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AI artwork featuring #Danganronpa, #Danganronpa 2: Goodbye Despair, #Hiyoko Saionji and #Mikan Tsumiki
Gerar Grรกtis

Hiyoko Saionji, Mikan Tsumiki

#Danganronpa#Danganronpa 2: Goodbye Despair#Hiyoko Saionji#Mikan Tsumiki
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character: saionji_hiyoko, tsumiki_mikan 2girls, tsumiki mikan, saionji hiyoko, very close-up, pov, face focus, tongue out, long tongue, very big fat tongue, thick fat tongue, saliva, heavy salivation, spit on tongue, spit trails, licking another's cheek, tongue on cheek, hugging, tight hug, hand on back of head, hand on chin, height difference, one head taller, serious, unsmiling, seductive, disgusted, grossed out, frown, annoyed, glaring, looking to the side, displeased, straight lips, pressed lips, arms at sides, covered in saliva, spit on face, black background, simple background An extreme close-up POV, the two faces filling the frame so that the black around them is a void with nothing in it: on the left the taller girl's head comes in above and her face angles down-right across the centre of the image, and on the right the shorter girl's head sits lower, roughly a head beneath the other's crown, her cheek turned out toward the camera. The taller girl's long, heavy tongue is pushed fully out of her mouth, wide and thick and glossy, and its flat upper surface runs in a slow wet stroke along the shorter girl's cheek from the jaw up toward the cheekbone, pressing the skin slightly in where it touches. The tongue is loaded with saliva: several distinct rivers of spit run its length in parallel channels, ridge and groove, catching the one hard light and hanging in a thread at its edge. The shorter girl's whole face is soaked - wet smears and droplets across the forehead, the bridge and the tip of the nose, both cheeks, and a shine around her lips, with a streak of spit collecting along the line of her jaw. Her lips are pressed into one straight, colourless, disapproving line. Her eyes are turned hard to the side, away from the tongue, and she is glaring out past the frame edge with her brows drawn down, sullen and disgusted. Her arms hang perfectly motionless at her sides, shoulders low, no resistance in them at all. The taller girl's mouth is set unsmiling while she does it: no smile at all, her lower lip drawn tight, her breathing held, her jaw steady - a serious, quietly seductive concentration undercut by the faint crease of distaste and revulsion at her own nose and the way her brows pinch together, as if she is disgusted by what she is doing and doing it anyway. Her hands are both on the shorter girl's head: one hand spread across the back of her skull with the fingers buried in hair, the other cupped under the chin with fingertips pushed up into the soft line of the jaw, holding the face steady and tilted exactly where she wants it. The shorter girl's hair is crushed and displaced where that hand grips it. Both of them are squeezed close, bodies almost touching, the taller girl leaning into the shorter one so that the shadow of her head falls across the smaller one's forehead. One hard, cool key light from the front-left of the lens, throwing a wet specular streak down the tongue and bright pinpoint highlights into every droplet on the smaller girl's face while the far sides of both faces fall off into the black; everything beyond them is absolute darkness with no depth, no wall and no floor. Palette is bare skin tones, blonde and dark violet hair, and black - with the only cool white coming from the saliva itself. The wet strand of spit thins under its own weight and lets go in the middle while still anchored at both ends. Intimate, unpleasant, strangely composed.
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Entrada de Instruรงรฃo Original
Mikan Tsumiki from Danganronpa is having her tongue hanging out. Her tongue is long. Spit on her tongue. Not smiling. Serious-seductive face. The background should be black. She is running her tongue along Hiyoko Saionji's cheek (also from Danganronpa). Hiyoko has a frown and is seemingly annoyed by the act. Hiyoko looks to the side disgusted as Mikan runs her tongue along her cheek. Mikan looks disgusted/grossed out. She is hugging Hiyoko very tightly. Mikan is one head taller than Hiyoko. Hiyoko's lips are pressed into a straight disapproving line. There is a lot of spit on Hiyoko's face. Her face is full of spit everywhere (cheeks, nose, forehead, mouth). Hiyoko's arms are motionless at her sides and she is glaring. Mikan is holding the back of Hiyoko's head with one hand and is holding her chin with one hand. Mikan's tongue is very big and fat. Multiple rivers of spit on Mikan's tongue. POV is very up-close. MIKAN's tongue is big and fat.
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flash
Tag de Qualidade
๏นInstruรงรตes๏นž
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1104 x 1824
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AI artwork
d
character: saionji_hiyoko, tsumiki_mikan 2girls, tsumiki_mikan, saionji_hiyoko, extremely close-up, pov, face focus, yuri, tongue out, very long tongue, thick fat tongue, saliva, heavy saliva, spit on tongue, saliva trails, licking cheek, tongue on cheek, tight hug, hand on back of head, hand on chin, head grab, one head taller, height difference, black background, empty background, serious, unsmiling, closed mouth on upper lip, no smile, half-closed eyes, disgusted, grossed out, furrowed brow, hiyoko frowning, annoyed, glaring, looking to the side, looking away, straight lips, pursed lips, arms at sides, motionless arms, spit on face, saliva on cheeks, saliva on nose, saliva on forehead, saliva on mouth, messy face, wet face, blonde hair, twin tails, hair bow, cat hair ornament, orange eyes, japanese clothes, kimono, obi, long sleeves, long purple hair, pink eyes, mole under eye, bandages, white apron, pink collared shirt, puffy short sleeves, dutch angle, Extreme close-up POV, camera pushed in until only the two heads and shoulders fill the frame against a dead-black field: the taller woman's head enters from the upper left, tilted down and in, her chin above the shorter girl's brow, so the whole of her face is seen from slightly below and in front while the shorter girl's face is turned three-quarters away toward the right edge of the frame. The shorter blonde girl stands in the near foreground with her right cheek offered up in profile toward the viewer: twin tails of blonde hair fall forward past her shoulders, a bow and a small cat-shaped hair ornament riding above her left ear, orange eyes cut hard to the right, away from the contact, lashes lowered, a crease between her brows, and her lips pressed into one flat straight line with the corners pulled down. Nothing of her arms is raised; both hang motionless at her sides below the frame's bottom edge, only the tops of her shoulders visible and still. The taller woman's long purple hair falls in a heavy curtain down the left of the frame, a mole set under one half-lidded pink eye, the white apron strap and pink puffed sleeve at her shoulder crushed against the smaller girl's back. Her right hand is buried in the blonde hair at the back of the skull, fingers spread and pulling the head steady; her left hand grips the shorter girl's jaw from below, thumb pressed into the soft under-chin, fingertips dimpling the cheek and dragging the skin taut. Her mouth is open and unsmiling, the upper lip flat and hard, her brows drawn down in an expression of revulsion even as her half-lidded eyes stay fixed on the cheek she is working; her enormous fat tongue lolls out and drags a slow wet path from the corner of the blonde girl's jaw up across the cheekbone. The tongue is grossly oversized, thick and heavy, its surface glossy and mottled, and the spit runs off it in several distinct rivers that sag under their own weight before breaking away. The wetness is everywhere on the smaller girl's face: a sheen over the forehead, a bead sliding down the bridge of the nose, a smear across the lips she refuses to open, a long thread hanging from the corner of her mouth and another from her chin. Where the tongue has just passed, the cheek is slick and catches the only light in the image, a cold hard key from the upper front that leaves the black background absolutely empty, throws no visible shadow, and leaves the backs of both skulls and the outer edges of the hair to fall away into the dark. Spit clings and stretches in fine strands between tongue and skin, and the whole frame is built of flesh tones, blonde and purple, against pure black. Claustrophobic, ugly, deliberate.
dererquickende
AI artwork
d
character: saionji_hiyoko, tsumiki_mikan 2girls, tsumiki_mikan, saionji_hiyoko, extremely close-up, pov, face focus, yuri, tongue out, very long tongue, thick fat tongue, saliva, heavy saliva, spit on tongue, saliva trails, licking cheek, tongue on cheek, tight hug, hand on back of head, hand on chin, head grab, one head taller, height difference, black background, empty background, serious, unsmiling, closed mouth on upper lip, no smile, half-closed eyes, disgusted, grossed out, furrowed brow, hiyoko frowning, annoyed, glaring, looking to the side, looking away, straight lips, pursed lips, arms at sides, motionless arms, spit on face, saliva on cheeks, saliva on nose, saliva on forehead, saliva on mouth, messy face, wet face, blonde hair, twin tails, hair bow, cat hair ornament, orange eyes, japanese clothes, kimono, obi, long sleeves, long purple hair, pink eyes, mole under eye, bandages, white apron, pink collared shirt, puffy short sleeves, dutch angle, Extreme close-up POV, camera pushed in until only the two heads and shoulders fill the frame against a dead-black field: the taller woman's head enters from the upper left, tilted down and in, her chin above the shorter girl's brow, so the whole of her face is seen from slightly below and in front while the shorter girl's face is turned three-quarters away toward the right edge of the frame. The shorter blonde girl stands in the near foreground with her right cheek offered up in profile toward the viewer: twin tails of blonde hair fall forward past her shoulders, a bow and a small cat-shaped hair ornament riding above her left ear, orange eyes cut hard to the right, away from the contact, lashes lowered, a crease between her brows, and her lips pressed into one flat straight line with the corners pulled down. Nothing of her arms is raised; both hang motionless at her sides below the frame's bottom edge, only the tops of her shoulders visible and still. The taller woman's long purple hair falls in a heavy curtain down the left of the frame, a mole set under one half-lidded pink eye, the white apron strap and pink puffed sleeve at her shoulder crushed against the smaller girl's back. Her right hand is buried in the blonde hair at the back of the skull, fingers spread and pulling the head steady; her left hand grips the shorter girl's jaw from below, thumb pressed into the soft under-chin, fingertips dimpling the cheek and dragging the skin taut. Her mouth is open and unsmiling, the upper lip flat and hard, her brows drawn down in an expression of revulsion even as her half-lidded eyes stay fixed on the cheek she is working; her enormous fat tongue lolls out and drags a slow wet path from the corner of the blonde girl's jaw up across the cheekbone. The tongue is grossly oversized, thick and heavy, its surface glossy and mottled, and the spit runs off it in several distinct rivers that sag under their own weight before breaking away. The wetness is everywhere on the smaller girl's face: a sheen over the forehead, a bead sliding down the bridge of the nose, a smear across the lips she refuses to open, a long thread hanging from the corner of her mouth and another from her chin. Where the tongue has just passed, the cheek is slick and catches the only light in the image, a cold hard key from the upper front that leaves the black background absolutely empty, throws no visible shadow, and leaves the backs of both skulls and the outer edges of the hair to fall away into the dark. Spit clings and stretches in fine strands between tongue and skin, and the whole frame is built of flesh tones, blonde and purple, against pure black. Claustrophobic, ugly, deliberate.
dererquickende
AI artwork
cs
character: tsumiki_mikan, character: pekoyama_peko, A very close-up, eye-level anime illustration of Mikan Tsumiki and Peko Pekoyama against a void-like black background. Mikan Tsumiki, who is one head taller, hugs Peko Pekoyama tightly, her left hand gripping the back of Peko's head and her right hand firmly holding Peko's chin. Mikan has a serious yet seductive expression, her large, fat, long tongue extended and running along Peko's cheek, with multiple rivers of spit glistening on it. Peko Pekoyama, with her signature twin braids and glasses, looks away with a disgusted frown, her lips pressed in a straight disapproving line. Peko's face is covered in spit across her cheeks, nose, forehead, and mouth, and she glares sideways with her arms remaining motionless at her sides. Mikan is dressed in her nurse-like attire with a white apron and puffy sleeves, while Peko wears her black serafuku and pleated skirt. The scene is characterized by high-contrast lighting, emphasizing the wet texture of the saliva and the intense, contrasting emotions of the two characters.
Christian Spyksma

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