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AI art "Ash's turn"
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Ash's turn

Arte de IA "Ash's turn" de Tobi no PixAI. Tags: Ditto Transformado, Pokémon, Pokémon. Criado com Tsubaki.3.

Ash turns into Misty with Ditto

#Pokémon#Misty#Ash Ketchum#Sorriso largo#Ditto#Pokémon#Ditto Transformado#Escala de cinza#Pokémon (série original)
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character: misty_(pokemon), ditto, ash_ketchum 6koma, comic, multiple views, transformation sequence, slime, ditto, ash ketchum, misty (pokemon), black hair, short hair, dark hat, baseball cap, dark fingerless gloves, dark jacket, open clothes, dark eyes, light hair, side ponytail, asymmetrical hair, dark eyes, light tank top, dark suspenders, denim shorts, dark slime, slime girl, evil grin, looking at own body, dripping, talking, covering another, mid-transformation, from side, close-up, cowboy shot, white background panels, screentone A six-panel comic page in reading order, black-and-white manga page with screentone, hatching and solid blacks, panel borders inked clean and even, lettering in rounded speech bubbles. Panel 1: a medium shot from the side at eye level. A boy in a dark baseball cap with the brim pushed up, black hair spiking out under it, a dark open jacket over a short-sleeved shirt, dark fingerless gloves, crouches on one knee and leans in toward a small dark blob of a creature with two dot eyes and a wide flat mouth, its body slumped and rubbery on the ground between them. His mouth is open mid-word, one gloved hand gesturing flat toward it. A speech bubble above him reads "So you can turn into anything?"; a smaller bubble at the blob reads "Ditto!". Panel 2: same frame, tighter. The dark blob has leapt and is spread across the boy's chest and shoulders like poured gelatin, its mass clinging over his jacket, one gloved hand still out and pinned, his cap knocked askew, his eyes wide above the creeping edge. The slime's edge deforms around the fabric folds. Panel 3: a waist-up shot, the boy's torso drowned in the dark mass; under the slime his jacket and shirt have thinned into a light tank top with dark suspenders, his shoulders narrowing, his arms slimmer, the slime stretching in glossy strands between his old shape and the new one. A jagged bubble reads "What— my body!". Panel 4: a close-up of the head. The boy's jaw and cheeks are melting into softer rounder lines, black spikes drowning in light as a side ponytail whips out to one side, one dark eye still open while the other has gone dark, the dark cap sliding off the crown and caught mid-fall at the edge of the panel. Panel 5: a close-up from slightly below. The girl with light hair in a lopsided side ponytail, dark eyes, grins wide and crooked with her teeth bared and one brow arched, dark slime sheeting down her cheek and shoulder and dripping off her chin in long strings, the light tank top and dark suspenders soaked dark with it, one hand raised palm-out as if admiring the mess. Panel 6: a full-body shot from the side. She looks down at her own outstretched arms and turns one wrist over, staring at her own hands, the dark slime still beaded and running down her forearms and thighs, a single drip stretching from her fingertip toward the floor, her mouth a small satisfied line. Screentone shading on the slime's glossy surfaces, whites clean behind each panel, hatching at the shadowed edges. Sinister, strange.
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Entrada de Instrução Original
multiple panel Story, first panel ash ketchum (pokemon) talking ditto, second panel ash ketchum covered by ditto, third panel ash ketchum's body transforming into misty (pokemon), fouth panel ash's head transforms into misty's head, fifth panel misty smiling with evil grin and some ditto slime dripping down from misty, sixth panel misty looking at her own body, slime girl, transformation
Modo
pro
Tag de Qualidade
﹝Instruções﹞
Tamanho
1104 x 1824
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
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character: nobi_nobita comic, 10 panels, multiple views, sequential art, page layout, three characters, nobi nobita, shizuka minamoto, giant enemy, black hair, blunt bangs, dark eyes, short stature, light shirt, dark shorts, white socks, black shoes, shizuka long dark hair, dark eyes, light dress, white socks, dark shoes, giant muscular brutish man, small head, heavy brow, torn clothes, fight, punching, grappling, shocked expression, wide-eyed, open mouth, grabbing knife, knife, stabbing, chest stab, blood, blood splatter, blood on ground, blood on shirt, multiple stab wounds, repeated stabbing, gripping knife, throwing knife, knife in head, head wound, blood on face, dead, corpse, lying on ground, pool of blood, gore, violence, speed lines, impact lines, screentone, hatching, monochrome, black and white, sweat, motion lines, speech bubble A single black-and-white manga page in ten panels with bold outlines and dynamic layouts, arranged in three tiers: four panels across the top tier, three across the middle tier, three across the bottom tier, each panel framed by a heavy black border with screentone shading and hatching, speed lines and spotting blacks, no colour anywhere -- every toned value is grayscale plus texture. Panel 1: wide shot from a low angle, the giant enemy lunging with both fists raised over the small dark-eyed boy in the light shirt and dark shorts, who braces low with one arm across his face and his feet planted wide apart; the giant's shadow falls over the boy, and the background is filled with slashing speed lines. Panel 2: medium shot from the side, the giant's fist driving down as the boy slips under it, one shoulder turned, his blunt bangs flying aside, his dark eyes fixed on the giant's hand. Panel 3: close-up from above on the girl watching from the left edge of the frame -- long dark hair, light dress, both hands pressed to her cheeks, wide eyes, open mouth, cold sweat beading at her temple, dense radial shock lines behind her head; her gaze aims at the fight off-panel right. Panel 4: close-up of the boy's hand closing on the handle of a knife lying on the ground, knuckles blanching, his shadow falling across the blade, hatching darkening the lower left corner. Panel 5: low-angle shot of the boy driving the knife into the giant's chest, both his hands on the handle, shoulders hunched behind the thrust, arms locked; the steel sinks to the guard and a wide fan of ink-black spray bursts sideways and upward, dark droplets scattered across the giant's shirt and flaring toward the panel border; the giant's head snaps back with his mouth open. Panel 6: the same stab repeated, three slashes of blurred motion across the boy's arms and the giant's torso, the knife pulled back and driven in again, more black splatter arcing and splashing down onto the earth around their feet in a spreading stain. Panel 7: the giant collapses backward with his knees buckling and his arms dropping slack, the boy still gripping the knife buried in his chest, blood pooling across the ground in a black puddle that spreads to the panel edge and runs along the seams of the floor. Panel 8: medium shot of the girl, thrusting one hand out at her side, shouting; a jagged speech bubble beside her face reads "what the heck", her wide eyes locked on the killing, her other arm trembling. Panel 9: the boy's arm whipping forward from the right side of the frame, the knife a blurred spinning streak of speed lines crossing the panel, blood spraying off the blade in black droplets. Panel 10: the knife buried in the girl's skull, her body toppling sideways with her hair flying, a heavy black splash bursting from the wound and spattering down across the front of her light dress so it runs down the fabric; blood flows across the ground beneath her and pools past her limp hand, her eyes gone empty and half-lidded; a second smaller speech bubble above her falling head reads "what the heck". Lighting is flat and graphic, ink blacks and paper white with mid-gray screentone gradients standing in for the light on the boy's face and the flat sheen on the blood; every splatter keeps its direction of impact, and the spray fans away from the wound in each panel. Bleak, brutal.
Gojosatoru Satorugu

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