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AI artwork featuring #zetaCollab
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尽

Inscrição no Concurso
PixAI × zeta Original Character Creation Contest 2026
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尽

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No PixAI, os prompts são públicos por padrão, mas os criadores podem ocultá-los em qualquer obra que publicarem. Quem criou esta obra optou por isso, então as palavras usadas para gerar a imagem permanecem privadas e só essa pessoa pode vê-las. Ocultar o prompt não muda mais nada: a obra continua pública e você pode curtir, comentar e compartilhar normalmente.
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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1girl, solo, solo focus, black hair, medium hair, medium breasts, white shirt, long sleeves, button-down shirt, collared shirt, skirt, grey pleated skirt, standing, holding, holding book, indoors, cowboy shot, from below, dutch angle, looking down, serious, closed mouth, one eyebrow raised, leaning against wall, hand on wall, library, tall bookshelf, dim light The camera sits low and tilts slightly off level, looking up at her from knee height so the tall bookshelf behind her runs off the top of the frame and the shelves lean with the tilt. One girl alone, no one else in the shot. She stands with her weight sunk into her left leg, right knee relaxed and slightly forward, her right shoulder and right hip leaning into the flat side of a tall wooden shelf, and her right palm presses flat against the shelf panel at shoulder height with the fingers spread — that contact is what holds her up. Her left arm is bent at the elbow, forearm level, and a closed hardback book with a plain dark spine is cradled in that hand, thumb on the front cover, fingertips hooked around the spine edge, the book tilted a little out from her body. She wears a crisp white long-sleeved button-down shirt, the top button left open at a bare throat with no tie and nothing at the collar, cuffs buttoned at the wrists, the shirt tucked into a charcoal grey pleated wool skirt whose waistband sits on her hips and whose pleats fall in flat vertical planes; nothing is worn over the shirt and her ears are bare and both her hands are unadorned. Her hair is black, cut to medium length so the blunt ends fall to below her jaw and brush the shirt collar, lifted slightly where the shelf touches it and swinging a little toward her cheek as her head tips. Her head is turned down and to her left, chin dropped, and her eyes — half-lidded under a lifted brow — look down at the closed book in her hand, not at the viewer, one eyebrow arched higher than the other over a flat, closed mouth with the lower lip caught just slightly under the upper. The book's spine catches a narrow violet sheen running down its edge, a sliver of reflected colour on a surface that has no colour of its own. A single low lamp out of frame on the right lights her from the right at hip height: it rims her right jaw, right shoulder and the sleeve seam, and it throws the left side of her face, the underside of the shelf and the space between the shelves into a deep blue-brown shadow; a soft cast shadow of her hips and the shelf edge slides across the floor toward the left. Palette restricted to white shirt, charcoal grey, black hair and the warm wood-ochre of the shelves with the one violet glint, all dimmed by a low-lux interior. She is caught in the middle of a page-folding pause, book half-lifted, weight still on the wall. Quiet, distracted.
Alvin

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