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ハロウィンの街中に出てきた雪乃深冬

Arte de IA "ハロウィンの街中に出てきた雪乃深冬" de 砂川有希 no PixAI. Tags: Yukino Mifuyu, quimono, quimono branco. Criado com Tsubaki.3 Flash.

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PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026

#quimono #1 garota #quimono branco #Yukino Mifuyu

Publicado em Oct 30, 2026

砂川有希

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character: yukino_mifuyu_(puuzaki_puuna), copyright: hitozukiai_ga_nigate_na_miboujin_no_yukionna-san_to_noroi_no_yubiwa 1girl, solo, yuki onna, long black hair, black hair between eyes, sidelocks, ahoge, hair bun, purple bow, blue eyes, white kimono, sash, obi, eight heads tall, slender, tall female, standing, snowfall, icy mist, breath vapor, halloween decorations, jack-o'-lantern, pumpkin lanterns, paper bat garlands, quiet gentle gaze, looking to the side, faint closed-lip smile, from below, full body, low angle, night, cold blue palette The camera sits low, looking up from the half-frozen slush of the pavement, so the tall slender figure rises the full height of the frame at eight-heads-tall proportions — narrow waist, long legs under the kimono, head small against the dark eaves above her. She stands at three-quarter angle to the lens, weight sunk into her right leg, left knee slightly bent, left hip dropped, one foot a half-step ahead of the other on the wet cobbles; her white kimono hangs straight from the obi and the hem lifts a finger's width, stirred by air rather than by her motion. The wide sash is tied in front, the knot pressed flat, the trailing tail of it hanging down her left side where the snowfall is already dusting its top edge. Her hands are folded lightly one over the other inside the opposite sleeves at her waist, elbows tucked, nothing gripped. Her chin is tilted a few degrees down and her eyes — clear, cold blue — drift to the side, off-frame, toward a shop window's orange glow, not at the viewer; her mouth is closed in a faint, careful smile that is more manners than warmth, one brow very slightly raised as though she is being polite about something she finds difficult. Behind and above her, the shopping street runs left to right in receding perspective: strings of paper bat garlands sagging between the lamp posts, carved pumpkin lanterns in rows along the shopfront awnings, their candlelight spilling warm orange onto the snow that has collected on every upward-facing surface — the tops of the awnings, the rims of the pumpkin shells, the flat caps of the signboards, the top of her obi knot — while the vertical faces, the undersides, and her shoulders stay bare or merely damp. The only two light sources are those pumpkin candles, warm and low, and the cold blue ambient of the winter night above the roofs; the warm light reaches no higher than her waist, so her chest, throat and face sit in the cool blue, and her shadow falls away from the nearest lantern, long and soft across the slush. Fine snow sifts down through the whole depth of the frame, thicker and blurrier in the foreground flakes, and her breath and the icy mist crawl low around her ankles, thinning into the street, so the hem of the kimono fades into vapour. Palette kept strict: cold blue-white for the yuki onna, her hair and the night; warm orange confined to the pumpkin lanterns and the lit slush; everything else charcoal and grey. Quiet, gently lonely.

ハロウィンの街中に出てきた雪乃深冬

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