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Rias Gremory, High School DxD
Arte de IA de YanesuHunu no PixAI. Tags: pés, cabelo vermelho, seios grandes, Cauda de demônio, Noite. Criado com Tsubaki.3.
I'm absolutely captivated by Rias Gremory from High School DxD in this intimate, moonlit bedroom scene—her crimson hair and demon wings look so alluring against the soft candlelight. There's something about her quiet confidence that always draws me back to her character. If she steals your heart too, please drop a like and follow for more devilish art!
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- Entrada de Instrução Original
- Semi-reclining Rias Gremory on a canopy bed, one arm tucked behind her head, the other gripping rumpled sheets, one knee raised with legs crossed at the ankle, arched back, long crimson hair spread across the pillow, blue eyes looking up through half-lidded lashes, confident half-smile, small black crown, half-spread devil bat wings framing the shot, sheer black silk nightgown with a slipped strap, dark crimson lace lingerie, black lace thigh-high stockings with garters, devil tail with arrow tip curled on the sheet, warm candlelight rim light, blood moon through the window, gothic aristocratic bedroom with deep red curtains, vertical cinematic composition, high-quality semi-realistic anime style, gold elegant serif text "Heaven never stood a chance."
- Modo
- pro
- Tamanho
- 1632 x 1232
- Método de Amostragem
- Euler
- Negativo
- lowres, worst quality, low quality, bad anatomy, explicit
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e
1girl, solo, succubus, long red hair, straight hair, hair past waist, red eyes, pointed ears, small horns, black bat wings, spade-tipped tail, pale skin, blush, bashful, shy, embarrassed, half-closed eyes, looking away, sideways glance, averted gaze, small closed mouth, finger to mouth, hand at collarbone, other hand gripping her own forearm, shoulders drawn in, head tilted down and away, standing, weight on back foot, knees pressed together, cowboy shot, from above, slight dutch angle, bedroom, night, dim warm light, lingerie slip, bare shoulders, bare legs, bare feet, standing on a rumpled bed, wing half-folded, tail curled around her thigh,
Seen from slightly above and canted a few degrees off level, a single succubus stands on the mattress of a rumpled bed in a dim bedroom, framed from mid-thigh to the top of her horns in a cowboy shot. Her long red hair falls straight and heavy past her waist on both sides of her body, a few strands catching the light and the rest sinking into shadow, and her pointed ears push up through it with two small dark horns curving back from her hairline. Her bat wings sit half-folded behind her shoulders, one edge dipping into the dark, and her spade-tipped tail curls forward around her right thigh, the tip resting against the outside of her knee. She is turned a little away from the camera, torso angled, weight carried on her back foot so her front knee bends and her knees press together; her shoulders are drawn in and her chin is tucked down and to the side. One hand comes up to her mouth, fingertips resting against her lower lip, and the other hand grips her own forearm across her middle, knuckles pale against the skin, so her arms close over her chest rather than open to the room. Her eyes are half-lowered and glance off to the side, away from the lens, and a hot flush spreads high across her cheeks and the tips of her ears. She wears a thin black slip with a lace edge, the strap slipping off one bare shoulder; the fabric pulls taut across her hip where her tail crosses it and bunches in a small fold where her gripping hand presses her arm against it. The bed beneath her is unmade — the sheet wrinkled and dented under her feet, one pillow shoved back against the headboard — and her bare toes press pale hollows into the mattress. A single warm lamp sits low and behind her at the left edge of the frame, so light rakes the side of her cheek, her collarbone and the front of her thigh while her back, the undersides of her wings and the far side of the room drop into brown shadow; the light through the thin slip glows dull red where it stretches over her hip, and her soft shadow falls up the wall behind her in a long shape with two horns. Deep wine reds, warm umber shadow and a small pool of lamplight, nothing else admitted — red in the hair, the flush and the spill of light through the slip. Quiet, flustered heat.
elkabong
Rias Gremory: Illuminated perfection
Sultans Emporium
s
rias
soryuasuka
e
1girl, solo, succubus, long red hair, straight hair, hair past waist, red eyes, pointed ears, small horns, black bat wings, spade-tipped tail, pale skin, blush, bashful, shy, embarrassed, half-closed eyes, looking away, sideways glance, averted gaze, small closed mouth, finger to mouth, hand at collarbone, other hand gripping her own forearm, shoulders drawn in, head tilted down and away, standing, weight on back foot, knees pressed together, cowboy shot, from above, slight dutch angle, bedroom, night, dim warm light, lingerie slip, bare shoulders, bare legs, bare feet, standing on a rumpled bed, wing half-folded, tail curled around her thigh,
Seen from slightly above and canted a few degrees off level, a single succubus stands on the mattress of a rumpled bed in a dim bedroom, framed from mid-thigh to the top of her horns in a cowboy shot. Her long red hair falls straight and heavy past her waist on both sides of her body, a few strands catching the light and the rest sinking into shadow, and her pointed ears push up through it with two small dark horns curving back from her hairline. Her bat wings sit half-folded behind her shoulders, one edge dipping into the dark, and her spade-tipped tail curls forward around her right thigh, the tip resting against the outside of her knee. She is turned a little away from the camera, torso angled, weight carried on her back foot so her front knee bends and her knees press together; her shoulders are drawn in and her chin is tucked down and to the side. One hand comes up to her mouth, fingertips resting against her lower lip, and the other hand grips her own forearm across her middle, knuckles pale against the skin, so her arms close over her chest rather than open to the room. Her eyes are half-lowered and glance off to the side, away from the lens, and a hot flush spreads high across her cheeks and the tips of her ears. She wears a thin black slip with a lace edge, the strap slipping off one bare shoulder; the fabric pulls taut across her hip where her tail crosses it and bunches in a small fold where her gripping hand presses her arm against it. The bed beneath her is unmade — the sheet wrinkled and dented under her feet, one pillow shoved back against the headboard — and her bare toes press pale hollows into the mattress. A single warm lamp sits low and behind her at the left edge of the frame, so light rakes the side of her cheek, her collarbone and the front of her thigh while her back, the undersides of her wings and the far side of the room drop into brown shadow; the light through the thin slip glows dull red where it stretches over her hip, and her soft shadow falls up the wall behind her in a long shape with two horns. Deep wine reds, warm umber shadow and a small pool of lamplight, nothing else admitted — red in the hair, the flush and the spill of light through the slip. Quiet, flustered heat.
elkabong
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