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AI artwork
Gerar Grรกtis

Monocromรกtico, meias

Arte de IA de loser no PixAI. Tags: Solas dos pรฉs, foco nos pรฉs, Cabelo preto. Criado com Haruka v2.

#Monocromรกtico#meias#pรฉs#colete#Solas dos pรฉs#foco nos pรฉs#solo#Cabelo preto#Braรงos atrรกs da cabeรงa#meias pretas#meias listradas#Sem sapatos#olhando para o espectador#Escala de cinza#Livro#1 garoto#pรฉs para cima#Cabelo mรฉdio
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Comentรกrios

(masterpiece:1.2), (sketch:1.3), monochrome, high contrast, first-person view, feet in foreground, extreme close-up of feet, relaxed character sitting, hands behind head, messy spiky hair, tired expression, large dark bags under eyes, wide eyes, bikini top, comic book aesthetic, rough lineart, dramatic shading, vignette,Nia, black hair, spiked hair, medium hair, big eyes, white eyes, striped shirt, black sleeves, black skirt, striped pantyhose, ,crosft, feet on table, full body, sitting, legs, foot focus, foreshortening, thighs, feet, toes, soles,Doppel, doppel style, (wide shot:1.1), (feet spread apart:1.5), (soles:1.4), (feet facing viewer:1.4), (foot focus:1.3), (feet towards camera:1.4)
Mostrar Parรขmetros
Tamanho
1280 x 720
Passos de Amostragem
28
Mรฉtodo de Amostragem
Euler a
CFG scale
5
Negativo
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

Modelo & LoRA usado

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Avatar image of ๊งโœฟ ๐‘ฎ๐’๐’๐’… ๐‘ณ๐’Š๐’‡๐’† โœฟ๊ง‚
character: yamamura_sadako 1girl, solo, mature female, yamamura_sadako, very long black hair, hair over one eye, hair over face, black eyes, pale white skin, white dress, barefoot, looking at viewer, cute eyes, faint dark circles under eyes, light smile, closed mouth, standing split, standing on one leg, arms up, arms above head, arm around leg, heart hands, hands above head, sole close-up, foot focus, greek foot, long second toe, detailed sole, toes, plantar wrinkles, from above, extreme high angle, foreshortening, close-up, soft lighting, indoors Viewed from an extreme high angle looking almost straight down, the raised sole of one bare foot dominates the top of the frame in enormous, tack-sharp close-up: pale skin, the fine whorls and creases of the sole, the soft pad of the heel, the arch, and five clearly drawn toes in Greek-foot order โ€” the second toe the longest, standing proud of the big toe โ€” each toenail clean and softly lit, the sole's near edge blurring only in the outermost millimetre of the frame. Below and behind it the woman rises from the floor in a standing split: her right leg straight and flat on the floorboards, toes gripping, taking her full weight; her left leg lifted straight up alongside her body until the sole faces the lens. Her long black hair, parted so the curtain of it falls over the left side of her face, hangs downward against gravity toward the floor, its ends pooling in a soft dark spiral. Both arms are raised overhead and wrapped around the lifted leg, her hands meeting above her head in a heart shape made of two curled hands, fingers bent to close the curve, the heart sitting just below her ankle. Her torso is turned slightly toward the standing leg, the white dress pulled taut over a full, curvy mature figure, the hem falling open around her hips. A faint, barely-there smile curves her closed lips, one brow lifted a hair's breadth; a pale smudge of dark circles under both eyes gives her gaze a soft sleepy sweetness, and her dark eyes look up into the lens through the black hair, meeting the viewer. The room is an empty, pale, softly lit interior, floorboards receding below her with her standing foot's small shadow pooled at its contact, the walls a diffuse off-white; the only light is a soft even wash from above and a little behind the camera, gentling the undersides of her lifted foot and shoulder and letting the shadow under the arch of her raised sole gather into a soft grey gradient. Muted palette of black, white, pale skin tones and warm off-white floor, nothing else admitted. Quiet, faintly uncanny tenderness.
๊งโœฟ ๐‘ฎ๐’๐’๐’… ๐‘ณ๐’Š๐’‡๐’† โœฟ๊ง‚

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