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ใใ
Arte de IA de ใใ no PixAI. Criado com Tsubaki.3 Flash.
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- Entrada de Instruรงรฃo Original
- girl, jimiko, black hair, brown eyes, school uniform, long unkempt hair, mole under eye, blush, red-framed eyewear, dark red necktie, navy blazer, long sleeves, black long skirt, white ankle socks, loafers
- Modo
- flash
- Tamanho
- 1104 x 1824
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character: watanae_yuuka
1girl, solo, jimiko, long hair, black hair, unkempt hair, hair between eyes, ahoge, sidelocks, brown eyes, mole under eye, mole under left eye, blush, red-framed eyewear, glasses, school uniform, white shirt, dark red necktie, navy blazer, long sleeves, black long skirt, white ankle socks, loafers, from above, looking up, close-up, upper body, head tilt, leaning forward, hands clasped behind back, looking at viewer, light smile, half-closed eyes, raised eyebrow, school corridor, window light
Shot from above and slightly to her right, close on her upper body: she leans far forward from the waist toward the lens, chin tipped down, so her whole face turns up into the camera. Her long black hair is unkempt in the stated sense โ fine strands escaping the shape, a loose ahoge lifting off the crown, blunt sidelocks hanging past her jaw, several strands fallen between her eyes โ and it swings forward off her shoulders with the lean, so the mass of it hangs free rather than lying flat on her back. Red-framed glasses sit slightly low on the bridge; behind them her brown eyes come up at the viewer from under her brows, one eyebrow arched higher than the other, and a faint closed-lip smile pulls one corner of her mouth. The mole under her left eye stays unobstructed by the frame rims, and a warm blush sits high on both cheeks. Her navy blazer is buttoned over a white shirt with the dark red necktie knotted small and pulled slightly askew; long sleeves reach her wrists. She wears a long black skirt that hides her legs down to the ankles, plain white ankle socks and dark loafers. Both hands are laced together behind her back, shoulders drawn back by it, weight settled onto her heels and her hips pushed a little back โ the counterbalance that keeps her lean steady. She stands in a school corridor, and the strip of tall windows along the right side of the frame is the only light source: cool daylight rakes her from above right, lays a bright band along the top of her glasses, her nose bridge, the collar of the blazer and the crown of her hair, and leaves deeper shadow under her chin, inside the blazer's lapels and down the left side of her skirt; her shadow falls forward and to the left on the floorboards, shortened by the high sun. The palette is navy, black, the white of shirt and socks, and the dark red of tie and frames against the corridor's pale grey-green walls and warm floor. Quietly mischievous.
ใใ
character: watanae_yuuka
1girl, solo, jimiko, long hair, black hair, unkempt hair, hair between eyes, ahoge, sidelocks, brown eyes, mole under eye, mole under left eye, blush, red-framed eyewear, glasses, school uniform, white shirt, dark red necktie, navy blazer, long sleeves, black long skirt, white ankle socks, loafers, from above, looking up, close-up, upper body, head tilt, leaning forward, hands clasped behind back, looking at viewer, light smile, half-closed eyes, raised eyebrow, school corridor, window light
Shot from above and slightly to her right, close on her upper body: she leans far forward from the waist toward the lens, chin tipped down, so her whole face turns up into the camera. Her long black hair is unkempt in the stated sense โ fine strands escaping the shape, a loose ahoge lifting off the crown, blunt sidelocks hanging past her jaw, several strands fallen between her eyes โ and it swings forward off her shoulders with the lean, so the mass of it hangs free rather than lying flat on her back. Red-framed glasses sit slightly low on the bridge; behind them her brown eyes come up at the viewer from under her brows, one eyebrow arched higher than the other, and a faint closed-lip smile pulls one corner of her mouth. The mole under her left eye stays unobstructed by the frame rims, and a warm blush sits high on both cheeks. Her navy blazer is buttoned over a white shirt with the dark red necktie knotted small and pulled slightly askew; long sleeves reach her wrists. She wears a long black skirt that hides her legs down to the ankles, plain white ankle socks and dark loafers. Both hands are laced together behind her back, shoulders drawn back by it, weight settled onto her heels and her hips pushed a little back โ the counterbalance that keeps her lean steady. She stands in a school corridor, and the strip of tall windows along the right side of the frame is the only light source: cool daylight rakes her from above right, lays a bright band along the top of her glasses, her nose bridge, the collar of the blazer and the crown of her hair, and leaves deeper shadow under her chin, inside the blazer's lapels and down the left side of her skirt; her shadow falls forward and to the left on the floorboards, shortened by the high sun. The palette is navy, black, the white of shirt and socks, and the dark red of tie and frames against the corridor's pale grey-green walls and warm floor. Quietly mischievous.
ใใ
character: watanae_yuuka
1girl, solo, jimiko, long hair, black hair, unkempt hair, hair between eyes, ahoge, sidelocks, brown eyes, mole under eye, mole under left eye, blush, red-framed eyewear, glasses, school uniform, white shirt, dark red necktie, navy blazer, long sleeves, black long skirt, white ankle socks, loafers, from above, looking up, close-up, upper body, head tilt, leaning forward, hands clasped behind back, looking at viewer, light smile, half-closed eyes, raised eyebrow, school corridor, window light
Shot from above and slightly to her right, close on her upper body: she leans far forward from the waist toward the lens, chin tipped down, so her whole face turns up into the camera. Her long black hair is unkempt in the stated sense โ fine strands escaping the shape, a loose ahoge lifting off the crown, blunt sidelocks hanging past her jaw, several strands fallen between her eyes โ and it swings forward off her shoulders with the lean, so the mass of it hangs free rather than lying flat on her back. Red-framed glasses sit slightly low on the bridge; behind them her brown eyes come up at the viewer from under her brows, one eyebrow arched higher than the other, and a faint closed-lip smile pulls one corner of her mouth. The mole under her left eye stays unobstructed by the frame rims, and a warm blush sits high on both cheeks. Her navy blazer is buttoned over a white shirt with the dark red necktie knotted small and pulled slightly askew; long sleeves reach her wrists. She wears a long black skirt that hides her legs down to the ankles, plain white ankle socks and dark loafers. Both hands are laced together behind her back, shoulders drawn back by it, weight settled onto her heels and her hips pushed a little back โ the counterbalance that keeps her lean steady. She stands in a school corridor, and the strip of tall windows along the right side of the frame is the only light source: cool daylight rakes her from above right, lays a bright band along the top of her glasses, her nose bridge, the collar of the blazer and the crown of her hair, and leaves deeper shadow under her chin, inside the blazer's lapels and down the left side of her skirt; her shadow falls forward and to the left on the floorboards, shortened by the high sun. The palette is navy, black, the white of shirt and socks, and the dark red of tie and frames against the corridor's pale grey-green walls and warm floor. Quietly mischievous.
ใใ
1girl, solo, front view, facing viewer, walking toward viewer, mid-stride, black hair, long hair, straight hair, hair past waist, black eyes, glasses, thin-framed rectangular glasses, beautiful girl, fair skin, single mole below the left corner of the mouth, slender yet curvy figure, school uniform, blazer, navy blazer, white collared shirt, red ribbon tie, pleated skirt, dark pleated skirt, pleated skirt in motion, black tights, school hallway, indoors, daytime, corridor, windows on both sides, sunlight, looking at viewer, faint closed-lip smile, head slightly tilted, arms at sides, one arm swinging forward, books held against hip, upper-body focus to three-quarter body, cowboy shot, from front, slight low angle, depth of field
The camera sits at a slightly low chest-height in the middle of the school corridor, looking straight down its length at her as she walks toward it โ front view, facing the viewer, her body filling the centre of the frame from head to mid-thigh in a cowboy shot. She is caught exactly mid-stride: her weight is on her right foot, planted flat, while her left knee is lifted and her left toe is peeling off the floor behind her, the hem of her dark pleated skirt swung a half-beat behind the motion of her hips, each blade of the pleats slightly separated and catching the light. Her long black hair falls straight past her waist over the navy blazer, one length of it slipping forward over her right shoulder, the rest bright with a streak of window light; the ends stir behind her shoulder blades from the forward movement. Her white collared shirt is buttoned high, the red ribbon tie sits neat at her throat, the navy blazer hangs open at the front and its lapels lap over the pleated skirt's waistband. The skirt swings around her hips; the black tights cover her legs smoothly from under the hem down to her shoes, the fabric stretching and brightening over the lifted left knee, its elastic waistband unseen under the skirt.
Her slim waist tapers into the curve of her hips and the bust that fills the blazer's front โ slender yet curvy, read in the cinched waist and the flare of the skirt. Thin rectangular glasses sit on the bridge of her nose, the lenses picking up two small window reflections; behind them her black eyes are fixed directly on the viewer, a calm, faint closed-lip smile on her mouth, the single dark mole sitting just below and left of her lower lip, the only mark on her clear pale face. Her chin tips down a degree, so her gaze comes up through the top of the lenses. One arm hangs relaxed at her side, hand loose-fingered and open; the other arm is bent to hold a stack of books pressed against her hip, fingers curled under the bottom book's spine, the fingertips compressed pale against the cloth-covered boards.
The corridor runs away behind her: a polished wooden floor laid in long boards whose seams converge toward the far vanishing point, pale-cream walls broken by a regular rhythm of windows along the left, closed classroom doors with small frosted glass panels along the right, and a low dado rail in blue-grey. Daylight is the only light source โ bright white daylight pouring in through the left-side windows, laying long soft parallelogram patches of light across the floorboards at a slanted angle, striking the left plane of her blazer, the left side of her skirt and the outer curve of her right cheek and nose, while her right side falls into a clean soft shadow and a thin cast shadow trails from her shoes to the right rear. The windows' light reflects off the polished floor in the same slanted bands, slightly duller and warped by the boards. The far end of the corridor fades into a soft, sun-hazed blur with no figures in it, the depth of the hallway giving her full figure a clear silhouette at the centre. The palette is disciplined: deep navy blazer and skirt, white shirt, red ribbon, black hair and tights, and the corridor's cream, blue-grey and warm wood โ nothing else admitted.
Her hair swings and settles a hair's breadth after her step; the skirt's pleats lag the hips by that same beat; the pages' edges of the top book are pressed slightly out of alignment by her thumb. Warm daylight, quiet, effortlessly graceful.
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