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幻夢
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- Entrada de Instrução Original
- 真っ白の長髪、髪で左目隠れ、髪は少しだけ乱れている、碧目、アイシャドー、鋭い目つき、女性、黒のタンクトップ、真っ白の着崩された肩出しコート、超貧乳、シンプルな黒いチョーカー、白のブーツ、黒いスボン。
- Modo
- flash
- Tamanho
- 768 x 1280
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1girl, solo, full body, standing, standing illustration, character reference pose, straight-on, front view, full-length figure, pure white hair, very long hair, hair over one eye, hair covering left eye, slightly messy hair, loose strands, blue eyes, sharp eyes, fierce expression, narrowed eyes, piercing gaze, looking at viewer, female, black tank top, sleeveless, flat chest, small breasts, white coat, coat off shoulders, off-shoulder, loose coat, disheveled clothing, coat hanging open, long coat, black choker, simple choker, black pants, slim legs, white boots, knee boots, arms at sides, hands relaxed, plain background, white background, seamless backdrop, soft even studio light, full-length shadow under boots
A full-body, straight-on standing illustration of one woman against a completely empty seamless off-white studio sweep, her whole figure from crown to boot soles inside the frame with even margin above the hair and below the boots. She faces the camera square-on as a reference plate should, but her weight is not even: it sinks into her right leg, that hip pushed slightly out, her left knee soft and her left toe turned a little outward, so the stance reads as a live body rather than a mannequin. Her arms hang loosely, the right hand slack at her thigh with the fingers barely curled, the left hand hooked by the thumb into the coat's open front edge at hip height. A halo of fluffy seamless-backdrop brightness surrounds her.
Her hair is the anchor: pure white, straight, and very long, falling past her waist to the top of her hips, cut with a few loose strands lifting away from the crown and one lock flicked out at the temple so the mass reads as slightly messy rather than brushed flat. A heavy section of it swings across the left half of her face and hangs there, dead-centre over the left eye, hiding that eye and the left brow completely, its edge lying against the bridge of her nose and her left cheekbone; the right eye stays fully open to the camera. That right eye is a clear, cold blue, narrowed under a low straight brow, the lid pulled down and the outer corner tipped sharp, the pupil fixed on the viewer with a flat, unimpressed, faintly challenging stare; her mouth is a level line, corners neither lifted nor pulled down, jaw set. The asymmetry of one hidden eye and one visible, narrowed one carries the whole expression.
Layer the outfit in clear occlusion order against her body: the black tank top sits closest to her skin, high at the collarbones and cut with narrow shoulder straps, its thin knit hugging a chest that stays almost perfectly flat, the fabric falling straight from the collarbone to the hem with no swell or shadow beneath it; a plain thin black choker circles her throat snug and unadorned, one narrow band with nothing hanging from it. Over the tank top the white coat is worn wrong on purpose: both shoulders have slipped out of it entirely, so the coat's empty shoulder seams and its back collar bunch in a soft roll behind her shoulder blades, and the sleeves hang down her upper arms bunched at the elbows. The coat's front hangs open and long, past her knees, its lapels falling wide apart to expose the tank top in a vertical strip down the centre, one side of the coat sitting lower than the other, creases running from the dropped shoulders. Below the waist, black slim trousers run unbroken into the tops of white boots that rise to mid-calf, their pale leather catching the studio light.
The light is a broad, soft, frontal studio source slightly above her eye line, spreading an even brightness over her face, the white hair and the white coat, and the only darkness in the picture sits where it must: the flat black of the tank top and choker, the deep shadow in the open V of the coat between its fallen lapels, and the slim black column of the trousers. Where the long coat passes her hips it casts a soft grey shade down over the black trousers; on the seamless white floor her boots throw a compact, soft-edged shadow that pools darkest right under the toes. Palette held to three notes only, pure white, black and the woman's own cold blue eye. Crisp, deliberate, quietly severe.
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1girl, solo, full body, standing, character sheet, white fox girl, fox ears, white fox tail, very long white hair, pure white hair, slightly messy hair, hair over one eye, hair covering left eye, blue-green eyes, sharp eyes, tsurime, sharp gaze, female, black tank top, white coat, coat off shoulders, coat hanging off shoulders, disheveled clothing, bare shoulders, flat chest, extremely small breasts, black choker, black pants, white boots, from below, cowboy shot, looking down at viewer, head tilted down, arms bare at sides, fingers loosely curled, tail curling forward, plain seamless pale grey studio ground, soft even key light from upper left, faint cast shadow on the floor,
The camera sits low and looks up at her, so her chin drops toward the lens and the pale grey sweep of the studio floor runs unbroken from the bottom edge to the wall. She stands at a slight three-quarter turn, weight sunk into her right hip with the right boot planted square and the left boot eased half a step back, toe angled outward; the coat slides off both shoulders and pools in folds around the upper arms, leaving the black tank top's narrow straps and the bare line from collarbone to shoulder exposed to the light. Both arms hang close to her body, elbows slightly bent, the long fingers of her right hand loosely curled and brushing the coat's cuff, her left hand half-hidden in the fabric. The white fox ears stand alert, the left one twitched fractionally lower than the right; the tail sweeps forward around her right calf, its white tip hovering just above the floor and lifting a few fine hairs into the light. Her white hair falls well past the waist, the strands over the left side of her face dropping straight across the left eye and shadowing it, the rest faintly wind-caught and disordered around the crown, one lock crossing the choker. Only the blue-green right eye is visible under a lowered, sharply angled brow, its gaze fixed on the viewer with a cold, appraising look, lower lid taut, mouth set in a flat closed line. The simple black choker sits flush at the throat with nothing layered over it, both shoulders bare of any coat collar, the white boots laced snug with their toes catching the key light. A soft key from the upper left rakes her face and the front of the tank top, dropping a cool shadow under the jaw and down the inner side of the coat, while a faint secondary fill lifts the floor; the flat matte studio stretch swallows detail beyond her. Palette held to white, black, pale grey and the single blue-green of the visible eye. Quiet, sharp, effortlessly cool.
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