AI art "城市上空的搗蛋鬼:Boo (Mario)"
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城市上空的搗蛋鬼:Boo (Mario)

這張圖完美捕捉了《瑪利歐》系列裡那個讓人又愛又恨的 Boo 悄悄亂入現代都市的瞬間!看著牠在忙碌的十字路口上方露出招牌的調皮壞笑,真的讓我忍不住想起玩遊戲時被牠嚇到的那些時光。如果你也喜歡這份充滿反差感的趣味,請幫我點個讚並追蹤,期待在評論區看到你的分享喔!

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✨ Urban Magic
#Happy#floating#Boo#Looking at viewer#City#Daytime#Reigen Arataka#Mario (series)#Wide Shot
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character: boo_mario detail illustration, -2::simple illustration, cool lighting, pale color, flat shading, sketch, soft gradient, clean lineart, An extreme worm's-eye view of a busy city street at lunch hour: dozens of office workers in suits stream across the crosswalk and along the sidewalks, a river of cars and a city bus idle bumper to bumper, and directly above them a single giant white ghost — wider than the street itself — dives straight down out of the sky, its body spanning the full width of the frame and blotting out the whole sky between the towers, its wide open mouth aimed right down at the roadway, its two stubby arms stretched forward — and not one person looks up. Every head is level or bent toward a phone, as if this were an ordinary day. The crowd moves on autopilot: navy and charcoal suits, ID lanyards swinging, a man scrolling his phone mid-step, a woman balancing a paper coffee cup, a briefcase tucked under an arm, tired faces with blank eyes; crosswalk stripes run along the bottom of the frame, a traffic light burns red, and a thin wisp of steam rises from a manhole cover. The ghost has the classic round look of a Mario ghost: a perfectly round, smooth matte white body, two tiny round-tipped arms, two small black oval eyes, and a wide open mouth — dark inside, with a rounded tongue and two small fangs — alone taking up the whole upper middle of the frame. Its body is cropped by both edges of the frame, leaving blue sky only in the corners; its smooth white surface hangs so close that you can see the soft sheen and gentle shading across its round underside, taking the cool blue of the sky, and each of its tiny arms alone is longer than a city bus. Its shadow covers the whole crosswalk and both lanes below. Camera almost on the asphalt between the crosswalk stripes, pitched steeply upward; every vertical in the frame converges to a single point high above the top edge, the glass towers lean inward from both sides and vanish behind the ghost's body, and it looms wall to wall in the canyon of sky, exactly over the unaware crowd. The sun now passes behind the ghost: the whole street lies in one huge soft shadow, rooftops and crowd sinking into a cool open shade that keeps every colour readable, while a bright rim traces the white edge of its body against the sky, and the far end of the street beyond its shadow still catches hard daylight. Anime illustration, crisp clean lineart with soft cel shading, cinematic contrast of scale, a cool shadowed street beneath the bright rim of the ghost, no text anywhere.
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An extreme worm's-eye view of a busy city street at lunch hour: dozens of office workers in suits stream across the crosswalk and along the sidewalks, a river of cars and a city bus idle bumper to bumper, and directly above them a single giant white ghost — wider than the street itself — dives straight down out of the sky, its body spanning the full width of the frame and blotting out the whole sky between the towers, its wide open mouth aimed right down at the roadway, its two stubby arms stretched forward — and not one person looks up. Every head is level or bent toward a phone, as if this were an ordinary day. The crowd moves on autopilot: navy and charcoal suits, ID lanyards swinging, a man scrolling his phone mid-step, a woman balancing a paper coffee cup, a briefcase tucked under an arm, tired faces with blank eyes; crosswalk stripes run along the bottom of the frame, a traffic light burns red, and a thin wisp of steam rises from a manhole cover. The ghost has the classic round look of a Mario ghost: a perfectly round, smooth matte white body, two tiny round-tipped arms, two small black oval eyes, and a wide open mouth — dark inside, with a rounded tongue and two small fangs — alone taking up the whole upper middle of the frame. Its body is cropped by both edges of the frame, leaving blue sky only in the corners; its smooth white surface hangs so close that you can see the soft sheen and gentle shading across its round underside, taking the cool blue of the sky, and each of its tiny arms alone is longer than a city bus. Its shadow covers the whole crosswalk and both lanes below. Camera almost on the asphalt between the crosswalk stripes, pitched steeply upward; every vertical in the frame converges to a single point high above the top edge, the glass towers lean inward from both sides and vanish behind the ghost's body, and it looms wall to wall in the canyon of sky, exactly over the unaware crowd. The sun now passes behind the ghost: the whole street lies in one huge soft shadow, rooftops and crowd sinking into a cool open shade that keeps every colour readable, while a bright rim traces the white edge of its body against the sky, and the far end of the street beyond its shadow still catches hard daylight. Anime illustration, crisp clean lineart with soft cel shading, cinematic contrast of scale, a cool shadowed street beneath the bright rim of the ghost, no text anywhere.
Modo
pro
Tamanho
1104 x 1824
Negativo
lowres, worst quality, low quality, bad anatomy, bad hands, extra limbs, merged bodies, deformed, text, signage lettering, watermark, signature, crowd looking up, spectators, second ghost, multiple ghosts, distant small ghost, tiny ghost, monstrous horror face, sharp teeth, blood, dragons, extra flying creatures, distorted buildings, warped perspective, fisheye distortion, blurry crowd, night, pitch black shadow, jpeg artifacts
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Modelo & LoRA usado