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AI art "Orleana"
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Orleana

Arte de IA "Orleana" de Kussitofu no PixAI. Criado com Tsubaki.

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Kussitofu

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Comentários

anime, girl, sharpen ears, pierced ears, pale skin, fangs, very long hair, partially tied in half ponitail, black hair, white streaks in hair, red eyes, star shaped pupils, black obsidian armor, detailed patterned, breasts, dark scarlet cape, fabric strain, anime illustration,Kanon_style, high quality, cel shading,hoshimiko style, hand drawn like, soft cel shading, conscious and arrogant grin, standing on a balcony at the top of a tower, an obsidian empire down below
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Entrada de Instrução Original
anime, girl, sharpen ears, pierced ears, pale skin, fangs, very long hair, partially tied in half ponitail, black hair, white streaks in hair, red eyes, star shaped pupils, black obsidian armor, detailed patterned, breasts, dark scarlet cape, fabric strain, anime illustration,Kanon_style, high quality, cel shading,hoshimiko style, hand drawn like, soft cel shading, conscious and arrogant grin, standing on a balcony at the top of a tower, an obsidian empire down below
Tag de Qualidade
high quality, year_2025, year_2024, ﹝Instruções﹞
Tamanho
768 x 1280
Passos de Amostragem
18
Método de Amostragem
Euler
CFG scale
4.5
Negativo
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name
Alta Resolução

Modelo & LoRA usado

Tsubaki - AI Model cover image

PixAI DiT.1

Tsubaki
8.86k
Kanon style - AI Model cover image

LoRA de Usuário

Kanon style
186
Hoshimiko style - AI Model cover image

LoRA de Usuário

Hoshimiko style
0

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1girl, solo, vampire, medium height, athletic build, slender, pale skin, red eyes, sharp pupils, slit pupils, long black hair, pointed ears, fangs, medium breasts, large hips, black leather jacket, white inserts on jacket, dress shoulder straps, open jacket, top buttons open, white shirt, red tie, white gloves, red aiguillette, waist belt, cinched waist, tunic, black skirt, red pattern on skirt, skirt just above knees, black transparent stockings, sheer thigh stockings, black high-heeled shoes, light black raincoat, rapier scabbard on belt, castle interior, main hall, grand hall, stone columns, arched windows, chandelier, from below, dutch angle, cowboy shot, looking down at viewer, head tilt, one hand on scabbard, other hand at collar, faint closed-lip smile, half-closed eyes, dramatic lighting, high contrast, The camera sits low and canted a few degrees off level, looking up at her from hip height so the castle's main hall opens above and behind her: a long stone nave of pale grey columns marching back into shadow, tall arched windows along the left wall, and a wrought-iron chandelier hanging in the upper third of the frame, its candles the warm counterweight to the cold daylight. She stands just left of center, three-quarters to the camera, weight sunk into her right hip with the left knee bent and the left toe turned in — a relaxed, knowing contrapposto on the black heels. Her chin is tipped down and her red eyes, sharp-pupiled and half-lidded, look straight down the lens past the low camera, one corner of her mouth lifted in a faint closed-lip smile. Her left hand rests flat on the rapier scabbard where it hangs from the belt at her hip, fingers lightly curled around the scabbard throat; her right hand is raised to her throat, gloves white against the pale skin, two fingers hooked into the open V of the jacket where the top buttons are undone, tugging the lapel back so the white shirt and the red tie show in the gap. The red aiguillette loops over her right shoulder in braided cord and falls across the black leather and its white inserts. The light black raincoat is worn open and hangs off both shoulders, its hem swinging out behind her right hip from the turn, and the black skirt with red patterns sits just above the knees, its pleats flaring very slightly with the same motion; the sheer black stockings catch a sheen along the front of each shin down into the black high-heeled shoes. The light is single-sourced from the tall windows on camera-left: it rakes across the left side of her face and the left plane of the jacket, throws a hard bright edge down the red tie and the white shirt placket, and leaves the right side of her body and the column bases behind her in deep shadow; the chandelier's candle glow adds only a soft warm rim along the top of her black hair, which falls long and straight past her shoulders and stirs a little at the ends from the draft in the hall. Her pale skin reads almost luminous against the leather. The palette is cold stone grey, black leather and sheer black, white shirt and gloves, with red concentrated in the tie, the skirt pattern, the aiguillette and her eyes, warmed only by the candle rim. Her cast shadow lies long and sharp across the flagstones toward camera-right. Effortlessly imperious, quietly dangerous.
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