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AI artwork
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Batlancas C

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Batlancas C

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sky only, no humans, no ground, no horizon line, from below, looking up, sunset, after rain, after storm, sunlight breaking through clouds, cloudy sky, gradient sky, yellow orange and pink gradient sunset, detailed lineart, anime coloring, anime screencap, wide shot, cloudscape, cumulonimbus, stratocumulus, backlighting, rim light, god rays, crepuscular rays, sunbeams, sun low behind cloud bank, broken cloud cover, wet air haze, luminous gradient, warm light, cool shadow, pink clouds, orange clouds, yellow glow, violet underside, high detail clouds, atmospheric perspective, The whole frame is sky and nothing else: the camera lies on its back and looks straight up, so no ground, no rooftop, no treeline and no figure ever enters the rectangle — only cloud from edge to edge, tilted so the deepest part of the storm recedes toward the upper left and the clearing opens toward the lower right. A heavy bank of cumulonimbus still occupies the upper half, its body a bruised violet-grey with a warm dusty rose along the tops where the last light grazes it; the underbellies are dark, and the rain has only just stopped, so their edges are soft and smeared rather than crisp. Below and across the middle, torn stratocumulus is breaking apart into separate ragged sheets with clear air showing between them, and those gaps are where the sunset lives: a graded wash running yellow at the low warm edge through orange into pink, deepening to a cooler lilac where the cloud thins. The low sun sits behind the thickest remaining mass at the lower right; distinct shafts of light push through the ragged holes above it and fan upward and outward in slanted cones, brightest and narrowest at the gaps and dissolving into haze as they travel, and each shaft is visibly three-dimensional, with a lit near face and a shadowed far side. Where a shaft crosses a cloud edge it lights that edge in gold and leaves the cloud's body in shade; the light never comes from nowhere and every bright patch has a hole above it to explain it. Thin veils of leftover rain-haze still drift in the middle distance, so the far cloud tops are paler and lower in contrast than the near torn edges, and one small detached cloud fragment glows far brighter than anything around it because it is thin enough to be lit from behind — the whole sky turning on that one translucency. Colour is disciplined to three notes and their shadow versions: yellow, orange, pink, with violet-grey reserved strictly for shadowed cloud bodies; no green, no blue sky, no black. Lineart is fine and detailed, drawing thousands of small scalloped cloud contours and curling edge fronds, and colour sits under that linework in clean anime screencap shading — flat cel planes for the shadowed masses, soft gradients inside the lit ones, crisp highlight bands along the sun-facing rims. Quiet, lifting after-storm calm.
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Entrada de Instrução Original
sunset, sunlight showing between clouds, anime artstyke, anime coloring, anime screencap, after rain, after storm, detailed lineart, cloudy sky, sky only, gradient sky, yellow orange and pink gradient sunset, from below,
Modo
pro
Tamanho
1888 x 1056
Método de Amostragem
Euler
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
Assistente de Prompt

Modelo & LoRA usado

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.39k

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AI artwork
bc
sky only, no landscape, no characters, sunset, cloudy sky, gradient sky, yellow orange and pink gradient sunset, sunlight showing between clouds, after rain, after storm, dramatic sky, backlit clouds, sunbeams, crepuscular rays, wide shot, from below, anime screencap, anime coloring, detailed lineart A pure sky fills the entire frame edge to edge, no horizon line, no land, no figures — the camera tilted slightly upward as if standing in open air after a storm has just broken, so the whole image is atmosphere and nothing else. The composition is stacked in layers of depth: low in the frame a dense bank of rain-dark storm clouds recedes, their undersides deep slate-violet where the storm has not yet finished, their edges torn and ragged; above and behind them a second, looser layer of clouds breaks apart, and through those gaps the setting sun pours out in long shafts of light — crepuscular rays fanning downward and to the right, the beams visibly hazing the wet air between the cloud masses, brightest at each aperture and dissolving into soft gold as they spread. The sun itself sits just behind a mid-frame cloud shelf near the right third, so it is never a bare disc but a hot core bleeding through the cloud edge, the clouds directly around it rimmed in molten white-gold while their far sides drop to shadow. The sky is a full vertical gradient: warm yolk-yellow and pale gold at the lower where the light concentrates, rising through apricot and vivid orange, into a wide band of rose and coral pink through the middle, cooling at the very top edge into soft violet-magenta and a last trace of after-storm blue. Cloud color follows the light: every surface facing the sun glows yellow-orange and every surface turned away holds pink-violet shadow, so the same cloud carries both a lit rim and a cool belly. The rain has just stopped, and the evidence is in the air — a faint luminous mist clings in the gaps between cloud banks, the beams have soft volumetric edges rather than hard shafts, and a thin translucent veil of falling rain still trails from one distant cloud at the upper left, catching the light as fine luminous streaks. The lowest cloud layer is soft, wet, and slightly blurred with atmospheric haze, while the high broken clouds have crisper, finely drawn edges. Palette is exactly yellow, orange and pink with violet only in the storm shadows — nothing else admitted. Anime screencap rendering: clean cel-flat color planes inside crisply drawn cloud contours, detailed lineart defining each cloud's curl and edge, gradient banding handled in smooth painted steps as a background artist would paint it, no photographic texture and no grain. Quiet, luminous, cleansed.
Batlancas C
AI artwork
bc
sky only, no humans, landscape, cloudy sky, gradient sky, sunset, yellow orange and pink gradient sunset, sunlight showing between clouds, after rain, after storm, from below, pov, wide shot, looking up, sunbeams, backlighting, dramatic sky, detailed lineart, anime screencap, anime coloring, 8k The whole frame is sky and nothing else -- no ground, no horizon line, no rooftops, no birds, no figures -- a POV shot from below, as if the viewer has tipped their head all the way back and is looking straight up into the tail end of a storm. The composition is built in depth layers of cloud rather than in distance: a low ragged deck of dark slate-grey storm remnants crowds the outer edges of the frame, torn into long streaked tatters that thin and break toward the centre; behind and above it a second, higher, softer layer of cloud opens into a wide irregular clearing. Through that clearing the sunset shows as a vertical gradient read from the top of the frame downward -- deep rose-pink at the highest clouds fading through warm coral and apricot into a saturated orange, then into a broad band of molten yellow-gold where the sun sits just behind the torn edge of the storm deck. The sun itself is hidden; its light spills out between the cloud gaps as several distinct shafts, each one a hard-edged bright wedge stretching up and outward from the gap, the beams widening as they climb and fading into the pink. Every beam lands only where a gap permits: the cloud edges facing the sun are rimmed in hot gold, while their undersides and the thick storm masses at the corners stay in deep blue-grey shadow, so the bright areas are explained entirely by the openings between clouds and the darkness sits in the thickest cloud, never in the sky. Directly under the glowing cloud edges the vapor is thin and luminous and the pink deepens overhead. The after-storm evidence is in the texture of the sky: the cloud faces are still heavy and waterlogged, the gradient band behind them is washed clean and high-contrast, and near the thickest remaining clouds a faint, dim secondary bow of refracted light arcs across the upper right, its colours soft and translucent and its brightness unmistakably weaker than the sunset behind it -- the revealer that makes the just-passed rain visible. The beams catch on the residual haze, so each shaft has a soft luminous body rather than a hard line. The colour discipline is strict: yellow, orange and pink in the lit cloud and the gradient band; slate blue-grey and desaturated violet only in the storm remnants and their shadowed undersides; nothing else admitted. Lineart is crisp and detailed along the cloud rims, with the flat cel-shaded colour blocking of an animation screencap and smooth airbrushed gradations inside each band. High resolution and clean edge quality throughout. Serene, quietly exhilarating.
Batlancas C
AI artwork
n
scenery, no humans, wide shot, from below, dutch angle, evening, blue sky, white clouds, orange clouds, black clouds, sunset, cloudscape, layered clouds, backlighting, atmospheric perspective, gradient sky, sun low on the horizon, low horizon line, open sky, natural lighting, detailed sky A wide, low-angle view tilted slightly off level, so the horizon runs as a shallow diagonal across the bottom eighth of the frame and the sky fills almost everything above it; the camera sits near ground level looking up into the clouds, which gives the nearest cloud banks a slow swell of foreshortening as they lean overhead. The sky is built in horizontal strata that read from bottom to top as one continuous evening. At the horizon the blue is pale and washed with warm haze; a band of blue sky climbs above it, deepening toward the top of the frame into a cooler, cleaner blue. Across the low sky a chain of white clouds runs, lit from beneath along their flat bases and bright along their western edges. Above and behind them the orange clouds mass in long, torn horizontal ribbons, saturated tangerine and apricot where the sun catches them, shading into rose and dull ember on their shadowed undersides. Highest and heaviest sit the black clouds: dense, hard-edged silhouettes stacked in the upper third, so dark they hold almost no detail, their ragged lower contours bitten out against the orange and white behind them. The sun is low and out of frame behind the black bank, so every lit surface is a rim, every face turned toward the viewer is in shadow, and the brightest part of the picture is the gap of sky between the black clouds and the orange ribbons. Because the light comes from behind, the white clouds show opaque, luminous tops and grey-violet flat bottoms; the orange clouds glow at their edges and go dim in their bodies; the black clouds are pure unlit mass. Depth comes from scale — crisp-edged small clouds high and distant, softer blurred foreground wisps drifting near the lens. The ground is only a sliver of dark, indistinct land along the very bottom edge, kept as a silhouette with no readable detail, so nothing competes with the sky. Palette is restricted to four colors — deep blue, warm white, tangerine-orange, and near-black — and nothing else is admitted. Quiet, vast, gathering dusk.
nanpan
AI artwork
n
scenery, no humans, wide shot, from below, dutch angle, evening, blue sky, white clouds, orange clouds, black clouds, sunset, cloudscape, layered clouds, backlighting, atmospheric perspective, gradient sky, sun low on the horizon, low horizon line, open sky, natural lighting, detailed sky A wide, low-angle view tilted slightly off level, so the horizon runs as a shallow diagonal across the bottom eighth of the frame and the sky fills almost everything above it; the camera sits near ground level looking up into the clouds, which gives the nearest cloud banks a slow swell of foreshortening as they lean overhead. The sky is built in horizontal strata that read from bottom to top as one continuous evening. At the horizon the blue is pale and washed with warm haze; a band of blue sky climbs above it, deepening toward the top of the frame into a cooler, cleaner blue. Across the low sky a chain of white clouds runs, lit from beneath along their flat bases and bright along their western edges. Above and behind them the orange clouds mass in long, torn horizontal ribbons, saturated tangerine and apricot where the sun catches them, shading into rose and dull ember on their shadowed undersides. Highest and heaviest sit the black clouds: dense, hard-edged silhouettes stacked in the upper third, so dark they hold almost no detail, their ragged lower contours bitten out against the orange and white behind them. The sun is low and out of frame behind the black bank, so every lit surface is a rim, every face turned toward the viewer is in shadow, and the brightest part of the picture is the gap of sky between the black clouds and the orange ribbons. Because the light comes from behind, the white clouds show opaque, luminous tops and grey-violet flat bottoms; the orange clouds glow at their edges and go dim in their bodies; the black clouds are pure unlit mass. Depth comes from scale — crisp-edged small clouds high and distant, softer blurred foreground wisps drifting near the lens. The ground is only a sliver of dark, indistinct land along the very bottom edge, kept as a silhouette with no readable detail, so nothing competes with the sky. Palette is restricted to four colors — deep blue, warm white, tangerine-orange, and near-black — and nothing else is admitted. Quiet, vast, gathering dusk.
nanpan

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3#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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