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- Entrada de Instrução Original
- ارسم migumi kato ترتدي بيكيني مخطط بالابيض والاسود ميتة على تراب الشاطأ مستلقية عليه ببشرة شاحبة وملامح محايدة بعينين خوت من الحياة وتنزف دما غزيرا يغطي الارض من حولها من جسدها واجعل نظرها للاعلى لا للكامرة واعجل اطرافها موضوعة عشوائيا اضهر جميع جسدها بالصورة
- Tamanho
- 1280 x 960
- Passos de Amostragem
- 28
- Método de Amostragem
- Euler a
- CFG scale
- 5.5
- Negativo
- nsfw, worst quality, low quality, too many fingers, fused fingers, missing arms, missing fingers, bad anatomy, bad hands, text, signature, artist name, watermark, nsfw, username, error, missing fingers, extra digit, fewer digits, disfigured, jpeg artifacts, cropped, blurry, mutation, deformed, dehydrated, bad proportions, disfigured, gross proportions, nsfw, malformed limbs, long neck, duplicate, ugly
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ek
character: katou_megumi, copyright: saenai_heroine_no_sodatekata
character: katou_megumi
A careful, deliberate overhead-to-three-quarter high-angle shot framing the entire body of the young woman as she lies utterly lifeless on dry pale beach sand. Katou Megumi wears her iconic black-and-white vertically striped bikini from the Saekano beach episode — the two-piece is exactly as in that scene, with thin halter straps and small ruffled trim along the edges. Her body is tilted strongly toward the right side of the frame, rolled partway onto her right shoulder and hip, with her left side lifted higher off the ground in a more pronounced tilt — the body angled diagonally across the sand rather than lying parallel to anything, so the head sits noticeably lower-right while her feet point up-left. She is in a semi-prone slump but the rightward lean is now the dominant gesture of the pose, gravity pulling her torso over onto its right flank. Her face is turned away from the camera, angled toward the opposite corner of the frame, so there is absolutely no eye contact with the viewer — the gaze does not meet us at all. Her eyes are half-lidded, glazed, and fixed on nothing in particular, drifting upward and sideways as if staring at a sky she can no longer see. Her expression is completely slack, mouth slightly parted, every muscle in her face slack and emptied of intention. Her pale waxy skin is untouched by any blush or warmth, her limbs arranged in random, boneless, gravity-fed positions with no tension anywhere — one arm folded under her torso, the other hanging limp off her hip, legs bent at irregular angles, fingers loosely curled and open. A broad pool of deep crimson blood spreads outward from beneath her body, soaking the sand irregularly and extending well past her silhouette in uneven fingers of red. The empty beach stretches around her in silence under a flat overcast midday sky, scattered with lone footprints and broken shells, no other people present, breeze barely moving. The composition holds a slow, contemplative stillness — every element placed deliberately to convey a body from which all life has already departed, with the striped bikini unchanged, the lifelessly averted gaze unmistakable, and the pronounced rightward tilt clearly readable from the silhouette.
enma kora
ek
character: katou_megumi
character: katou_megumi
A careful, deliberate overhead-to-three-quarter high-angle shot framing the entire body of the young woman as she lies utterly lifeless on dry pale beach sand. Katou Megumi wears her iconic black-and-white vertically striped bikini from the Saekano beach episode — the two-piece is exactly as in that scene, with thin halter straps and small ruffled trim along the edges. Her body is tilted strongly toward the right side of the frame, rolled partway onto her right shoulder and hip, with her left side lifted higher off the ground in a more pronounced tilt — the body angled diagonally across the sand rather than lying parallel to anything, so the head sits noticeably lower-right while her feet point up-left. She is in a semi-prone slump but the rightward lean is now the dominant gesture of the pose, gravity pulling her torso over onto its right flank. Her face is turned away from the camera, angled toward the opposite corner of the frame, so there is absolutely no eye contact with the viewer — the gaze does not meet us at all. Her eyes are half-lidded, glazed, and fixed on nothing in particular, drifting upward and sideways as if staring at a sky she can no longer see. Her expression is completely slack, mouth slightly parted, every muscle in her face slack and emptied of intention. Her pale waxy skin is untouched by any blush or warmth, her limbs arranged in random, boneless, gravity-fed positions with no tension anywhere — one arm folded under her torso, the other hanging limp off her hip, legs bent at irregular angles, fingers loosely curled and open. A broad pool of deep crimson blood spreads outward from beneath her body, soaking the sand irregularly and extending well past her silhouette in uneven fingers of red. The empty beach stretches around her in silence under a flat overcast midday sky, scattered with lone footprints and broken shells, no other people present, breeze barely moving. The composition holds a slow, contemplative stillness — every element placed deliberately to convey a body from which all life has already departed, with the striped bikini unchanged, the lifelessly averted gaze unmistakable, and the pronounced rightward tilt clearly readable from the silhouette.
enma kora
ek
character: katou_megumi, copyright: saenai_heroine_no_sodatekata
character: katou_megumi
A careful, deliberate overhead-to-three-quarter high-angle shot framing the entire body of the young woman as she lies utterly lifeless on dry pale beach sand. Katou Megumi wears her iconic black-and-white vertically striped bikini from the Saekano beach episode — the two-piece is exactly as in that scene, with thin halter straps and small ruffled trim along the edges. Her body is tilted strongly toward the right side of the frame, rolled partway onto her right shoulder and hip, with her left side lifted higher off the ground in a more pronounced tilt — the body angled diagonally across the sand rather than lying parallel to anything, so the head sits noticeably lower-right while her feet point up-left. She is in a semi-prone slump but the rightward lean is now the dominant gesture of the pose, gravity pulling her torso over onto its right flank. Her face is turned away from the camera, angled toward the opposite corner of the frame, so there is absolutely no eye contact with the viewer — the gaze does not meet us at all. Her eyes are half-lidded, glazed, and fixed on nothing in particular, drifting upward and sideways as if staring at a sky she can no longer see. Her expression is completely slack, mouth slightly parted, every muscle in her face slack and emptied of intention. Her pale waxy skin is untouched by any blush or warmth, her limbs arranged in random, boneless, gravity-fed positions with no tension anywhere — one arm folded under her torso, the other hanging limp off her hip, legs bent at irregular angles, fingers loosely curled and open. A broad pool of deep crimson blood spreads outward from beneath her body, soaking the sand irregularly and extending well past her silhouette in uneven fingers of red. The empty beach stretches around her in silence under a flat overcast midday sky, scattered with lone footprints and broken shells, no other people present, breeze barely moving. The composition holds a slow, contemplative stillness — every element placed deliberately to convey a body from which all life has already departed, with the striped bikini unchanged, the lifelessly averted gaze unmistakable, and the pronounced rightward tilt clearly readable from the silhouette.
enma kora
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