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AI art "Mercenary" featuring #Annie Leonhart
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Mercenary

#Annie Leonhart
Avatar image of Simon Kennedy

Simon Kennedy

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copyright: blade_runner, blade_runner_2049, dune_(series) 1girl, solo, young woman, strawberry-blonde hair, high messy bun, loose strands framing face, long hair, intense expression, guarded expression, furrowed brow, narrowed eyes, half-closed eyes, looking over shoulder, looking at viewer, from behind, over-shoulder composition, mid-shot, high-collar shirt, olive drab shirt, brown leather jacket, distressed leather, tactical jacket, heavy jacket, visible straps, buckles, weathered leather, coarse fabric weave, backlighting, volumetric light, amber glow, golden haze, lens flare, floating dust particles, dust motes, shallow depth of field, blurred background, vertical architectural ribs, glowing golden panels, monochromatic gold palette, deep ochre, burnt sienna, teal shadows in fabric creases, film grain, 35mm film still, cinematic still, tense, dystopian, harsh arid industrial environment, 1girl only, no other people The view is over her shoulder: she stands with her back three-quarters turned to the camera, and her head is turned back over her right shoulder so that her face arrives in the frame past the raised shoulder of the heavy jacket, mid-shot cropped at the hip, the turned cheek and one narrowed eye catching the amber rim. Her weight rests on her left leg with the right hip dropped and the right knee relaxed behind, her torso twisted a quarter turn away from the lens along the diagonal spine line; the collar of the jacket stands up hard against the back of her neck and its stiff leather hem flares slightly where the twist pulls it. Both hands are busy and low, out of the frame's lower edge: her left hand is buried in her jacket pocket, thumb hooked on a strap, and her right hand is lifted to chest height, fingers closed around a buckled strap at the collar and pulling it snug across the throat — so that the only contact the viewer sees is the tight forearm cropped at the bottom edge and the strap gone taut. Loose strawberry-blonde strands slip free of the high messy bun and lie across the turned cheek and the right corner of her jaw; the bun sits high and slightly off-centre on the crown, strands escaping at the nape. Her brows are pulled down and together, her lower lid tense, her lips set flat and slightly parted with a held breath, and her eyes track straight back at the viewer with a slow sideways vigilance that never quite settles. The high-collared olive drab shirt sits close at the neck with its top button closed, its coarse twill weave readable where the light skims the collar and the sleeve placket; the distressed brown leather tactical jacket rides over it, its surface scuffed pale and cracked at the elbow and the shoulder seam, blackened at the edges, cut with harness straps that run flat across the chest and the upper arm, each ending in a dull metal buckle with a small scratched relief — the leather bulges and creases where the straps cinch it. Backlight is the only light: a low sun burns from behind the ribs and behind her right shoulder, so it flares through the haze into soft anamorphic streaks and horizontal flare lines bleeding across the frame, and it rims the loose strands into thin melting gold, kicks highlights off the strap buckles, and leaves her front in warm ochre shadow — the face lit only along the cheekbone, the hair edge and the collar's upper rim, everything in front of her falling to deep burnt sienna. Dust hangs in the backlight in suspension, sharp gold flecks near the lens and softer scatters as they recede, and a few settle on the leather's upturned shoulder. The environment recedes behind her into shallow focus: massive vertical architectural ribs rising off frame in silhouette, gilded by the low sun, and between them tall glowing panels that blur to soft warm rectangles, their edges melted by haze; the ground she stands on is dry cracked dirt, pale with dust, and the air is thick and arid. The palette holds to gold, deep ochre and burnt sienna, admitting teal only as a small cool glint in the deepest creases where the jacket folds at the armpit and inside the collar's shadow, and the film renders in smooth 35mm grain with rich tonal gradation. Tense, watchful.
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Cinematic film still, mid-shot, a young woman with strawberry-blonde hair tied in a high, messy bun with loose strands framing her face, intense and guarded facial expression, looking over her shoulder toward the camera. She is wearing a rugged, utilitarian layered outfit consisting of a high-collar olive drab shirt under a heavy, distressed brown leather tactical jacket with visible straps and buckles. Lighting is a high-contrast amber glow, dominated by a strong volumetric backlight creating a shimmering golden haze and soft lens flares, simulating a dusty, sun-drenched industrial environment. Color palette is monochromatic gold, deep ochre, and burnt sienna with subtle teal shadows in the fabric creases. Composition uses a shallow depth of field, blurring the background into a series of vertical architectural ribs and glowing golden panels. Shot on 35mm Kodak Vision3 film, Panavision anamorphic lens, f/2.8, capturing organic film grain and rich tonal gradations. The mood is tense, dystopian, and atmospheric, reminiscent of a high-budget sci-fi epic like Dune or Blade Runner 2049, emphasizing a sense of solitude and alertness in a harsh, arid setting. Textures include weathered leather, coarse fabric weave, and floating particulate dust illuminated by the golden light.
Modo
flash
Tamanho
1888 x 1056
Assistente de Prompt

Modelo & LoRA usado

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.72k

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