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7 de Março, Desbravador
Arte de IA de SD_syndrome no PixAI. Tags: Evernight, Série Honkai, Honkai: Star Rail. Criado com Tsubaki.3.
Mostrar Parâmetros
- Entrada de Instrução Original
- stelle (honkai: star rail), naked Bandage, loose socks, sparkle (honkai: star rail), naked Bandage, loose socks, sparxie (honkai: star rail), naked Bandage, loose socks, march 7th (honkai: star rail), naked Bandage, loose socks, evernight (honkai: star rail), naked Bandage, loose socks, halloween background,
- Modo
- ultra
- Estilo
- Pôster Neon
- Tamanho
- 1600 x 1248
- Método de Amostragem
- Euler
- Negativo
- lowres, worst quality, low quality, bad anatomy, bad hands, text, error, missing fingers, jpeg artifacts, signature, watermark
Estilo: Pôster Neon
Assistente de Prompt
Modelo & LoRA usado
Imagens Similares
Mostrar maischaracter: stelle_(honkai:_star_rail), sparkle_(honkai:_star_rail), sparxie_(honkai:_star_rail), march_7th_(honkai:_star_rail), evernight_(honkai:_star_rail), copyright: honkai:_star_rail
5 girls, multiple girls, group, stelle \(honkai: star rail\), sparkle \(honkai: star rail\), sparxie \(honkai: star rail\), march 7th \(honkai: star rail\), evernight \(honkai: star rail\), grey hair, long hair, hair between eyes, yellow eyes, twintails, brown hair fading to white, pink eyes, facial mark, white hair, braid, purple eyes, pink hair, medium hair, two-tone eyes, blue eyes, hair ornament, single earring, very long hair, hair flower, hairclip, red eyes, naked bandage, bandages covering body, white bandage wraps, loose socks, white loose socks bunched at the ankles, halloween background, jack-o'-lantern, carved pumpkins, bats, candy, spider web, from below, wide shot, dutch angle, standing, leaning forward, head tilt, arms up, outstretched arm, pointing at viewer, v, one eye closed, grin, :d, open mouth, smug, light smile, wide-eyed, looking at viewer, looking at another, motion lines, confetti, halftone dots, graffiti marks, high contrast, bold outlines, neon palette, orange, magenta, acid green, purple, deep black
The camera sits low and canted a few degrees off level, looking up at five figures arranged in a ragged diagonal across the frame — every head and every pair of eyes ringed with white bandage, every torso and hip wrapped in overlapping strips of white, off-white and pale grey bandage bound in a mummy-style harness that crosses the collarbone, winds under the bust and loops diagonally over one hip, with the loose ends trailing and fluttering in the paper night. Five pairs of white loose socks, all bunched and slouched at the ankles with the heels exposed and the cuffs sagging into fat folds above the calves. On the left, the grey-haired girl with long hair hanging between her eyes stands tallest, weight dumped onto her right hip, one bare arm thrown up and out with her fingers flicked into a lazy salute, her yellow eyes cut sideways at the viewer with one brow arched, bandage tails swinging across her thigh; the bandage over her right shoulder has begun to slip and she has not fixed it. Beside her, one knee cocked, the brown-and-white twintailed girl leans in far enough that her braid swings forward past her ear, one eye screwed shut, tongue at the corner of her grin, a striped mini-top-hat pinned at an angle among the white wraps of her hair and a facial mark visible on her cheek. The white-haired girl with purple eyes stands slightly behind the pair of them, arms flung up overhead with both hands splayed, chin tipped back and laughing wide open so both sets of lashes squeeze shut, one sock already half fallen off her heel. On the right, the pink-haired girl with two-tone blue-pink eyes crouches low at the hip of the last, her single earring catching the glow, head tipped toward the viewer as she points one finger straight down the lens, the loose bandage over her forearm unspooling to the floor. Crouched beside her and lowest of all, the very-long-haired girl with red eyes and a hair flower rests one palm flat on the floor, chin propped against her other hand, staring up and to the left at the pointing girl with a faint closed-mouth smile and lowered lids.
Behind and around them, a Halloween set built in flat graphic layers: fat orange jack-o'-lanterns with carved triangle eyes grinning from a low ledge on the left, their candlelight spilling up as warm orange rims on every chin, collarbone and knee; paper bats suspended on strings at staggered heights so they overlap the girls' hair; a sagging purple-and-magenta spider web stretched across the top-right corner; candy corn and wrapped sweets scattered and refracting where they catch the pumpkin light. The pumpkins' light is the only warm source, low and from the floor, so it underlights them and throws long jagged shadows up the backdrop; everything above and behind is the deep black of the night, broken by acid-green and magenta neon silhouettes of tombstones rendered as flat halftone plates rather than detail. Colour discipline: orange, magenta, acid green and purple on flat black, with the bandage whites and sock whites as the only pale values, so the five figures read as a single bright chain against the dark. Halftone dot fields fill the backdrops, graffiti scribbles and a spray-can streak cut across the empty right margin, thick black outlines hold every silhouette, and flat cel shadows sit hard under every chin, under every bandage overlap and where the socks bunch. The trailing bandage ends lift and twist toward the pumpkin heat, all of them angled the same way. Raucous, effortless.
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