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Mostrar Parรขmetros
- Entrada de Instruรงรฃo Original
- ใพใใใ่พบใซใธใใใผใฎใคใใใธใผใใณใๅฑฅใใ่ถ ใงใใใ ใใ ใใฎใฑใใ็ชใๅบใใฆใใใๅฅณๆง
- Tamanho
- 768 x 1280
- Passos de Amostragem
- 30
- Mรฉtodo de Amostragem
- Restart
- CFG scale
- 7
- Negativo
- worst quality, low quality, normal quality, messy drawing, amateur drawing, lowres, bad anatomy, bad hands, source_furry, source_pony, source_cartoon, comic, source filmmaker,3D, score_5,score_6,score_4,western artist, thesimpsons, dc_comics, avatar_legends, adventure_time, powerpuff_girls, the_grim_adventures_of_billy&_mandy, south_park, gravity_falls, marvel, steven_universe, star_wars, the_loud_house, ben_10, kim_possible_(series),long torso,rating_explicit,abs, ai-generated,ilr
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1girl, solo, married woman, realistic, 3d, large breasts, plump chubby thighs, black eyes, black hair, side-parted short hair, swept bangs, black sweater, knit sweater, jeans, front view, looking at viewer, standing, gentle smile, narrowed eyes, half-closed eyes, indoors, cowboy shot, straight-on, arms at sides, head slightly tilted, soft window light, warm interior, photorealistic skin texture, glossy render, intimate atmosphere,
A single woman stands facing the camera dead-on in a straight frontal view, framed from mid-thigh up in a cowboy shot so her full standing posture and the width of her hips read clearly. She is a married woman in her thirties, short black hair parted on the side and swept across her forehead, the blunt ends falling just to her jawline and tucked slightly behind her left ear, a few strands lying flat against her cheek. Her eyes are black, narrowed into a soft half-closed squint, and both pupils are aimed squarely into the lens, holding the viewer's gaze without wavering. Her lips are closed in a gentle, warm smile, the corners lifted just enough to soften her cheeks, and her head tips very slightly to her right, chin a touch lowered, which lets her lashes lower further over her eyes.
Her weight is settled onto her left leg, her right hip dropped and pushed a little outward so her stance is asymmetric rather than squared off. Her right hand rests loosely at her side, thumb hooked into the front pocket of her jeans, while her left arm hangs with the hand relaxed and slightly curled. She wears a black knit sweater with a high round neck, the ribbed texture catching the light along her shoulders, the fabric stretched snugly over her large breasts and gathering in soft folds at her waist. Below it, faded blue jeans sit at her natural waist and are worn close over her full, rounded thighs, the denim creasing horizontally where her hips push against it and whitening faintly at the seam over her left thigh. The sweater's hem is half-tucked at the front only, leaving the back loose and hanging straight.
She is indoors in a quiet living room. Behind her, a low cream-colored sofa sits against an off-white wall, and a large window stands at the left of the frame, its sheer curtain half drawn. Daylight enters from that window as the single dominant source, so the left side of her face, her left shoulder and the left curve of her sweater are lit with a soft warm-white glow, while the right side of her body falls into a gentle shadow that deepens toward the right edge of the frame. A faint diffused reflection of the window lies on the wooden floor beside her bare feet, and the light passing through the curtain throws a soft, slightly blurred pattern of vertical folds across the wall behind her right shoulder. Her cast shadow falls to the right and behind her, soft-edged and low in contrast. The palette stays warm and restrained: the deep matte black of the sweater, the cool faded blue of the denim, warm beige and cream in the room, and the natural warm tone of her skin.
Rendering is realistic three-dimensional CG: fine visible skin texture and pores across her face and hands, individual strands of hair catching the window light, a real knit gauge in the sweater and a visible twill weave and worn fading in the jeans. The depth of field is shallow, keeping her face and torso crisp and letting the sofa and window curtain go softly out of focus, with a faint bloom where the daylight clips the curtain edge. Her still, patient posture and the steady look into the lens make the room feel calm and quietly intimate.
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1girl, solo, married woman, realistic, 3d, large breasts, plump chubby thighs, black eyes, black hair, side-parted short hair, swept bangs, black sweater, knit sweater, jeans, front view, looking at viewer, standing, gentle smile, narrowed eyes, half-closed eyes, indoors, cowboy shot, straight-on, arms at sides, head slightly tilted, soft window light, warm interior, photorealistic skin texture, glossy render, intimate atmosphere,
A single woman stands facing the camera dead-on in a straight frontal view, framed from mid-thigh up in a cowboy shot so her full standing posture and the width of her hips read clearly. She is a married woman in her thirties, short black hair parted on the side and swept across her forehead, the blunt ends falling just to her jawline and tucked slightly behind her left ear, a few strands lying flat against her cheek. Her eyes are black, narrowed into a soft half-closed squint, and both pupils are aimed squarely into the lens, holding the viewer's gaze without wavering. Her lips are closed in a gentle, warm smile, the corners lifted just enough to soften her cheeks, and her head tips very slightly to her right, chin a touch lowered, which lets her lashes lower further over her eyes.
Her weight is settled onto her left leg, her right hip dropped and pushed a little outward so her stance is asymmetric rather than squared off. Her right hand rests loosely at her side, thumb hooked into the front pocket of her jeans, while her left arm hangs with the hand relaxed and slightly curled. She wears a black knit sweater with a high round neck, the ribbed texture catching the light along her shoulders, the fabric stretched snugly over her large breasts and gathering in soft folds at her waist. Below it, faded blue jeans sit at her natural waist and are worn close over her full, rounded thighs, the denim creasing horizontally where her hips push against it and whitening faintly at the seam over her left thigh. The sweater's hem is half-tucked at the front only, leaving the back loose and hanging straight.
She is indoors in a quiet living room. Behind her, a low cream-colored sofa sits against an off-white wall, and a large window stands at the left of the frame, its sheer curtain half drawn. Daylight enters from that window as the single dominant source, so the left side of her face, her left shoulder and the left curve of her sweater are lit with a soft warm-white glow, while the right side of her body falls into a gentle shadow that deepens toward the right edge of the frame. A faint diffused reflection of the window lies on the wooden floor beside her bare feet, and the light passing through the curtain throws a soft, slightly blurred pattern of vertical folds across the wall behind her right shoulder. Her cast shadow falls to the right and behind her, soft-edged and low in contrast. The palette stays warm and restrained: the deep matte black of the sweater, the cool faded blue of the denim, warm beige and cream in the room, and the natural warm tone of her skin.
Rendering is realistic three-dimensional CG: fine visible skin texture and pores across her face and hands, individual strands of hair catching the window light, a real knit gauge in the sweater and a visible twill weave and worn fading in the jeans. The depth of field is shallow, keeping her face and torso crisp and letting the sofa and window curtain go softly out of focus, with a faint bloom where the daylight clips the curtain edge. Her still, patient posture and the steady look into the lens make the room feel calm and quietly intimate.
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jl
john lee
ใใ
1girl, solo, married woman, realistic, 3d, large breasts, plump chubby thighs, black eyes, black hair, side-parted short hair, swept bangs, black sweater, knit sweater, jeans, front view, looking at viewer, standing, gentle smile, narrowed eyes, half-closed eyes, indoors, cowboy shot, straight-on, arms at sides, head slightly tilted, soft window light, warm interior, photorealistic skin texture, glossy render, intimate atmosphere,
A single woman stands facing the camera dead-on in a straight frontal view, framed from mid-thigh up in a cowboy shot so her full standing posture and the width of her hips read clearly. She is a married woman in her thirties, short black hair parted on the side and swept across her forehead, the blunt ends falling just to her jawline and tucked slightly behind her left ear, a few strands lying flat against her cheek. Her eyes are black, narrowed into a soft half-closed squint, and both pupils are aimed squarely into the lens, holding the viewer's gaze without wavering. Her lips are closed in a gentle, warm smile, the corners lifted just enough to soften her cheeks, and her head tips very slightly to her right, chin a touch lowered, which lets her lashes lower further over her eyes.
Her weight is settled onto her left leg, her right hip dropped and pushed a little outward so her stance is asymmetric rather than squared off. Her right hand rests loosely at her side, thumb hooked into the front pocket of her jeans, while her left arm hangs with the hand relaxed and slightly curled. She wears a black knit sweater with a high round neck, the ribbed texture catching the light along her shoulders, the fabric stretched snugly over her large breasts and gathering in soft folds at her waist. Below it, faded blue jeans sit at her natural waist and are worn close over her full, rounded thighs, the denim creasing horizontally where her hips push against it and whitening faintly at the seam over her left thigh. The sweater's hem is half-tucked at the front only, leaving the back loose and hanging straight.
She is indoors in a quiet living room. Behind her, a low cream-colored sofa sits against an off-white wall, and a large window stands at the left of the frame, its sheer curtain half drawn. Daylight enters from that window as the single dominant source, so the left side of her face, her left shoulder and the left curve of her sweater are lit with a soft warm-white glow, while the right side of her body falls into a gentle shadow that deepens toward the right edge of the frame. A faint diffused reflection of the window lies on the wooden floor beside her bare feet, and the light passing through the curtain throws a soft, slightly blurred pattern of vertical folds across the wall behind her right shoulder. Her cast shadow falls to the right and behind her, soft-edged and low in contrast. The palette stays warm and restrained: the deep matte black of the sweater, the cool faded blue of the denim, warm beige and cream in the room, and the natural warm tone of her skin.
Rendering is realistic three-dimensional CG: fine visible skin texture and pores across her face and hands, individual strands of hair catching the window light, a real knit gauge in the sweater and a visible twill weave and worn fading in the jeans. The depth of field is shallow, keeping her face and torso crisp and letting the sofa and window curtain go softly out of focus, with a faint bloom where the daylight clips the curtain edge. Her still, patient posture and the steady look into the lens make the room feel calm and quietly intimate.
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