s3
Ai Hoshino Big Stomach is Food Baby Stuffing because She already Eat Lot All of Food ,ai hoshino, hoshino ai, long hair, bangs, purple eyes, purple hair, symbol-shaped pupils, mature female, medium breasts, anime screencap
Shahrullah 360
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- Tamanho
- 768 x 1280
- Passos de Amostragem
- 28
- Método de Amostragem
- Euler a
- CFG scale
- 5
- Negativo
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
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Ai Hoshino Upon Opening the Door
Renato Sepulveda
s3
Ai Hoshino Big Stomach is Food Baby Stuffing because She already Eat Lot All of Food ,ai hoshino, hoshino ai, long hair, bangs, purple eyes, purple hair, symbol-shaped pupils, mature female, medium breasts, anime screencop
Shahrullah 360
A medium shot from a slightly low angle captures Hoshimi Ai as she opens a wooden door, her spatial position centered in the frame. She is a young woman with a flushed, blushing face and a slightly breathless, expectant expression. She is dressed in light, thin indoor clothing consisting of an oversized, off-the-shoulder white t-shirt that slips slightly to reveal her collarbone, and short lounge shorts. Her right hand is gripping the door handle, pulling the door open to reveal a glimpse of a dimly lit hallway behind her. The setting is a cozy residential room with soft indoor lighting and a warm wooden door frame. The atmosphere is intimate and warm, with soft-focus depth of field and a gentle, pastel color palette that emphasizes the warmth of her flushed cheeks and the softness of the lighting.
Rafael alfino
