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AI artwork
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ValmorR

Avatar image of ValmorR

ValmorR

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wide shot, no humans, scenery, eagle, bird of prey, flying, spread wings, wings fully extended, mid-flight, from below, low angle, golden eagle, dark brown plumage, yellow beak, talons tucked, plains, grassy plain, meadow, wildflower field, colorful flowers, red flowers, yellow flowers, blue flowers, purple flowers, orange flowers, scattered blossoms, rolling low hills, distant treeline horizon, clear sky, daylight, side view, motion blur in wingtips The camera sits low in the grass and looks up at a wide golden eagle as it sweeps across the frame from left to right, seen slightly from below against the open sky. Its huge wings are fully spanned and locked at the top of a downstroke, the primaries splayed like fingers, the dark brown plumage banded darker at the flight feathers, and the bright yellow beak and cere catch the light; its legs are drawn back with the talons tucked tight beneath the tail so nothing hangs loose. The bird occupies the right third of the frame, angled three-quarters on with the near wing foreshortened toward the lens and the far wing reaching behind it, the head turned and the eye fixed down and forward on the ground below, not at the viewer. Beneath and behind it, a flat to gently rolling plain runs unbroken to a thin band of distant treeline at the horizon, the grass a summer green broken by drifts of wildflowers in red, yellow, blue, purple and orange, denser in the near foreground where individual petals and stems read sharp and thinning into coloured stipple further out, so scale and distance come from the shrinking of the blossoms rather than from any landmark. The flowers sway all one way, bent at the stems, showing that a moving air mass is passing over the field; the eagle's body is angled into that same wind, and the tips of its outer primaries trail into soft motion blur while the shoulders stay crisp, so the field and the wings tell the same story of moving air. Light comes from high and behind the camera's left as a single daylight source, warming the upper surfaces of the wings and the tops of the flower heads, dropping short soft shadows into the grass at the base of each stem, and leaving the underside of the eagle's body and the shaded half of the field in cool green-shadow. The sky is a clean pale blue, empty of cloud, giving the dark silhouette of the bird a plain field to be read against. Palette holds to summer green, sky blue and the saturated scatter of the blossoms, with the eagle's brown and yellow as the one concentrated weight in the frame. Airy, sunlit.
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Entrada de Instrução Original
Background of plaines with colorfull flowers and a eagle
Modo
pro
Tamanho
1104 x 1824
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
Assistente de Prompt

Modelo & LoRA usado

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.39k

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AI artwork
Avatar image of ValmorR
wide shot, no humans, scenery, eagle, bird of prey, flying, spread wings, wings fully extended, mid-flight, from below, low angle, golden eagle, dark brown plumage, yellow beak, talons tucked, plains, grassy plain, meadow, wildflower field, colorful flowers, red flowers, yellow flowers, blue flowers, purple flowers, orange flowers, scattered blossoms, rolling low hills, distant treeline horizon, clear sky, daylight, side view, motion blur in wingtips The camera sits low in the grass and looks up at a wide golden eagle as it sweeps across the frame from left to right, seen slightly from below against the open sky. Its huge wings are fully spanned and locked at the top of a downstroke, the primaries splayed like fingers, the dark brown plumage banded darker at the flight feathers, and the bright yellow beak and cere catch the light; its legs are drawn back with the talons tucked tight beneath the tail so nothing hangs loose. The bird occupies the right third of the frame, angled three-quarters on with the near wing foreshortened toward the lens and the far wing reaching behind it, the head turned and the eye fixed down and forward on the ground below, not at the viewer. Beneath and behind it, a flat to gently rolling plain runs unbroken to a thin band of distant treeline at the horizon, the grass a summer green broken by drifts of wildflowers in red, yellow, blue, purple and orange, denser in the near foreground where individual petals and stems read sharp and thinning into coloured stipple further out, so scale and distance come from the shrinking of the blossoms rather than from any landmark. The flowers sway all one way, bent at the stems, showing that a moving air mass is passing over the field; the eagle's body is angled into that same wind, and the tips of its outer primaries trail into soft motion blur while the shoulders stay crisp, so the field and the wings tell the same story of moving air. Light comes from high and behind the camera's left as a single daylight source, warming the upper surfaces of the wings and the tops of the flower heads, dropping short soft shadows into the grass at the base of each stem, and leaving the underside of the eagle's body and the shaded half of the field in cool green-shadow. The sky is a clean pale blue, empty of cloud, giving the dark silhouette of the bird a plain field to be read against. Palette holds to summer green, sky blue and the saturated scatter of the blossoms, with the eagle's brown and yellow as the one concentrated weight in the frame. Airy, sunlit.
ValmorR
AI artwork
Avatar image of ValmorR
wide shot, no humans, scenery, eagle, bird of prey, flying, spread wings, wings fully extended, mid-flight, from below, low angle, golden eagle, dark brown plumage, yellow beak, talons tucked, plains, grassy plain, meadow, wildflower field, colorful flowers, red flowers, yellow flowers, blue flowers, purple flowers, orange flowers, scattered blossoms, rolling low hills, distant treeline horizon, clear sky, daylight, side view, motion blur in wingtips The camera sits low in the grass and looks up at a wide golden eagle as it sweeps across the frame from left to right, seen slightly from below against the open sky. Its huge wings are fully spanned and locked at the top of a downstroke, the primaries splayed like fingers, the dark brown plumage banded darker at the flight feathers, and the bright yellow beak and cere catch the light; its legs are drawn back with the talons tucked tight beneath the tail so nothing hangs loose. The bird occupies the right third of the frame, angled three-quarters on with the near wing foreshortened toward the lens and the far wing reaching behind it, the head turned and the eye fixed down and forward on the ground below, not at the viewer. Beneath and behind it, a flat to gently rolling plain runs unbroken to a thin band of distant treeline at the horizon, the grass a summer green broken by drifts of wildflowers in red, yellow, blue, purple and orange, denser in the near foreground where individual petals and stems read sharp and thinning into coloured stipple further out, so scale and distance come from the shrinking of the blossoms rather than from any landmark. The flowers sway all one way, bent at the stems, showing that a moving air mass is passing over the field; the eagle's body is angled into that same wind, and the tips of its outer primaries trail into soft motion blur while the shoulders stay crisp, so the field and the wings tell the same story of moving air. Light comes from high and behind the camera's left as a single daylight source, warming the upper surfaces of the wings and the tops of the flower heads, dropping short soft shadows into the grass at the base of each stem, and leaving the underside of the eagle's body and the shaded half of the field in cool green-shadow. The sky is a clean pale blue, empty of cloud, giving the dark silhouette of the bird a plain field to be read against. Palette holds to summer green, sky blue and the saturated scatter of the blossoms, with the eagle's brown and yellow as the one concentrated weight in the frame. Airy, sunlit.
ValmorR

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