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- 爆豪勝己、餓鬼に取り憑かれてどれだけ食べてもまんぷくにならない、お腹、太ったお腹、たくさんの食べ物、食べすぎて膨らんだお腹
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KUROiTU
pd
character: bakugou_katsuki
1boy, solo, short spiky blonde hair, sharp red eyes, furrowed brow, scowling, teary eyes, heavily flushed face, sweating, runny nose, blowing nose, gripping paper towel, right hand, holding spoon, black tank top, muscular build, sitting, leaning forward, bowl of mapo tofu, spicy food, red chili oil, steam, crumpled paper towels on table, tall glass of ice water, condensation, jagged sound effect, lettering, medium close-up, slightly low angle, dynamic lighting
A slightly low-angle medium close-up framing captures the young man hunched aggressively over a wooden tabletop. He has explosive, spiky ash-blonde hair jutting sharply outward in all directions and piercing crimson-red eyes narrowed into a fierce, watery squint beneath deeply furrowed brows. His entire face is flushed hot crimson from the overwhelming spice, with glistening droplets of sweat sliding down his temples, flushed nose bridge, and jawline. His muscular right hand is clamped tightly around a crumpled, thick white paper towel, pressing it squarely against his flared nostrils as he forcefully expels a heavy, wet breath into it, the moisture visibly darkening and soaking through the creased paper fibers between his tensed knuckles. Floating right beside his gripped hand and the paper towel, vibrating jagged comic sound-effect lettering in bold impact type reads "HONK!". His left hand rests flat on the table beside the meal, loosely holding a white ceramic soup spoon dripped with viscous chili sauce. Directly before his chest sits a wide ceramic bowl overflowing with extra-spicy mapo tofu, displaying glossy cubes of white bean curd submerged in a bubbling, deep-red chili oil broth speckled with minced pork, cracked Sichuan peppercorns, and green scallions, with thin ribbons of steam rising into the air. Beside the bowl sits a messy cluster of discarded, crumpled paper napkins and a tall tumbler of ice water dripping with clear beads of run-off condensation onto the wood. Direct overhead dining light catches the wet sheen of chili oil and beads of perspiration on his skin while casting deep, heavy shadows beneath his chin and black sleeveless collar. The palette burns with intense vermilion, chili red, and hot amber against the stark white of the towel and the dark fabric of his shirt. Fiery intensity, comedic irritation.
Princess Diani The FNAF Gal 2000
pd
character: bakugou_katsuki
2girls, 1boy, multiple boys, bakugou katsuki, short spiked blonde hair, red eyes, black shirt, black pants, gloves, leaning forward, both arms forward, outstretched arm, reaching, open mouth, shouting, angry, furrowed brows, annoyed, hungry, complaining, glaring, looking at another, cafeteria lady, middle-aged woman, white hairnet, light blue uniform dress, white apron, stern expression, from below, dutch angle, cowboy shot, medium shot, cafeteria interior, lunch tray, tray snatched away, motion blur on tray, steam, clenched teeth, dramatic perspective, depth of field, warm overhead lighting, institutional green and stainless steel palette.
The camera sits low and tilted, looking up across the cafeteria counter so the two figures tower into the upper frame. In the foreground, nearest the lens, the boy in the black shirt and black pants leans hard over the counter toward the right of the frame; his left hand is planted flat on the countertop, fingers spread, bearing his weight, and his right arm is thrown forward, index finger jabbed toward the retreating tray. His weight is on his left leg, right heel lifted off the floor. His short spiked blonde hair juts in sharp points, and his red eyes are narrowed and fixed on the cafeteria lady's face, brows pulled down hard, mouth open mid-shout with clenched teeth showing at the corners, jaw muscles tight — a full, loud complaint about being hungry. His gloved right hand hovers in the air where the tray was a second ago.
The cafeteria lady stands behind and to the right of the counter, taller in frame, turned half away in profile as she pulls the lunch tray out of his reach. Her right hand grips the tray's near edge, her elbow bent and pulling it toward her chest; her left hand rests flat on her hip. She wears a light blue uniform dress under a white apron tied at the waist, and a white hairnet pulled low over grey hair. Her expression is flat and unsympathetic, mouth a straight line, eyes not meeting his but fixed forward past him. She does not look at him at all.
The lunch tray is the pivot of the image: a stainless steel rectangle tilted at a sharp angle, holding a plate of rice and a bowl of soup, the soup surface quivering and sloshing against the bowl's rim from the sudden snatch, steam still rising and coiling up into the light. The tray's near edge is just leaving the boy's reaching fingers, catching a streak of motion blur.
Light comes from overhead fluorescent panels, a cold greenish-white wash that catches the tray's steel, the soup's steam, and the shine on the boy's spiked hair, leaving shadows deep under his chin and beneath the counter lip. The background is a cafeteria seen shallow-focus: long communal tables with a few blurred students, a serving counter behind them, and a distant menu board of illegible text. Palette is institutional — cool grey-green walls, stainless steel, pale blue uniform, the one hot pulse of the red in the boy's eyes and the orange of the rice. Loud, hungry, undignified.
Princess Diani The FNAF Gal 2000
(
蕎麦が中華そばになっちゃった
(ぷるぷるの)
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