quiet and unafraid, brows slightly drawn, the corner of her mouth held still, the grief carried in the lowered lid rather than in any open display.
The background is a closed, near-black void with no furniture and no horizon, only a soft deep-blue gradient falling away behind her and a faint haze where the rising particles thin out, so the figure and the glow read as the only lit things in the frame; the darkness beyond her rim light is absolute and no second light source appears anywhere. The composition is vertical and intimate, cropping at mid-thigh, with her raised dissolving hand placed just above the centre of the frame and the long ponytail sweeping down the right-hand third to balance it; the particles drift upward through the negative space above her palm. Palette restricted to silver-white, blood red, midnight blue and the warm gold of the dust. Ethereal, quietly devastating.
Kylee Violette (Kiy Chan)
Water-Side Serenity
loupmalicieux
Elegant in Black: A Mesmerizing Beauty
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
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