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Tomoda

Publicado em Oct 27, 2026

Tomoda

character: isara_mao, copyright: ensemble_stars! 2 boys, male focus, isara mao, short hair, red hair, bangs pinned back, curtained hair, green eyes, eyes closed, blushing, flustered, soft expression, dazed, yumenosaki school uniform, white collared shirt, necktie, open jacket, long sleeves, straddling, lap straddling, sitting on lap, arms around neck, neck hugging, thighs around hip, french kiss, tongues tangled together, sharing saliva, open mouth, hands on waist, faceless male, featureless face, blank head, business suit, necktie, dark suit, short black hair, three-quarter side angle, from side, cowboy shot, close-up, indoors, bedroom, brightly lit, sunlight through window, white bed, day, warm palette, romantic, intimate. A three-quarter side angle, seen from Mao's left, with the faceless businessman seated on the edge of a white-sheeted bed in the near foreground-right and Mao straddling his lap in the clearer mid-left of the frame. Mao faces right, in profile toward the man; the man's head is turned left toward Mao. Mao's knees press into the mattress on either side of the man's hips, his thighs clamped around the man's hip, the uniform trousers taut across his bent legs; his arms are locked around the man's neck, one forearm crossed behind the man's nape, fingers curled into the man's short black hair, the other hand flat against the back of the man's shoulder. The man's hands settle at Mao's waist over the open jacket, one thumb hooked into the jacket's edge. Their mouths meet open, tongues visibly tangled, a thin thread of saliva catching the light between their lips; Mao's eyes are shut, lashes down, cheeks deeply blushed, brows drawn faintly up, his expression soft and dazed and flustered. The man's face is a blank featureless surface, no eyes, no nose, no mouth, smooth uninterrupted skin, only his short black hair and the line of his jaw reading as a head. Mao's red hair is short and falls in curtained strands around his ears, his bangs pushed back from his forehead by a plain clip so the whole flushed brow shows; the open long-sleeved jacket has slipped off one shoulder behind him, the white collared shirt wrinkled and half untucked from the waistband, the necktie hanging loose and askew against his chest. Bright morning daylight floods in from a window off-frame right, so the light strikes the right side of Mao's face, the man's shoulder and the rumpled white sheets, while soft shadow pools under Mao's thighs, inside the open jacket and along the left side of the man's back; the room is a simple bright bedroom, pale walls, a low wooden nightstand out of focus at the left edge, no other furniture intruding. The sheets are compressed into deep creases under the man's weight and Mao's knees. Red hair, white shirt and white bedding against the dark suit and the warm daylight, nothing else admitted. Tender, breathless.

Tomoda

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