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クロワズノワ
Arte de IA de クロワズノワ no PixAI. Criado com Tsubaki.2.
No PixAI, os prompts são públicos por padrão, mas os criadores podem ocultá-los em qualquer obra que publicarem. Quem criou esta obra optou por isso, então as palavras usadas para gerar a imagem permanecem privadas e só essa pessoa pode vê-las. Ocultar o prompt não muda mais nada: a obra continua pública e você pode curtir, comentar e compartilhar normalmente.
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nk
character: fujimaru_ritsuka_(female)
solo, 1girl, full body, standing, enmaided, maid, victorian maid dress, black dress, silk, tight clothes, gold-embroidered trim, layered dress, too many frills, long sleeves, bell sleeves, very long dress, maxi skirt, juliet sleeves, very wide sleeves, sleeves past wrists, white petticoat, frilled skirt, frilled apron, white apron, long apron, apron with chest panel, frilled shirt collar, white gloves, frilled gloves, glove bow, black tights, skirt long enough to cover the ankles, black mary janes, loafers, white maid's cap, white maid's hat, collar jewel, earrings, white gigantic bowtie, neckline bow, back bow, white hair bow, short hair, orange hair, ahoge, one side up, yellow eyes, breasts, 18 years old, hair between eyes, hair scrunchie, from below, cowboy shot, looking at viewer, light smile, head tilt, hands clasped in front, western-style guest room, (8k, best quality, masterpiece:1.2)
The camera looks up from knee height, so the girl in the black Victorian maid dress fills a tall, narrow frame of a Western-style guest room: her skirt widens toward the bottom of the picture while the coffered ceiling and the top of a tall shuttered window bend away above her. She stands with her weight on her left leg, right toe turned out and just touching the parquet, one hip pushed out so the layered maxi skirt sways off her ankles; the black silk of the bodice is tight across her chest and catches a low highlight along the gold-embroidered trim that runs the seams and the frilled shirt collar. The juliet bell sleeves are very wide and drape past her wrists, so the white frilled gloves show only from the middle of the hand, each glove cuffed with a small glove bow and each gloved hand clasped loosely over the other at her waist, the fingertips denting the white apron. The apron's chest panel sits high and flat over the bodice, its long skirt of frills falling almost to the hem of the dress, and the white petticoat shows as a single crisp flute of fabric just under the outermost frill. At the neckline the gigantic white bowtie dominates her upper body, its loops rising almost to her chin, and behind her the back bow swells out from the waist, the white hair bow perched over one side of her short orange hair where the hair is caught up, the ahoge curling off the crown. The white maid's cap sits back on her head over hair parted down between the eyes; a collar jewel glints at the throat, and small earrings hang under the short orange hair. Black tights run unbroken to the black mary jane loafers on the parquet, the toe of the forward shoe polished to a small wax-bright point. Her chin tips down and her yellow eyes look straight out under a light, faint smile, one brow a little higher than the other. Behind her, wallpaper with a repeating damask pattern climbs to a cornice and a moulded ceiling rose; a marble mantelpiece is flooded with pale window light, and a patterned rug sits on the parquet under her, the shadows of the frills fanning long and soft toward the camera while the only light comes from the shuttered window at frame left, cool on the apron and amber where it combs through the silk.
Ni Ke (Nike)
nk
character: fujimaru_ritsuka_(female)
solo, 1girl, full body, standing, enmaided, maid, victorian maid dress, black dress, silk, tight clothes, gold-embroidered trim, layered dress, too many frills, long sleeves, bell sleeves, very long dress, maxi skirt, juliet sleeves, very wide sleeves, sleeves past wrists, white petticoat, frilled skirt, frilled apron, white apron, long apron, apron with chest panel, frilled shirt collar, white gloves, frilled gloves, glove bow, black tights, skirt long enough to cover the ankles, black mary janes, loafers, white maid's cap, white maid's hat, collar jewel, earrings, white gigantic bowtie, neckline bow, back bow, white hair bow, short hair, orange hair, ahoge, one side up, yellow eyes, breasts, 18 years old, hair between eyes, hair scrunchie, from below, cowboy shot, looking at viewer, light smile, head tilt, hands clasped in front, western-style guest room, (8k, best quality, masterpiece:1.2)
The camera looks up from knee height, so the girl in the black Victorian maid dress fills a tall, narrow frame of a Western-style guest room: her skirt widens toward the bottom of the picture while the coffered ceiling and the top of a tall shuttered window bend away above her. She stands with her weight on her left leg, right toe turned out and just touching the parquet, one hip pushed out so the layered maxi skirt sways off her ankles; the black silk of the bodice is tight across her chest and catches a low highlight along the gold-embroidered trim that runs the seams and the frilled shirt collar. The juliet bell sleeves are very wide and drape past her wrists, so the white frilled gloves show only from the middle of the hand, each glove cuffed with a small glove bow and each gloved hand clasped loosely over the other at her waist, the fingertips denting the white apron. The apron's chest panel sits high and flat over the bodice, its long skirt of frills falling almost to the hem of the dress, and the white petticoat shows as a single crisp flute of fabric just under the outermost frill. At the neckline the gigantic white bowtie dominates her upper body, its loops rising almost to her chin, and behind her the back bow swells out from the waist, the white hair bow perched over one side of her short orange hair where the hair is caught up, the ahoge curling off the crown. The white maid's cap sits back on her head over hair parted down between the eyes; a collar jewel glints at the throat, and small earrings hang under the short orange hair. Black tights run unbroken to the black mary jane loafers on the parquet, the toe of the forward shoe polished to a small wax-bright point. Her chin tips down and her yellow eyes look straight out under a light, faint smile, one brow a little higher than the other. Behind her, wallpaper with a repeating damask pattern climbs to a cornice and a moulded ceiling rose; a marble mantelpiece is flooded with pale window light, and a patterned rug sits on the parquet under her, the shadows of the frills fanning long and soft toward the camera while the only light comes from the shuttered window at frame left, cool on the apron and amber where it combs through the silk.
Ni Ke (Nike)
nk
character: fujimaru_ritsuka_(female)
solo, 1girl, 18 years old, full body, standing, western-style guest room interior, victorian maid dress, silk, tight-fitting clothes, black victorian maid dress, gold-embroidered trim, layered dress, too many frills, long sleeves, bell sleeves, very long maxi dress, maxi skirt, juliet sleeves, very wide sleeves, sleeves past wrists, white petticoat, frilled skirt, frilled apron with chest panel, white long apron, frilled shirt collar, white gloves, frilled gloves, black tights, ankle-length skirt, black mary janes, loafers, white maid's cap, white maid's hat, collar jewel, earrings, white gigantic bowtie at neckline, back bow, white hair bow, glove bow, short hair, orange hair, ahoge, one side up, yellow eyes, breasts, hair ornament, hair between eyes, scrunchie, dutch angle, cowboy shot leaning to full body, weight on one leg, hand on apron chest panel, head tilt, looking at viewer, light smile, one eyebrow raised, (8k, best quality, masterpiece:1.2)
A slight low dutch angle tilts the whole frame so the room's dado rail and tall window run on a diagonal, and the girl stands at three-quarter length in the middle of a Western-style guest room, her full figure inside the frame from the crown of her white maid's cap to the black mary jane loafers on the parquet. She is caught mid-motion, torso swiveled a quarter-turn on the ball of her left foot while her right heel has just settled, the ankle-length black silk skirt swinging a beat behind her so the hem lifts enough to show the white frilled petticoat and the black tights above the shoe, then falls back to cover the ankles again.
Her right hand rests flat on the apron's white chest panel, fingers splayed over the frilled fabric, and the glove's small white bow sits just above the wrist; her left arm hangs slightly out from the hip, the juliet sleeve's very wide bell falling open past the wrist so the frilled white cuff and glove bow show at the bottom of the drape. Her head tips to her left shoulder in a small questioning tilt, one eyebrow arched above the other, yellow eyes looking straight into the lens with a light closed-lip smile that is more challenge than welcome; the orange ahoge springs up off her crown and the one-side-up tuft of orange hair, tied off with its scrunchie, flops over in the opposite direction to the head tilt. The gigantic white bowtie at the neckline sits huge and crisp against the black silk collar, collar jewel glinting at the throat, earrings catching the window light, and the sculpted bodice pulls taut across her bust with the gold-embroidered trim tracing the seams before the skirt layers and the frilled apron overtake it in a cascade of white frills.
Behind and around her the guest room is read only in the negative space the tilt opens up: a tall sash window at frame left with heavy dark drapes and a pale sheer, a strip of patterned wallpaper, a corner of a wooden bedpost and a wash of Turkish rug at the bottom edge, the back bow at her waist visible as she turns. Daylight rakes in from that window at a low afternoon angle, striking the left side of the cap, the shoulder of the black silk and the flared white apron with a warm edge while the right side of her body falls into cool soft shadow, and a long soft shadow of her standing figure stretches across the parquet towards the viewer. Late-afternoon gold on black silk, poised and faintly teasing.
Ni Ke (Nike)
nk
character: fujimaru_ritsuka_(female)
solo, 1girl, full body, standing, 18 years old, maid, enmaided, victorian maid dress, black silk dress, tight dress, gold-embroidered trim, layered dress, too many frills, long sleeves, bell sleeves, juliet sleeves, very wide sleeves, sleeves past wrists, very long dress, maxi skirt, skirt covering ankles, white petticoat, frilled skirt, frilled apron, long apron, white apron, apron with chest panel, frilled shirt collar, white gloves, frilled gloves, glove bow, black tights, black mary janes, loafers, white maid's cap, white maid's hat, collar jewel, earrings, gigantic white bowtie at neckline, back bow, white hair bow, short hair, orange hair, ahoge, one side up, yellow eyes, breasts, western-style guest room interior, from below, dutch angle, standing on one leg, hand on own hip, outstretched arm, head tilt, looking to the side, light smile, half-closed eyes,
(8k, best quality, masterpiece:1.2) — seen from a low, gently canted camera that puts the whole room's height behind her, the young woman in the black Victorian maid dress stands full-figure in the middle of a Western-style guest room, her weight settled onto her left leg so that the right knee bends and the right toe touches down in a black Mary Jane loafer just ahead of the other foot, the long maxi skirt and white petticoat dragging their frilled hem all the way across the floor to hide her ankles completely. Her right arm is flung out and slightly upward in a presenting gesture, the fingers of the white frilled glove spread and the glove's own small white bow riding at the cuff; her left hand rests on her hip, pressing into the layered frills of the white apron and pulling the long apron panel a little crooked over the black tights beneath. The gigantic white bowtie at her neckline swallows the frilled shirt collar, its loops overflowing the shoulders, the collar jewel pinned at its center and a single earring swinging below each ear. The bell-shaped Juliet sleeves are wide enough to swallow her wrists and hang past her hands in heavy black silk, their inner lining catching the window light; gold-embroidered trim edging every layer of the frilled skirt flashes as the dress turns with her hips, and the back bow at her waist strains outward behind her, its white loops billowing because she has just turned. Her short orange hair, one side tied up in a scrunchie, has a single ahoge springing and bending against the pale wall molding, the white hair bow pinned above the gathered side, and the white maid's cap perched on the crown with its ribbon ends hanging loose. Her yellow eyes cut sideways toward the tall windows, half-lidded and amused, one corner of her mouth lifted in a light smile; she is looking at nothing in particular through the room.
The guest room is a high-ceilinged Western suite: striped wallpaper above a dark dado rail, a tall multi-paned window at the left casting cold daylight that falls across the left side of her dress, stripes of brightness sliding over the gold trim and dying in the black silk folds; a chandelier hangs unlit out of frame top, a marble-topped console stands behind her right shoulder with a brass candlestick, and a section of panelled door frames the far right edge. Foreground floorboards run toward the camera and blur, the wallpaper pattern softens with distance, and the only hard edges are on her: crisp gold thread against black, and the white apron's frills doubled over the room's cooler blues and greys. Deep blacks in the sleeves and tights, warm orange of the hair, and cold light on the window side make the palette; slight red seam of the earring nearest the camera. Elegant, faintly mischievous.
Ni Ke (Nike)
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