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AI artwork featuring #Reverse: 1999, #Vertin and #Sonetto
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Vertin, Sonetto

#Reverse: 1999#Vertin#Sonetto
Avatar image of Lee Hunter
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Lee Hunter

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character: sonetto_(reverse:1999), vertin_(reverse:1999), copyright: reverse:1999 2girls, vertin_(reverse:1999), sonetto_(reverse:1999), short grey hair, single side bun, grey eyes, long orange hair, braided hair, checkered hairband, green eyes, oversized puffer coat, both wearing baggy padded coats, hogtie, bound wrists to bound ankles behind the back, tightly bound, prone on side, gagged, tight gag over mouth, cleave gag, looking at each other, eye contact, very small closet, completely dark, cramped enclosed space, side view, profile, close-up, confined, face to face, dark palette, low-key lighting, narrow light source, from side Side view, the two of them packed into a closet so narrow that their shoulders press against opposite walls, both tipped onto their sides on the closet floor with their bound wrists pulled back to their bound ankles behind them, back arched by the tightness of the hogtie, knees bent and drawn up toward their chests in the cramped space. Facing each other across a hand's width of air, cheek almost against cheek, sonetto's long orange braid spilling over the floorboards and crushed against vertin's padded shoulder, vertin's short grey hair and single side bun pressed flat against the shelf edge above them. Each wears an oversized puffer coat far too big for the space, the quilted baffles bunching and creasing where their arms are wrenched behind them and the hems rucked up over their bound legs, the zippers pulled half shut at the throat; a tight gag cuts across each mouth, fabric pulled taut and dimpling their cheeks. Their eyes are locked on each other in the dark — grey eyes meeting green — brows drawn, breath shallow, the only bright points in the frame. The closet is a coffin of a space: a hanging rail of coats crowding in at the top of the frame, a wall of shoes below, the door shut. Total darkness except one thin seam of light entering from the undercut of the door, a low line of pale gold that rakes across the floor between their faces and catches only the upward-facing surfaces — the ridge of a cheekbone, the top edge of a puffer baffle, the wet shine of one eye — while every recessed fold and the far side of both bodies sink into absolute black. Muted palette of charcoal, deep navy and dusty rose quilted nylon against the warm sliver of door-light. Smothering, intimate dread.
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Entrada de Instrução Original
vertin (reverse:1999) and sonetto in oversize puffer coats in hogtie and gagged very tight they looking in the eyes in a very small closet completely dark
Modo
pro
Estilo
Anime Clássico
Tag de Qualidade
﹝Instruções﹞
Tamanho
1104 x 1824
Método de Amostragem
Euler
Negativo
lowres, worst quality, low quality, bad anatomy, explicit
Estilo: Anime Clássico
Assistente de Prompt

Modelo & LoRA usado

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.46k

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AI artwork
Avatar image of Lee Hunter
character: sonetto_(reverse:1999), vertin_(reverse:1999), copyright: reverse:1999 two girls, 2girls, vertin, sonetto, short grey hair, single side bun, grey eyes, orange hair, very long hair, braid, checkered hairband, green eyes, oversize puffer coat, puffer jacket, quilted padding, oversized clothes, hogtie, bound wrists, bound ankles, wrists and ankles bound together behind the back, rope, gagged, cloth gag between lips, tight bindings, lying on side, prone, cramped, very tiny closet, dark, dim lighting, low light, looking at another, eye contact, mutual gaze, faces close together, close-up, dutch angle, from above, cramped interior, wooden shelf above, coats hanging, pitch black beyond The shot is a tight high dutch angle from above, looking down into a very tiny closet barely wide enough for two bodies; the frame is almost entirely filled by the two of them, walls of the closet pressing close on either side and the hanging coats of the household crowding the upper third. Vertin lies on her right side on the closet floor, grey short hair loosened from her single side bun and strands stuck to her cheek, grey eyes open and fixed on Sonetto's face inches away. Sonetto lies facing her, mirroring the same side, her very long orange hair spilling across the floorboards and under Vertin's bound shoulder, one thick braid trapped between them, checkered hairband pushed back; her green eyes meet Vertin's and hold, neither blinking. Both wear enormous puffer coats that swallow their silhouettes, the glossy quilted nylon bunching in thick baffles around their shoulders and bunching under the ropes, sleeves so long the cuffs hang past their bound wrists; dark navy for Vertin, deep olive for Sonetto, the padding compressed where their shoulders press together and where the hogtie ropes cinch over the fabric, wrists drawn back and lashed to ankles so their knees bend and their heels ride up near the small of their back. A dark cloth gag runs between each set of lips, pulled taut, denting the cheeks. Their bound bodies are jammed shoulder to shoulder and hip to hip, no gap between them, faces only a hand's width apart, breath shared in the narrow space. The single light source is a thin blade of hallway light through the crack of the barely-open closet door, low at frame left, raking across the closet floor and striking only the near side of their faces and the tops of the coat baffles; a warm line of light crosses both pairs of eyes at once, everything behind and above them falling into absolute blackness, the hanging coats above reading as dark silhouettes. Palette of near-black, cold navy, deep olive, and the warm amber door-crack light, orange hair catching the one highlight. Loose strands of hair stand where the compressed air of the closet is still; the rope has flattened the quilting into shallow troughs. Quiet, stifling intimacy.
Lee Hunter
#Reverse: 1999#Vertin#Sonetto
AI artwork
Avatar image of Lee Hunter
character: sonetto_(reverse:1999), vertin_(reverse:1999), copyright: reverse:1999 2girls, vertin, sonetto, adult women, ((reverse:1999)), oversized puffer coat, puffy coat, hooded coat, hogtie, bound wrists, bound ankles, wrists bound to ankles, prone, lying on stomach, gagged, cleave gag, very tight bonds, looking at each other, eye contact, mutual gaze, flooded room, shallow water, water surface reflections, wet floor, submerged floor, from above, high angle, looking up, from side, close-up, dutch angle, grey hair, short hair, single side bun, grey eyes, orange hair, very long hair, braid, checkered hairband, green eyes, blush, parted lips, rain-dark palette, cold blue palette, waterproof nylon sheen Shot from a high, slightly tilted angle above the flooded room, the camera looks down and across so that two bound women lie prone in the shallow water, their puffer coats swollen and glossy. Both are adult women. On the left, a grey-haired woman with a short cut and a single side bun, her grey eyes fixed toward the other; the loose strands of her hair are damp and cling to her temple. On the right, an orange-haired woman with a very long braid and a checkered hairband, her green eyes locked forward in return; the braid lies along the water like a rope. Each wears an oversized puffer coat — quilted horizontal channels, hoods bunched at the neck, sleeves swallowing the forearms — and nothing of their usual hats, shirt, ascot, dress or gloves appears. Their wrists are bound behind their backs and drawn tightly down to their bound ankles in a hogtie, the coats creased and pulled taut across the shoulders, the fabric bunching at the small of the back where the binding cinches. A broad cleave gag crosses each mouth, pressing the lips, and the fabric of each gag is wet and darkened where it meets the skin. Their heads are lifted from the water, chins forward, so their eyes meet across the gap between them; each watches the other's face, and the reflection of the other's eyes trembles in the water beneath their chins. Knees bent, hips slightly rolled toward each other, shoulders hunched against the cold. Their contact with the floor is stated: forearms, ribcage, hips, and the sides of the thighs rest in the shallow water, and the puffer coats flatten slightly where they press. The water is only a few centimeters deep and perfectly still except for the slow ripple rings spreading from their bodies; the ripples are tighter and smaller near the bound ankles, wider and softer near the shoulders. A single overhead light source, cold and diffused, comes from the upper left and strikes the wet crowns of their heads, the tops of the puffer channels, and the flat water between them; everything below the waterline is a darker, softer mirror, and the underside of their coats in the water turns a deeper blue. The palette is restricted: cold grey-blue water and light, the grey of one head and the orange of the other, and the dark bruised colors of the soaked puffer nylon. No other warm hue enters the frame. Beyond the two figures the flooded room recedes into a dim, empty expanse of submerged floor and pale wall, and the far edges of the water go matte and dark. The texture of the nylon is the hero — slick, quilted, and beaded with droplets where it emerges from the water. Quiet, tense, unbroken.
Lee Hunter
#Reverse: 1999#Vertin#Sonetto
AI artwork
Avatar image of Liya Hanterys
character: kafka_(honkai:_star_rail), the_herta_(honkai:_star_rail), copyright: honkai:_star_rail 2girls, kafka_(honkai:_star_rail), the_herta_(honkai:_star_rail), long_hair, brown_hair, very_long_hair, purple_hair, hair_between_eyes, purple_eyes, long oversized puffer coat, big hood up, hood pulled up, hogtied, bound wrists, bound ankles, wrists bound to ankles behind back, tight gag, cleave gag, looking at another, eye contact, mutual gaze, lying on side, prone, tiny cramped closet, dark lighting, low light, dim interior, from above, close-up, dutch angle, cramped framing, fabric folds, puffy sleeves, drawn string hood, shallow depth of field, black coat, charcoal coat, muted palette, rim light, high contrast From a steep, slightly tilting overhead three-quarter view, the camera crowds down into a closet so shallow that the two women fill nearly the whole frame — long oversized puffer coats swallowed by the dark, big hoods pulled up and drawn tight so each hood's quilted tunnel curves forward around the face inside it. Herta lies on her right side along the closet floor, knees drawn up, her quilted coat bunching in thick horizontal baffles around her shoulders; her very long brown hair spills out of the hood's opening and fans in loose strands across the coat's puffed collar. Kafka lies on her left side facing her, almost nose to nose, the two big hoods nearly touching at their rims, her long purple hair with its strand between the eyes pressed flat against the inner hood lining and one lock escaping across her cheek. Both have been trussed the same way: through the puffer fabric, wrists drawn back and bound tight to bound ankles behind the back, the coats stretched taut into ridges where the line pulls, boots pulled up short of the seat of the pants so the curved puffer hems ride up and a strip of hosiery shows between cuff and ankle. A wide fabric gag is pulled tight across each mouth, pressing the hood's cord taut where it crosses the cheek, cheeks dented by the pressure, jawlines strained, no sound coming out. Their faces are turned toward each other on the closet floor, eyes locked — Herta's violet eyes tilted up under her lashes, chin lifted off the puffer collar, one brow faintly arched in a challenge; Kafka's purple eyes half-lidded and level, a smug calm in the lowered lids as she holds the stare without blinking. Their breath fogs in the cold closet air and condenses faintly on the hoods' quilted nylon. The closet is tiny and cramped: a dark wall of hanging coats presses in from behind them, one sleeve of an unrelated coat draped down across the foreground corner of the frame in soft out-of-focus mass; a slatted shelf line cuts the background's upper edge; and a strip of door crack at the far right is the only light source, a thin hard blade of warm light sliding across the puffed shoulder of the nearest coat, catching the wet shine on the tightened fabric and along the gag, and leaving everything past it in absolute darkness — no fill, no bounce, only the soft oily grain of nylon and the breath-fogged dark. The floor is bare wood, grain running parallel to their bodies, and the tightness of the space pushes their shoulders against the wall and each other. Colours are held to black, charcoal, moon-grey puffer panels and the faint warm line of door light, with violet and brown hair tones as the only warm spots. Quiet, breathless, claustrophobic.
Liya Hanterys
#Honkai: Star Rail

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