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Kurisu Makise, Mayuri Shiina
Mostrar Parâmetros
- Entrada de Instrução Original
- masterpiece, best quality,solo,1girl,dynamic pose,close up, from side,slim waist,caged by chain,looking at viewer, pop wall,abstract,tomokokuroki,black long hair, green eyes, yellow blazer, yellow skirt, black necktie, bags under eyes,grin,makise kurisu, okabe rintarou, Shiina Mayuri, Akiha Rumiho, Kiriyu Moeka, Urushibara Ruka, Amane Suzuha, hashida itaru, black rock shooter (character), dead master, BLACK Gold Saw, strength \(black rock shooter\)
- Tamanho
- 768 x 1280
- Passos de Amostragem
- 20
- Método de Amostragem
- Euler a
- CFG scale
- 7
- Negativo
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Modelo & LoRA usado
![[illustrious XL] huke/福家亮平 All in 1《Steins;Gate》/《命运石之门》《BLACK★ROCK SHOOTER》/《黑岩射手》- Artist Style - AI Model cover image](https://images-ng.pixai.art/images/thumb/c090e82e-e4b0-476a-bda6-dfe7cc95c430)
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s6
character: hayami_kanade
solo, 1girl, upper body, medium shot, slight turn, looking at viewer, serious expression, cold gaze, short hair, blue hair, black hair, parted bangs, yellow eyes, white military uniform, double-breasted jacket, red lapel, gold ornament, black tie, black pleated skirt, wide belt, buckle, chain accessory, white cape, red lining, epaulettes, thighhighs, garter straps, machinery background, yellow abstract background, sharp focus, detailed clothes, intricate design, from below, dutch angle,
From a low angle tilted a few degrees off true, a single young woman fills the upper-body medium frame, her body turned a quarter away from the lens while her head swings back so her eyes look straight into it. Her short blue-black hair is parted at the bangs and clipped to a blunt edge at the jaw, the longer strands on the far side of the part lifted a little by her turning head. Her eyes are yellow and narrowed, lids low, brows drawn level and close over them; her mouth is a flat closed line with one corner faintly tighter than the other, chin slightly tucked so she looks down the line of her face at the viewer. Cold, level, unimpressed.
The white double-breasted jacket is buttoned high, its two rows of buttons and broad lapels holding the chest plane, the red lapel facing standing crisp against the white wool. A black tie sits at the throat in a narrow, perfectly knotted strip and disappears into the jacket's closure. Gold ornamentation rides the standing collar and the lapel edge in sharp cast spurs, and a fine gold chain accessory loops from the collar down across the jacket's right breast, hanging in a slack catenary that swings a little toward her turned shoulder. Epaulettes cap both shoulders, their gold braid and fringe catching the light where they face upward. The white cape is thrown back off the near shoulder, so it hangs behind her as a broad panel, and where the edge folds over, the red lining flashes out along the whole length of the roll rather than as a stripe.
Below the jacket's hem the black pleated skirt begins, its knife pleats vertical and hard-edged, cinched by a wide belt whose large metal buckle rides just off-center with her turn. A garter strap shows taut against the pale top of her thigh, drawn from beneath the skirt's hem to the black thighhighs, whose sheen band sits high and unbroken around each leg. Her near arm is bent, the hand unseen below the crop; her far shoulder is raised just enough that the epaulette tips forward.
Behind her the environment splits into hard geometry and flat color: on one side, machinery — dark housings, parallel pipes, a toothed gear ring, bolts and riveted plate, all picked out in rim light with their shadows deep and their edges razored — and on the other, a wall of saturated yellow laid down as flat interlocking abstract blocks and arcs that stay completely matte, so the light does not touch them. A single hard key comes from upper left and just behind her, laying a bright edge down her cape's fold, the gold braid and the buckle, and dropping a crisp dark cast shadow across her cheek. Palette is disciplined to white, black, red, gold and the yellow ground, nothing else admitted. Her hair and her cape both drift slightly toward the same direction as the machinery's dust. Focus sits on her eyes and the jacket's lapels. Cold, commanding.
sute69
s6
character: hayami_kanade
solo, 1girl, upper body, medium shot, slight turn, looking at viewer, serious expression, cold gaze, short hair, blue hair, black hair, parted bangs, yellow eyes, white military uniform, double-breasted jacket, red lapel, gold ornament, black tie, black pleated skirt, wide belt, buckle, chain accessory, white cape, red lining, epaulettes, thighhighs, garter straps, machinery background, yellow abstract background, sharp focus, detailed clothes, intricate design, from below, dutch angle,
From a low angle tilted a few degrees off true, a single young woman fills the upper-body medium frame, her body turned a quarter away from the lens while her head swings back so her eyes look straight into it. Her short blue-black hair is parted at the bangs and clipped to a blunt edge at the jaw, the longer strands on the far side of the part lifted a little by her turning head. Her eyes are yellow and narrowed, lids low, brows drawn level and close over them; her mouth is a flat closed line with one corner faintly tighter than the other, chin slightly tucked so she looks down the line of her face at the viewer. Cold, level, unimpressed.
The white double-breasted jacket is buttoned high, its two rows of buttons and broad lapels holding the chest plane, the red lapel facing standing crisp against the white wool. A black tie sits at the throat in a narrow, perfectly knotted strip and disappears into the jacket's closure. Gold ornamentation rides the standing collar and the lapel edge in sharp cast spurs, and a fine gold chain accessory loops from the collar down across the jacket's right breast, hanging in a slack catenary that swings a little toward her turned shoulder. Epaulettes cap both shoulders, their gold braid and fringe catching the light where they face upward. The white cape is thrown back off the near shoulder, so it hangs behind her as a broad panel, and where the edge folds over, the red lining flashes out along the whole length of the roll rather than as a stripe.
Below the jacket's hem the black pleated skirt begins, its knife pleats vertical and hard-edged, cinched by a wide belt whose large metal buckle rides just off-center with her turn. A garter strap shows taut against the pale top of her thigh, drawn from beneath the skirt's hem to the black thighhighs, whose sheen band sits high and unbroken around each leg. Her near arm is bent, the hand unseen below the crop; her far shoulder is raised just enough that the epaulette tips forward.
Behind her the environment splits into hard geometry and flat color: on one side, machinery — dark housings, parallel pipes, a toothed gear ring, bolts and riveted plate, all picked out in rim light with their shadows deep and their edges razored — and on the other, a wall of saturated yellow laid down as flat interlocking abstract blocks and arcs that stay completely matte, so the light does not touch them. A single hard key comes from upper left and just behind her, laying a bright edge down her cape's fold, the gold braid and the buckle, and dropping a crisp dark cast shadow across her cheek. Palette is disciplined to white, black, red, gold and the yellow ground, nothing else admitted. Her hair and her cape both drift slightly toward the same direction as the machinery's dust. Focus sits on her eyes and the jacket's lapels. Cold, commanding.
sute69
s6
character: hayami_kanade
solo, 1girl, upper body, medium shot, slight turn, looking at viewer, serious expression, cold gaze, short hair, blue hair, black hair, parted bangs, yellow eyes, white military uniform, double-breasted jacket, red lapel, gold ornament, black tie, black pleated skirt, wide belt, buckle, chain accessory, white cape, red lining, epaulettes, thighhighs, garter straps, machinery background, yellow abstract background, sharp focus, detailed clothes, intricate design, from below, dutch angle,
From a low angle tilted a few degrees off true, a single young woman fills the upper-body medium frame, her body turned a quarter away from the lens while her head swings back so her eyes look straight into it. Her short blue-black hair is parted at the bangs and clipped to a blunt edge at the jaw, the longer strands on the far side of the part lifted a little by her turning head. Her eyes are yellow and narrowed, lids low, brows drawn level and close over them; her mouth is a flat closed line with one corner faintly tighter than the other, chin slightly tucked so she looks down the line of her face at the viewer. Cold, level, unimpressed.
The white double-breasted jacket is buttoned high, its two rows of buttons and broad lapels holding the chest plane, the red lapel facing standing crisp against the white wool. A black tie sits at the throat in a narrow, perfectly knotted strip and disappears into the jacket's closure. Gold ornamentation rides the standing collar and the lapel edge in sharp cast spurs, and a fine gold chain accessory loops from the collar down across the jacket's right breast, hanging in a slack catenary that swings a little toward her turned shoulder. Epaulettes cap both shoulders, their gold braid and fringe catching the light where they face upward. The white cape is thrown back off the near shoulder, so it hangs behind her as a broad panel, and where the edge folds over, the red lining flashes out along the whole length of the roll rather than as a stripe.
Below the jacket's hem the black pleated skirt begins, its knife pleats vertical and hard-edged, cinched by a wide belt whose large metal buckle rides just off-center with her turn. A garter strap shows taut against the pale top of her thigh, drawn from beneath the skirt's hem to the black thighhighs, whose sheen band sits high and unbroken around each leg. Her near arm is bent, the hand unseen below the crop; her far shoulder is raised just enough that the epaulette tips forward.
Behind her the environment splits into hard geometry and flat color: on one side, machinery — dark housings, parallel pipes, a toothed gear ring, bolts and riveted plate, all picked out in rim light with their shadows deep and their edges razored — and on the other, a wall of saturated yellow laid down as flat interlocking abstract blocks and arcs that stay completely matte, so the light does not touch them. A single hard key comes from upper left and just behind her, laying a bright edge down her cape's fold, the gold braid and the buckle, and dropping a crisp dark cast shadow across her cheek. Palette is disciplined to white, black, red, gold and the yellow ground, nothing else admitted. Her hair and her cape both drift slightly toward the same direction as the machinery's dust. Focus sits on her eyes and the jacket's lapels. Cold, commanding.
sute69
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