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tlswhdrud4
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- Entrada de Instrução Original
- - **Brain**: **calvarium removed**, **neural lace shredded**, **memory crystal shards** floating. - **Chest**: **ribcage exploded**, **mechanical heart** **overclocked 300 bpm**, **sparks + blood arcs**. - **Pelvis**: **artificial uterus** **ruptured**, **ovulation module firing LED eggs**, **period sim-fluid geyser** (Re 15,000). - **Limbs**: **detached**, **robotic arms** **self-assembling** with **bolt guns**. - **Skin**: **folded like origami**, **inner dermis circuits glowing**. ### **8 SURROUNDING SPECIMENS** (Clockwise from top-left) 1. **Cure Black** – **appendix nanite farm** leaking green bile. 2. **Cure Bloom** – **gallbladder replaced by fuel cell**, **exploded view**. 3. **Cure Dream** – **bladder urine recycling loop**, **golden fluid vortex**. 4. **Cure Peach** – **intestines braided into servo cables**. 5. **Cure Pine** – **kidneys ultrafiltration membranes**, **cyan blood**. 6. **Cure Passion** – **duodenum nutrient coil**, **steam vent**. 7. **Cure Blossom** – **heart piezo valves**, **sync with center**. 8. **Cure Marine** – **bones titanium lattice**, **growth plates glowing**. ### **FLUID & ERROR DYNAMICS** - **Menstruation pool**: **center pelvis → spreads to all 9 panels**, **crimson mirror lake** (Fr 0.92). - **Error sparks**: **red glitch particles** from every joint. - **Comic insets**: **"人間の記憶を削除中…"** → **"機械娘完成"**. ### **FULL PROMPT (Copy-Paste)**
- Modo
- pro
- Tag de Qualidade
- ﹝Instruções﹞
- Tamanho
- 1104 x 1824
- Negativo
- lowres, worst quality, low quality, bad anatomy, explicit
Modelo & LoRA usado
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character: cure_sparkle, cure_grace, cure_fontaine, majorina
3girls, cure_grace, cure_fontaine, cure_sparkle, majorina, young majorina, long green hair, green eyes, hood, standing, victorious, looking down at defeated heroines, smile, black-green mold, mold everywhere, mold on ground, mold tentacles, many tentacles, tentacles wrapping bodies, tentacles pulling them down, sinking into mold, absorbed into ground, covered in mold, mold soaking into skin, torn clothes, rags, tattered dress, wounds, scratches, bleeding, bruised, pained expression, suffering, crying, grimace, clenched teeth, squeezed eyes shut, collapsed, lying on ground, on back, on side, arms pinned, reaching out, struggling, writhing, pink hair, pink eyes, long pink hair, hair flower, heart hair ornament, pink dress, puffy sleeves, gloves, blue hair, very long blue hair, ponytail, blue eyes, blonde hair, twintails, hair bun, cone hair bun, orange bow, green eyes, white gloves, from above, high angle, wide shot, dark atmosphere, night, dim light, ominous, horror, corruption, body horror, black and green palette, slime, wet mold texture, spread legs, arched back, mouth open, tears, sweat, trembling, spoken_heart, motion lines, dark background, male focus absent, no humans other than four girls, gradient background, dramatic shading
The camera looks down from a high angle onto a wide, ruined stretch of ground that has become a single crawling sheet of black-green mold, its surface glistening wet and raised into soft ridges like a living carpet. In the upper third of the frame, a young woman with long green hair and green eyes stands under a dark hood, arms loose at her sides, chin lowered and a quiet, satisfied smile on her face as she watches the three defeated heroines below her; her long green hair spills from the hood and the hem of it hangs still, unmoved by any wind. The mold is darkest at the center of the frame and climbs up the edges of the image, and the only light is a cold, sickly green glow rising from the mold itself, so that everything above it falls into shadow and the faces of the fallen girls are lit from below in green.
Lower in the frame, three magical girls lie sprawled in the mold in different orientations, each one half-sunk to hip or chest depth. Cure Grace, pink-haired with a heart-shaped hair ornament and a flower in her long pink hair, lies on her back with her head tilted toward the left edge, her puffy-sleeved pink dress torn to hanging strips, both arms bent and clawing at the mold at her sides; her pink eyes are squeezed shut and her teeth are clenched in a grimace, and the mold has soaked into the skin of her cheeks, throat and forearms in dark green-black patches. Cure Fontaine, blue-haired with her very long blue ponytail spread out across the mold like a spill, lies on her side toward the right of the frame, her cheek pressed to the surface, one arm reaching out toward Grace and her white-gloved fingers spread; her blue eyes are open and wet with a pained, unfocused look, and her torn costume hangs off her shoulders. Cure Sparkle, blonde with twintails and a cone-shaped hair bun, lies deeper and farther back, sunk to the ribs, her head thrown back and her mouth open in a silent cry, her orange bow hanging limp; her white gloves are split open at the fingers and wounds and dark scratches cross her bare arms and legs. Each girl's clothes are ragged edge-frayed rags, and thin dark streaks of mold creep up their necks and across their shoulders.
From the mold around and beneath the three girls, a thick mass of black-green tentacles rises in dozens of tendrils, some as thin as vines and some as thick as wrists, all slick and wet. A bundle of thick tentacles coils around Grace's thighs and waist, two more loop over her shoulders and pin her upper arms to her sides, and a thin one curls around her ankle and pulls her downward so her legs are already under the surface. Tentacles wrap Fontaine's reaching arm at the elbow and wrist and haul it back toward the mold, another coils twice around her waist and drags her hip below the surface, and her long ponytail is tangled in three thin tendrils that pull it down into the mold. Around Sparkle, the thickest tentacles cross her chest and both arms and pull her steadily backward, and the mold around her ribs has begun to close over her, her body sinking into it. The mold at each sinking point bulges into a raised lip and ripples, and where the tentacles grip the girls' skin the flesh shows dark green-black staining spreading outward from each touch. At each girl's face a small hand-drawn heart floats in a tiny speech bubble, and none of the three look at the viewer, each one's gaze lost to the tentacles dragging her down. The palette is black, dark green and the sickly glow of the mold, cut by the heroines' pink, blue and blonde hair as the only clean colors in the frame. Quiet dread.
純斗
제5
character: cure_blossom, character: cure_marine, character: cure_sunshine, character: cure_moonlight, A medium shot, wide-angle illustration captures Cure Blossom, Cure Marine, Cure Sunshine, and Cure Moonlight standing in a derelict junk shop, their forms spatially distributed across the frame. All four characters are depicted as cyborgs; their bodies are a fusion of synthetic components and elegant flower motifs, with exposed mechanical lower units and jointed robotic limbs. Cure Blossom has pink hair in a high ponytail; Cure Marine has blue hair with heart ornaments; Cure Sunshine has long blonde twintails; and Cure Moonlight has purple hair with a hair flower. Each character is motionless and vacant-eyed, with weathered price tags dangling from their metallic frames by thin strings. Their hands are limp and hanging at their sides. The environment is a cluttered junk shop filled with rusted gears, discarded electronics, and dusty crates, with dim light filtering through a grimy ceiling. The atmosphere is melancholic and sterile, featuring a muted color palette, heavy dust particles dancing in the light, and a shallow depth of field that emphasizes the artificiality of the characters.
제5인격 하느님의메모장 (tiktok)
純斗
character: cure_prism, kasugano_urara_(yes!_precure_5), cure_lemonade, majorina
3girls, young majorina, cure lemonade, cure prism, back-to-back, bound together, red and black ribbon staff, ribbon wrapped around arms, ribbon wrapped around stomachs, arms bound, sitting, collapsed, sitting on ground, torn clothes, tattered dress, blush, eyes closed, screaming, crying, pain, distress, one foot on rock, raised foot, whipping, whip, holding staff, machine, railgun, red and black beam, beam piercing torso, impaled, pierced through, blood, blood from mouth, death, dead, lifeless, defeated, villain, long hair, green eyes, hood, blonde hair, double bun, drill hair, twin drills, hair bun, yellow eyes, pink hair, long hair, white ribbon, hair ribbon, bow, braid, pink bow, white bow, green eyes, aqua ribbon, dress, elbow gloves, frills, gloves, white dress, white gloves, ascot, earrings, floating hair, hair ornament, hair scrunchie, scrunchie, striped scrunchie, animal hood, cape, capelet, hood down, hooded capelet, miniskirt, rabbit hood, skirt, striped clothes, open mouth, tears, trembling, grimace, from side, wide shot, dutch angle, dim lighting, red and black palette
The camera sits at a low dutch angle, tilted a few degrees off level, framing all three figures in one wide shot. In the left midground, a young Majorina braces her weight on her right leg while her left foot is planted flat and firm on top of a waist-high grey boulder, her left knee bent and lifting her hip in a defiant line. Her left hand hangs relaxed at her side, fingers loose around the coiled handle of a long red-and-black ribbon staff, and her right arm is drawn back and mid-swing, the staff's ribbon lashing forward in a taut, snapping arc of dark red and black cord that meets the kneeling figures. Her green eyes are narrowed and fixed on her two victims, a cruel smirk pulling one corner of her mouth, and her long hair swings back behind her shoulders from the force of her swing, the hood fallen back on her shoulders. In the center-right foreground, Cure Lemonade and Cure Prism sit on the bare ground pressed back to back, their spines flush and their shoulder blades overlapping. Cure Lemonade, on the left of the pair, has her feet flat on the dirt and knees bent up in front of her; her blonde twin-drill buns are undone and straggling, and her tattered striped rabbit-hood capelet hangs in torn strips off one shoulder. Cure Prism, on the right, has her legs folded awkwardly to one side, her long pink braid frayed and half-unraveled, her white dress and gloves shredded at the elbows and hem, the aqua ribbon and white bows hanging loose. Dark red and black ribbon cords coil in tight overlapping rings around both girls' upper arms, forearms and stomachs, cinching their arms to their sides and binding them together at the waist; the cords bite into the torn fabric and the skin beneath. Both girls have their eyes squeezed shut, tears leaking from the corners, their cheeks flushed bright red, and both mouths are open wide in a screaming grimace, teeth bared. From a large grey machine crouched in the right background — a blocky, angular brace of black metal with red warning stripes and a glowing red emitter slot — a narrow, searing red-and-black railgun beam lances horizontally forward, the beam packet streaked with black along its core and wrapped in a crimson corona. The beam enters at Cure Prism's right side and exits through Cure Lemonade's left side, punched clean through both girls' torsos in a single line; the beam's glow throws red underlight up onto both their bodies and a hot rim along their faces, and a fine spray of blood and torn cloth hangs in the air around the wound line. Overhead light is dim and sourceless from the upper left, a murky grey-green wash that leaves the boulder and the machine in flat shadow and pools deep darkness behind all three figures; cast shadows stretch rightward across the dirt. The palette is locked to red, black and the dull grey of stone and ground, with the girls' blonde and pink hair and the white of the dress the only pale notes. The ribbon cords stretched taut in Majorina's swing show a slight vibration blur at their thinnest point, the physical tell of the whip's momentum. Grim, brutal.
純斗
純斗
character: cure_fontaine, cure_sparkle, cure_grace
3girls, cure fontaine, cure grace, cure sparkle, full body, lying on ground, collapsed, on side, prone, black-green mold covering whole body, mold soaked into skin, mold patches on face, mold creeping through hair, pained expression, suffering, gritted teeth, teary eyes, squeezed-shut eyes, furrowed brows, clenched hands, heroine in peril, distressed, dirty, stained, wet mold texture, blue hair, very long hair, ponytail, blue eyes, pink hair, long hair, pink eyes, hair flower, heart hair ornament, pink dress, puffy sleeves, pink choker, gloves, blonde hair, twintails, cone hair bun, orange bow, green eyes, white gloves, yellow choker, from above, high angle, wide shot, dutch angle, dark damp palette, oppressive atmosphere
The camera looks down from a steep high angle, tilted slightly off level, across a cracked concrete floor in a cold, damp, windowless space. All three lie full-body in frame, close together but not touching, each collapsed in a different direction so their silhouettes stay legible from above.
At the left of the frame Cure Fontaine lies on her side, her very long blue hair fanned out and dragged flat across the wet concrete, her ponytail snaking past her shoulder. Black-green mold has soaked into her whole body: the bloom mats her blue hair into dark clumps, speckles both cheeks and her throat, and spreads in mottled patches over her costume and her outstretched arm. Her cheek presses to the floor, one eye squeezed shut against the sting, the other blue eye open and unfocused, brimming. Her upper hand claws at the concrete beside her face, nails digging in; her lower arm is trapped beneath her ribs.
At centre-right Cure Grace has fallen forward onto her front, one knee drawn halfway under her, hip cocked off the floor. The mold crusts her pink dress and puffy sleeves in black-green, crawls up her throat and jaw, and has blackened the petals of the flower ornament in her long pink hair. Her pink gloves are soaked dark at the fingertips where she has been clawing the ground. Her head is turned to the side, her face crushed against the concrete, brows drawn hard together, teeth bared, pink eyes wet and staring sideways at nothing.
At the back right, slightly behind the other two, Cure Sparkle lies crumpled on her back and one shoulder, her blonde twintails and one cone-shaped hair bun splayed and matted with mold, the orange bow sagging black-green at its knot. Mold stains blot her white gloves and crusts her yellow choker. One gloved hand is lifted a little off the floor as though she has just tried and failed to push herself up, fingers curled; the other lies limp. Her green eyes are half-lidded and turned up toward the ceiling, mouth open in a shallow, strained breath.
The only light comes from a single cold overhead fixture far above, so the mold on every upward-facing surface reads darkest and glossy while the undersides of their bodies fall into shadow; a soft pool of light rings each figure and the edges of the room stay in darkness. Wet mold sheen picks out the highlights; beneath Cure Grace's drawn knee a small smear of mold and damp has transferred to the concrete, and the floor around all three is beaded with condensation. Palette limited to black, virulent green, cold grey concrete, with the pink, blue and blonde of the three girls desaturated and soiled. Quiet dread, suffocating.
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