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evil Man
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- Entrada de Instrução Original
- Young adult woman with brown hair tied in a messy low ponytail with loose strands blowing in the wind, small stud earring, light freckles, confident smirking expression looking downward, wearing olive green crop tank top with small patch logo, open dark red bomber jacket with black lining, black baggy cargo pants with small brown utility pouch clipped to belt with chain detail, leaning against a metal railing, outdoor park or urban area with trees, warm golden hour sunlight, green foliage background, muscular, college campus Outdoors, midjourney, color theory, hue shifting, masterpiece, beautiful, color blocking, clear light source, digital art, incy'styles, impressionistic but still architectural, digital gouache, atmospheric, moderately sharper edged shadows, color zones,minimum gradients for painterly cel shading, emphasis on planes of the face, slight painterly quality, very gestural lines, no hard outlines, lots of hue shifting, hue shifting on skin to show undertones, detail implied through colors, limited palette,nijijourney painterly semi-realism, digital oil painting, impressionistic brushwork, warm amber-orange contrast, dramatic mood lighting, semi realism aesthetic, layered accessories
- Modo
- standard
- Tamanho
- 768 x 1280
- Seed
- 5262703813956883
Modelo & LoRA usado
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1girl, solo, tall female, muscular female, toned body, abs, black eyes, medium hair, wavy hair, messy hair, tube top, strapless bandeau top, biker jacket, leather jacket, open jacket, black jeans, denim, cowboy shot, standing, looking at viewer, from below, low angle, close-up, leaning back slightly, hands in pockets, head tilt, smirk, one eye half-closed, adult, muscular arms, thick forearms, defined abdominal muscles, midriff bare, collarbone,
from a low angle looking up at her from just below hip height, the tall muscular woman stands over the camera, framed in a tight cowboy shot cut at mid-thigh. She leans her weight back onto her right leg, left knee loose and slightly bent, hips canted so her torso twists a few degrees off the lens axis; both hands are shoved into the front pockets of her black denim jeans, thumbs hooked over the pocket rims, the denim pulled taut across her knuckles and buckling into short creases at each hip. The jeans sit low on her hips, black with a faint indigo sheen in the scuffed knee and thigh panels. Above them her abdomen is exposed and defined — a clear ladder of abs and obliques under a plain black strapless bandeau tube top that wraps straight across her chest with no straps, its top edge pressed a touch into her skin. Over that she wears a black leather biker jacket, unzipped and hanging fully open, its silver zipper teeth catching a hard highlight down each front panel, the lapels standing away from her ribs so the jacket's width exaggerates her shoulders from this low view; the sleeves are pushed back from her wrists and the muscles of her forearms and upper arms round out the leather. Her body reads bulky and powerful, thick arms, thick legs, the shoulders wide and the waist compact.
Her head is tilted a few degrees to her left, chin down toward the camera so she looks at the viewer from under her brow. Her eyes are black and flat-dark with no catchlight beyond one small glint, and the right eyelid hangs a half-degree lower than the left; her lips are closed in a slight lopsided smirk on one side, one corner lifted, chin low. Her hair is medium length, reaching just past the jaw, wavy and messy, the loose strands sweeping across her forehead and one lock flicking out over her left cheekbone, the rest swept back off her right ear and lifting slightly where a dry warm draft off the street moves it.
The setting is a concrete parking apron at night behind her, compressed by the low camera: a low kerb and a stretch of dark asphalt receding to an out-of-focus row of sodium streetlamps. A single warm lamp behind her upper left rims the top of her leather shoulder and the edge of her hair with an amber line; a cooler white source in front of her, off frame at camera height, lights her face and the exposed strip of her front torso, so her chin and collarbones cast short hard shadows downward and the underside of her jaw and the deep folds of the open jacket fall into near-black. A faint amber reflection curls along the polished leather of the jacket's shoulder, and the shine on each ab is a small soft highlight with its own shadow beneath, not flat paint. Palette is held to black, warm amber and the wet grey of asphalt, with only the pale zipper teeth and the small glints on her eyes and denim seams breaking it. Quiet, cool, effortlessly imposing.
RAM?
r3
Roxanne
R3nnyDrawz
Kōhei Horikoshi artstyle, My Hero Academia anime style, The scene features an elegant 21-year-old Asian woman with a short, wavy black hairstyle that has reddish undertones. Her dark brown eyes and flawless, soft skin exude angelic beauty with an attractive, serene face and a relaxed gaze. She has a slender build, small waist, and medium bust. She wears a fitted, cropped off-white long-sleeve t-shirt with thumbholes and a V-neck that features dark brown straps crossing at the neck, giving the illusion of a layered garment underneath. The shirt is cropped at the waist, exposing her midriff. On her lower body, she wears loose-fitting medium brown cargo pants in a baggy, wide-leg style with large side pockets and decorative hanging straps. Her accessories include several piercings in her left ear, a standard earring in her right ear, and a dark brown shoulder bag worn on her left shoulder. She completes the look with chunky white platform sneakers with a lug sole. The background hints at an urban setting, captured in an anime style reminiscent of Kōhei Horikoshi.
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