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Thank You for the Support!

I really wanted to take a moment to express my gratitude to everyone here, so I drew this girl waving directly at you to say thanks. I hope her warm smile and cute black dress brighten your day like they did for me while drawing! If you enjoy this, please leave a like, follow for more, and let me know what you think in the comments!

#Vestido #cabelo longo #Acenando #olhos cinzentos #olhando para o espectador #Vestido preto #1 garota #obrigado

Publicado em Oct 31, 2026

queen-yuri

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1girl, solo, split screen, anime girl, long straight white hair, pale skin, high-collared black gothic lolita dress, white lace trim on the cuffs, black velvet ribbon bow at the center of her neck, pink background, square frame around her, bold lettering reading "come closer and open your eyes" at the top of the frame, from above, close-up, head tilt, looking up at viewer, hand raised to the glass, flat palm against the surface, half-closed eyes, faint closed-lip smile, parted lips mid-breath, The image is divided by a hard vertical seam down its exact center into two panes, and the camera looks down at the girl from slightly above and in front. In the LEFT pane she is drawn from the crown of her head to her collarbones, close and low in the frame; in the RIGHT pane the identical girl appears at the same scale but shifted a hand's width lower and further back, so the two panes read as one continuous face interrupted by the seam — the same white hair, the same pale skin, the same black high-collared dress with white lace at the cuffs and the small black velvet bow at the center of her throat, the bow cut cleanly in two by the seam and re-joined a few millimetres out of register across it. In the left pane her head tilts toward the seam, chin dipped, eyes half-lowered, gaze sliding up under her lashes to the viewer; in the right pane the tilt reverses, chin lifted a fraction, one brow faintly arched, the same gaze meeting the viewer's dead on. In the left pane her right hand comes up flat against the inside of the pane, palm pressed to the surface, fingers slightly splayed, the fingertips flattened pale where they meet it; in the right pane her hand hangs just below the frame edge, knuckles visible, not touching anything. Long straight white hair falls past her jaw in both panes, the strands on the seam side pushed sideways as though by the edge of the glass, a few fine hairs lifting free of the rest. A perfectly square frame is drawn around her, its four sides hard-edged and closed, and its top rail runs horizontally across the upper fifth of the image, unbroken from left edge to right edge. The background inside that square is a flat, saturated pink, even and untextured, filling every gap between the girl and the frame lines and continuing behind the seam. Big bold display lettering sits ON TOP of the square, overlapping and breaking its top rail and casting a faint hard shadow onto the pink beneath, set in three ragged lines — "come" then "closer and" then "open your eyes" — stacked largest at the top and stepping marginally smaller down, letterforms heavy and tightly kerned, letter edges sharp against the pink and clipped nowhere; the word "closer" spans the central seam, and its two halves sit a hair out of alignment, the left half a touch higher than the right. The lighting is flat and frontal, like a poster printed in a few solid inks: no directional shadow on her face, colour confined to the white of her hair and lace, the black of the dress and bow, the pale skin, and the pink field, with nothing else admitted. Her hand pressed to the pane dulls the pink slightly behind the fingers, the only translucent moment in the flat image. Cool, poised, faintly unsettling.

Thank You for the Support!

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