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Shiki
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- Entrada de Instrução Original
- ryougi shiki, short hair, black hair, black eyes, blue eyes, glowing eyes, alternate costume, light blue kimono, <lora:sword-guard-stance-illustriousxl-lora-nochekaiser:1>, sword guard stance, sword, weapon, solo, katana, holding, holding weapon, holding sword, looking at viewer, cowboy shot, at night, on rooftop, skyscraper
- Tamanho
- 1024 x 1024
- Passos de Amostragem
- 28
- Método de Amostragem
- Euler a
- CFG scale
- 5
- Negativo
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
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character: ryougi_shiki, ryougi_shiki_(fate), artist: wada_arco, copyright: fate/grand_order, fate/grand_order_1girl
1girl, solo, ryougi shiki, short hair, black hair, brown hair, messy bob cut, ahoge, glowing blue eyes, glowing eyes, kimono, dark kimono, long sleeves, obi, sash, scarf, long scarf, jacket, black jacket, glowing tattoos, body tattoos, tattooed arms, tattooed legs, katana, japanese sword, sword over shoulder, holding sword, hand covering mouth, wiping mouth, standing, from below, low angle, looking down at viewer, midnight, indoors, japanese mansion, tatami, dark interior, atmospheric glow, glowing particles, cinematic lighting, vibrant colors, detailed costume, sharp expressive eyes, glossy irises
A low-angle shot from just below hip height tilts up at a lone young woman standing in the vast interior of a midnight Japanese mansion. The frame opens onto a long tatami corridor: ranked black-lacquered pillars recede into dark polished wood, shoji panels glow faintly along the left, and the far end of the hall defeats the eye; a raised wooden veranda edge cuts horizontally across the background behind her. She has been caught in the aftermath of a fight. Her weight rests on her right leg, left knee slightly bent, hip cocked out, shoulders turned a quarter away from the camera so her torso twists back toward the lens. With her left hand she grips the scabbard of a Japanese sword, the long blade laid back across her right shoulder, the curve of it crossing behind her head and pointing away into the dark; the steel catches the light along its edge. Her right hand is lifted to her face, the back of the wrist pressed to her mouth, a smear of red dragged across the lower lip and the pad of her thumb — she is wiping it away, knuckles half-covering her mouth, eyes lifting to the camera above her, lids low and cold, brows flat, the mouth hidden behind her hand but the jaw set. One sleeve of an indigo-black kimono has slipped from her shoulder, its long sleeve sagging open below her forearm; a rough striped obi cinches the waist. Over the kimono she wears a black fitted jacket, one shoulder bare, the hem hanging loose at her thigh, and a long knitted scarf wound once around her throat, one trailing end lifted and floating in the still air behind her. Her bare arms, the exposed skin of her thighs below the kimono hem, and the line of her throat all carry dense whorling tattoo patterns that glow a cold electric blue-green, light pulsing faintly along them and throwing a thin luminous rim onto the tatami beneath her feet. Her short ragged black hair has a single stray strand cocked above her crown and swings slightly to one side. Light is scarce and has a source: a low red-orange lantern flame burning somewhere off-frame to the lower right paints a warm stripe across the right side of her jaw, the kimono's shoulder and the flat of the blade, while the glowing ink supplies the rest from within; everything beyond that pool — the pillars, the corridor, the ceiling beams — sinks into near-blackness. Grit and dust stir in the air around her, tiny motes catching the glow. Red, indigo-black and cold luminous blue-green are the only colors admitted. Midnight, hard, dangerous.
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