Nov 2, 2026

Server Maintenance Notice — We are currently performing partial maintenance on our server facility. During this time, SDXL and Tsubaki.1 generation…

AI art "さぞんかの宿／大川栄策" featuring #Fundo simples, #Capa, #Pétalas, #Capa, #flor, #Sem humanos, #camélia and #caligrafia

Gerar Grátis

さぞんかの宿／大川栄策

大川栄策さんの名曲「さぞんかの宿」のジャケット画像です。情念が込められた歌声と、凛と咲く赤い椿の花の美しさに、いつも心が惹かれてしまいます。哀愁漂う世界観がとても素敵ですね。もし気に入っていただけたら、いいねやフォローをお願いします！

#Fundo simples #Capa #Pétalas #Capa #flor #Sem humanos #camélia #caligrafia

Publicado em Oct 23, 2026

齋

齋藤哲夫

Mais para ver

song title card, enka record jacket design, design piece register, text focus, no characters, vertical composition, single centred typographic layout, flat printed surface, close-up of the printed artwork A graphic song-title card rendered as a vintage enka record-jacket front, seen perfectly flat and square to the viewer, filling the whole frame with no depicted scene, no figures and no background location -- the entire image is printed artwork on paper. The layout is a single vertical Japanese record sleeve: a deep midnight-indigo field washed with a faint baren-squeegee gradient toward the lower left, a single large camellia bloom with glossy dark-green leaves sitting in the upper third slightly left of centre, its petals a muted crimson with one petal fallen and resting on the imaginary sleeve edge below the flower, a thin gold hairline rule dividing the flower field from the lower text band. The text band is a pale, slightly warm off-white panel across the bottom 40% of the sleeve, its upper edge a clean horizontal gold line. Everything is lettering on that flat surface; no letter floats over the flower, and the flower never overlaps the text band. Top-left of the upper field, in a vertical column of bold mincho-style characters, large and dominant, reads "さざんかの宿／大川栄策", set in a deep sumi black with a subtle crimson shadow offset one millimetre down and right like a slightly misregistered second plate; the characters run top to bottom down the column, evenly spaced, the slash separating title from performer name and given the same weight. In the lower off-white band, three credit lines stack left-aligned with generous leading, each in a smaller regular mincho face and a soft charcoal grey, reading in order from top to bottom "作詞：吉岡治", "作曲：市川昭介", "編曲：竹村次郎"; the colons align into a clean vertical seam, the names sit right of it, and the last line carries slightly looser tracking so the three lines end flush. The printed surface shows real paper tooth: fine fibrous grain across the off-white band, a faint ink-squeegee streak in the indigo field where the roller passed, and the crimson of the petals sitting very slightly proud of the black outline where two plates met imperfectly -- a single-variable printing artifact, consistent everywhere across the sheet. Light is a soft even studio raking slightly from the upper left, so the paper's fibre catches faintly on the off-white band while the indigo field stays matte and deep; there is no cast shadow and no environment beyond the sheet. Palette holds to midnight indigo, crimson, dark leaf green and the warm off-white band with a thin gold rule, nothing else admitted. Quiet, nostalgic, printed-and-faded.

さぞんかの宿／大川栄策

Comentários

Modelo & LoRA usado

Imagens Similares

Explorar mais

Usuários Recomendados

Você pode gostar